What could be more precious than honor. Honor and dishonor
“Honor is dearer than life” (F. Schiller)
“Honor is conscience, but conscience is painfully sensitive. It is respect for oneself and for the dignity of one's own life, brought to the utmost purity and to the greatest passion.
Alfred Victor de Vigny
Dictionary V.I. Dahl, defines honor and how "the inner moral dignity of a person, valor, honesty, nobility of soul and a clear conscience."Like dignity, the concept of honor reveals a person's attitude to himself and the attitude of society towards him. However, unlike the concept of dignity, the moral value of a person in the concept of honor is associated with a specific social position of a person, the type of his activity and the moral merits recognized for him.
But is honor a fundamental and vital property of a person, or is it something originally invested quality? There is the concept of "dishonest", which defines a person without principles, that is, not responsible for his actions and following contrary to the general rules. But, each person has his own moral norms and rules, which means that honor is inherent in all people without exception. As Anton Pavlovich Chekhov said: "We all know what a dishonorable act is, but we do not know what honor is."You can talk about honor, dignity and conscience based on your own worldviews and experiences, but the concept of honor remains unchanged. “Honor is the same for women and men, girls, married women, old men and women: “do not deceive”, “do not steal”, “do not drink”; only from such rules, which apply to all people, is a code of "honor" in the true sense of the word "-said Nikolai Gavrilovich Chernyshevsky. And if honor is inextricably linked with life, moreover, it is a component of existence, then can it be more precious than life? Is it possible to lose inner qualities only because of some “unworthy” act that will make life itself impossible? I think yes. Honor and life are two interrelated and inseparable concepts that complement each other. After all, the place of "habitation" of these properties is the individual. What confirm the words of Michel Montaigne : “The value and dignity of a man lie in his heart and in his will; it is here that the basis of his true honor lies.Honor is not dearer than life, but not cheaper either. It outlines the limits of what you can afford yourself, and what kind of attitude you can tolerate from others. A synonym for this quality is conscience - the inner judge of the spiritual essence, its guide and beacon. And only everything together makes up a personality, everything depends on the comprehensive development, because “... the principle of honor, although there is something that distinguishes a person from animals, but in itself it does not contain anything that could put a person above animals”- Arthur Schopenhauer. Another understanding of honor correlates with the current definition of reputation. This is how a person shows himself to other people in communication and deeds. In this case, it is important “not to drop dignity” precisely in the eyes of other people, because few people want to communicate with a rude person, do business with an unreliable person, or help a heartless miser in need. In general, the concepts of honor and conscience are very conditional, very subjective. They depend on the value system adopted in any country, in any circle. In different countries, in different people, conscience and honor have completely different interpretations and meanings. It is worth listening to the opinion of the famous British novelist George Bernard Shaw: “It is better to try to be clean and bright: you are the window through which you look at the world.”conscience is dignity reputation
Honor and conscience are one of the most important characteristics of the human soul. Compliance with the rules of honor gives a person peace of mind and live in harmony with his conscience. But no matter what, then, nothing should be more precious than life, because life is the most precious thing that a person has. And to take a life just because of some prejudices or principles is terrible and irreparable. And not to make an irreversible mistake will help to cultivate moral principles in oneself. We must try to live in harmony with nature, society and ourselves.
Few people, of their own free will, can decide on an act that will lead to a settlement of accounts with life, because, as you know, we do not decide when to put an end to it. But if you put the question point-blank, what should you choose - live your life with the knowledge that you acted dishonorably or act according to your conscience, retaining honor, but die? The answer should be sought in fiction, which has a lot of examples of such life situations.
When it comes to honor, I immediately remember the hero of the poem A.S. Pushkin "Eugene Onegin" - Vladimir Lensky. The issue of honor was raised by the author when Onegin came to the name day, where a friend called him, but the hero begins to annoy everything: the crowd of people (Pustyakovs, Skotinins, Buyanovs and others), Tatyana's behavior, and so on. He blames the one who invited him to the celebration for all this. In retaliation, Yevgeny invites Lensky's fiancée Olga to a dance at an afternoon ball and flirts with her. Vladimir is unable to endure such an insult and challenges Yevgeny to a duel, which will end in the death of one of them. Vladimir Lensky dies in a duel, he was only eighteen years old. He died early, but he defended his and Olga's honor, not allowing anyone to doubt the purity and sincerity of his feelings towards the daughter of the Larin family. While Onegin will have to live life with a heavy burden - to be the killer of a friend.
In the poem "Mtsyri" M.Yu. Lermontov, the main character also puts honor above life, but from a different perspective. Starting to read the poem, we learn that in childhood he was left in the monastery by those who captivated him. The young man got used to captivity and seemed to have forgotten about the call of his father's land. On the day of the solemn event, he disappeared, a three-day search did not lead to anything, and only after some time, strangers accidentally found the exhausted Mtsyri. To persuasion to eat and accept repentance, he refuses, because he does not repent, but rather is proud that he lived in the wild, like his ancestors, that he entered into a duel with a leopard and won. Only one thing weighs on his soul - the violation of a promise given to himself - to be free and find his native lands. Physically, he was free, but the prison remained in his heart, and he could not fulfill his vow. He decides to die, realizing that he cannot be a slave. Thus, Mtsyri chooses honor, not life. For him, the honor is to be a worthy mountaineer, and not a slave, to become part of nature, which accepted him, but which he could not accept.
Each of us himself is responsible for the chosen path, just as he himself gives the answer to the question posed above. For myself, I decided that I always need to act in such a way that later I would not be ashamed to live with the awareness of my decisions. But it is not worth creating situations in which the question of the value of life in relation to honor can be raised, because life is priceless and you need to fill it with harmony and kindness with all your might, part of which is an honest attitude towards others.
Interesting? Save it on your wall!Composition on the theme “Honor is dearer than life” (Var 1)
Can a person have anything more precious than honor? It seems that the answer is obvious and it is negative. But if you look at this issue from a special angle, it is more sublime. And what is the value of life, which throughout its entire length is overshadowed by dirty low deeds. After all, it overshadows not only the existence of others, but also the very figure, acting beyond the boundaries of nobility, is turned into a “comrade” without shaking hands, lonely and denied by society.
Honor is dearer than life, or what does it mean to live with dignity
Making mistakes in life situations is not only an inherent property of human nature, but also an inevitable part of any, at least somewhat rich life of an active person. But errors can be of varying severity. Some of them cause irreparable harm to the course of fate.
In any situation, the most important thing is to behave with dignity. Do not allow the manifestation of emotions, impulsiveness to aggravate the mistakes made and cast a shadow on the reputation. Much will be forgiven if a person does not stoop to complete dishonor.
You can lose everything, but at the same time not lose the respect of others while remaining within the generally accepted framework of nobility. This will always be appreciated by others.
Altered form of perception
Modern concepts of honor are fundamentally different from those that were generally recognized 100-150 years ago. Now, not every girl will even blink an eye when accused of dirty deeds. In the old days, even a hint of this could serve as a settlement of accounts with life. Similar examples and comparisons can be given a whole lot. Modern men have even more reason to worry about their honor if they are reconciled with the principles of the past. Perhaps a fairly large part of the world's population should not exist.
But there are more and more of us. Because generally accepted foundations are changing, and such lofty concepts as honor and nobility are simply devalued. not everyone even understands how to interpret them correctly.
So can a person have anything more precious than life?
In the modern interpretation of the concepts most likely not. but it is still very important to go through such a life path, for which one would not be ashamed and hurt after the time has passed. Exclude betrayal, disrespect for a loved one and other serious social misconduct.
Honor is dearer than life (Var 2)
Modern society resorts less and less to the concepts of honor. This is typical for the younger generation, which is brought up in different conditions. Now the world is ruled by self-interest and vanity. Those who manage to live according to high moral principles are considered strange. People only think about how to get more money faster.
What is honor
A good reputation takes a long time to build. It cannot be obtained in one day. It will take a long time to demonstrate good qualities. In the process, a person develops, a cumulative characteristic is formed in him. That's when the loss of honor for him is worse than death. It is better to give your life than to betray your views on life.
Crisis situations become a test of strength for people. So during the Great Patriotic War, many demonstrated their courage. Millions gave their lives because they were firm in their views and beliefs. People did not renounce their homeland, even in captivity of the enemy. No one has forgotten the exploits of these heroes. Contemporaries can be proud.
Literary examples
Writers and poets often described the main characters in their works as people of honor. Take The Captain's Daughter as an example. One can observe how a father sends his son to the service without resorting to his own connections. He wants Petrusha to know the officer's prowess himself. The father spoke the right words to his son, which confirmed his good intentions.
The young man will have to prove his morality. When the choice was to go over to the side of the enemy at the threat of life, the young guy did not. This is an act of a real highly moral person who surprised Pugachev.
Not only war shows people of honor. In any act, the character and views on human life are manifested. So even Pugachev helps save Masha, which demonstrates his positive qualities. His motive was not self-interest. He simply could not admit that an orphan girl would be offended.
Honor does not depend on the person's age, gender, or the amount of money in the account. This concept should be familiar to any highly moral person. We must protect our honor. Clearing a reputation is very difficult.
Essays on other topics
Living life right is not an easy task. It is human nature to constantly make mistakes, to do wrong things. Some of these mistakes are minor and are quickly forgotten. In life, the main thing is not to make such a mistake that would change your whole life, turning it into a nightmare.
The greatest value of a person is his honor. Any shortcomings can be forgiven a person if he retained his honor, although he suffered because of it. In our time, the concept of honor is a little different than in the last century or in the time of our great-grandfathers and great-grandmothers. However, human values always remain the same. Pure and unsullied honor has always adorned a person, making him worthy and highly respected. Keeping one's honor and one's name pure and innocent is the task of every person who has pride and understands the meaning of life. Modern youth does not live a very correct life. Very often violates prohibitions and rules of conduct that have been preserved for centuries.
A few decades ago, any girl was ready to commit suicide if her name and honor were in danger of being polluted, if any young man could prove to accuse her of indecent behavior. As for today's young girls, they care very little about their good name. Which of course is wrong. After all, everyone around until the end of their days will remember and know what moral qualities this or that person has. Nothing in the world can erase a wrong once committed. Young guys should watch their behavior no less than girls.
Such personal qualities as devotion to a friend and loved one, the struggle for justice, the protection of the weak and innocent. If a young man lives by this principle, he is not in danger of losing honor. He will always walk with his head held high and will not be afraid of anyone. What can not be said about a vile and deceitful person.
Some interesting essays
- Description of the steppe in the story Taras Bulba Gogol
The image in the work of the steppe Zaporozhye plain is a way for the writer to use an artistic technique, which consists in presenting the natural principle as a living organism included in the storyline of the story.
- Sin in Ostrovsky's Thunderstorm (the theme of sin and repentance) essay
The drama "Thunderstorm" allows readers to get acquainted with the "dark realm" and the "beam of light." The atmosphere of house building is present throughout the entire plot of the play. So what sins are truly human evil
- Composition based on the painting by Vasnetsov Northern Territory
The painting "Northern Territory" was painted by Aivazovsky in 1899. Inspired by a journey through the Urals, and overflowing with memories of his native Vyatka region, the master creates this work.
Many people do not even think that his language is considered the richest. Why exactly Russian?
Like any child, I always look forward to summer with impatience. In the summer, life flies quickly, but you remember it more than anything else. My best day was when I first visited the capital's amusement park
The value of human life is undeniable. Most of us agree that life is an amazing gift, because everything that is dear and close to us, we learned once we were born into this world ... Reflecting on this, you involuntarily wonder if there is anything more precious than life?
To answer this question, you need to look into your heart. There, many of us will find something for which we can die without hesitation. Someone will give their life to save their loved one. Someone is ready to die heroically, fighting for their country. And someone, faced with a choice: life without honor or die with honor, will choose the latter.
Yes, I think that honor can be dearer than life. Despite the fact that there are a lot of definitions of the word "honor", they all agree on one thing. A man of honor has the best moral qualities that are always highly valued in society: self-esteem, honesty, kindness, truthfulness, decency. For a person who cares about his reputation and good name, the loss of honor is worse than death.
This point of view was close to A.S. Pushkin. In his novel The Captain's Daughter, the writer shows that the ability to maintain one's honor is the main moral measure of a person. Aleksey Shvabrin, to whom life is more precious than noble and officer honor, easily becomes a traitor, going over to the side of the rebel Pugachev. And Pyotr Grinev is ready to go to his death with honor, but not to refuse the oath to the Empress. For Pushkin himself, protecting the honor of his wife also turned out to be more important than life. Having been mortally wounded in a duel with Dantes, Alexander Sergeevich washed away dishonest slander from his family with blood.
A century later, M.A. Sholokhov in his story “The Fate of a Man” will create the image of a real Russian warrior - Andrei Sokolov. This simple Soviet driver will face many trials at the front, but the hero always remains true to himself and his code of honor. The steel character of Sokolov is especially clearly manifested in the scene with Muller. When Andrei refuses to drink to the victory of German weapons, he understands that he will be shot. But the loss of honor of a Russian soldier frightens a man more than death. The strength of Sokolov's spirit is respected even by the enemy, so Muller abandons the idea of \u200b\u200bkilling the fearless prisoner.
Why are people for whom the concept of "honor" is not an empty phrase, ready to die for it? They probably understand that human life is not only an amazing gift, but also a gift that is given to us for a short time. Therefore, it is so important to manage your life in such a way that future generations will remember us with respect and gratitude.
"A man can be killed, but his honor cannot be taken away"
Honor, dignity, consciousness of one's personality, strength of mind and will - these are the main indicators of a truly persistent and strong, strong-willed person. He is self-confident, has his own opinion and is not afraid to express it, even if it does not coincide with the opinion of the majority. It is difficult, if not impossible, to break, subdue, make a slave. Such a person is invulnerable, this is a person. He can be killed, deprived of his life, but it is impossible to deprive him of honor. Honor in this case is stronger than death.
Let us turn to Mikhail Sholokhov's story "The Fate of a Man". It shows the story of a simple Russian soldier, even his name is common - Andrei Sokolov. By this, the author makes it clear that the hero of the story is the most ordinary person who had the misfortune to live during the Great Patriotic War. The story of Andrei Sokolov is typical, but how many hardships and trials he had to endure! However, he endured all hardships with honor and steadfastness, without losing courage and dignity. The author emphasizes that Andrey Sokolov is the most ordinary Russian person, thus showing that honor and dignity are integral features of the Russian character. Let us recall Andrei's behavior in German captivity. When the Germans, wanting to have fun, forced the exhausted and hungry prisoner to drink a whole glass of schnapps, Andrey did it. To the offer to have a bite, he courageously replied that the Russians never had a bite after the first one. Then the Germans poured him a second glass, and, having drunk it, he answered in the same way, despite the tormenting hunger. And after the third glass Andrey refused the snack. And then the German commandant respectfully told him: “You are a real Russian soldier. You are a brave soldier! I respect worthy opponents.” With these words, the German gave Andrei bread and lard. And he shared these treats equally with his comrades. Here is an example that demonstrates courage and honor, which even in the face of death, the Russian people did not lose.
Recall the story of Vasily Bykov "Crane cry". The youngest fighter in the battalion - Vasily Glechik - was the only survivor against a whole detachment of Germans. However, the enemies did not know this and were preparing to strike, gathering the best forces. Glechik understood that death was inevitable, but he did not allow for a second the thought of escaping, deserting or surrendering. The honor of a Russian soldier, a Russian person - that's what cannot be killed. He was ready to defend himself until his last breath, despite the thirst to live, because he was only 19 years old. Suddenly he heard the cry of the cranes, looked up at the sky, boundless, boundless, piercingly alive, and followed these free, happy birds with a wistful gaze. He desperately wanted to live. Even in such a hell as war, but live! And suddenly he heard a plaintive cooing, looked up again and saw a wounded crane, which tried to catch up with its flock, but could not. He was doomed. Anger seized the hero, an inexpressible desire for life. But he clutched a single grenade in his hand and prepared for his last battle. The above arguments eloquently confirm the postulate stated in our topic - even in the face of imminent death, it is impossible to take away honor and dignity from a Russian person.
3. "Victory and defeat". The direction allows you to think about victory and defeat in different aspects: socio-historical, moral-philosophical, psychological. Reasoning can be connected both with external conflict events in the life of a person, country, world, and with the internal struggle of a person with himself, its causes and results.
Literary works often show the ambiguity and relativity of the concepts of "victory" and "defeat" in different historical conditions and life situations.
Lesson on the topic "Preparing for an essay"
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victory and defeat
TOPICS OF ESSAYS
o E. Hemingway "The Old Man and the Sea",
o B.L. Vasiliev "I was not on the lists",
o EM. Remarque "All Quiet on the Western Front",
o V.P. Astafiev "Tsar-fish"
o "The Tale of Igor's Campaign".
o A.S. Pushkin "Poltava battle"; "Eugene Onegin".
o I. Turgenev "Fathers and Sons".
o F. Dostoevsky "Crime and Punishment".
o LN Tolstoy "Sevastopol stories"; "War and Peace"; "Anna Karenina".
o A. Ostrovsky "Thunderstorm".
o A. Kuprin "Duel"; "Garnet bracelet"; "Olesya".
o M. Bulgakov "Heart of a Dog"; "Fatal Eggs"; "White Guard"; "Master and Margarita". E. Zamyatin "We"; "Cave".
o V. Kurochkin "In the war as in the war."
o B. Vasiliev “The Dawns Here Are Quiet”; "Don't shoot white swans."
o Y. Bondarev "Hot snow"; "Battalions ask for fire."
o V. Tokareva “I am. You are. He is."
o M. Ageev "An affair with cocaine."
o N. Dumbadze "I, grandmother, Iliko and Illarion"
o . V. Dudintsev "White clothes".
"Victory and Defeat"
Very good presentation
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Official comment:
The direction allows you to think about victory and defeat in different aspects: socio-historical, moral-philosophical, psychological. Reasoning may be related both with external conflict events in the life of a person, country, world, and with the internal struggle of a person with himself, its causes and results.
In literary works the ambiguity and relativity of the concepts of "victory" and "defeat" is often shown in different historical conditions and life situations.
Guidelines:
The opposition between the concepts of "victory" and "defeat" is already embedded in their interpretation.
Ozhegov we read: "Victory - success in battle, war, complete defeat of the enemy." That is, the victory of one implies the complete defeat of the other. However, both history and literature give us examples of how victory turns out to be defeat, and defeat turns out to be victory. It is about the relativity of these concepts that graduates are invited to speculate, based on their reading experience. Of course, it is impossible to confine ourselves to the concept of victory as the defeat of the enemy in battle. Therefore, it is advisable to consider this thematic area in different aspects. Aphorisms and sayings of famous people:
· - - The greatest victory is a victory over oneself. Cicero
· The possibility that we may be defeated in battle should not prevent us from fighting for a cause that we consider just. A. Lincoln
· Man is not created to suffer defeat... Man can be destroyed, but he cannot be defeated. E. Hemingway
· Be proud only of those victories that you won over yourself. Tungsten
Socio-historical aspect Here we will talk about the external conflict of social groups, states, military operations and political struggle.
Peru A. de Saint-Exupery belongs to a paradoxical, at first glance, statement: "Victory weakens the people - defeat awakens new forces in it ...".
We find confirmation of the correctness of this idea in Russian literature. "The Tale of Igor's Campaign"- a famous monument of literature of Ancient Rus'. The plot is based on the unsuccessful campaign of the Russian princes against the Polovtsy, organized by the Novgorod-Seversky prince Igor Svyatoslavich in 1185. The main idea is the idea of the unity of the Russian land. Princely civil strife, weakening the Russian land and leading to ruin by its enemies, make the author bitterly sad and complain; victory over enemies fills his soul with ardent delight. However, this work of ancient Russian literature tells about defeat, and not about victory, because it is defeat that contributes to the rethinking of previous behavior, gaining a new view of the world and oneself. That is, defeat stimulates Russian soldiers to victories and exploits. The author of the Lay addresses all the Russian princes in turn, as if calling them to account and demandingly reminding them of their duty to their homeland. He calls them to defend the Russian land, "to block the gates of the field" with their sharp arrows. And therefore, although the author writes about defeat, there is not even a shadow of despondency in the Lay. The "Word" is as concise and laconic as Igor's appeals to his squad. This is the call before the fight. The whole poem, as it were, is turned to the future, permeated with concern for this future. A poem about victory would be a poem of triumph and joy. Victory is the end of the battle, while defeat for the author of the Lay is only the beginning of the battle. The battle with the steppe enemy is not yet over. The defeat should unite the Russians. The author of the Lay calls not to a feast of triumph, but to a feast-battle. This is written in the article "The Word about the campaign of Igor Svyatoslavich" D.S. Likhachev. The "Word" ends happily - with the return of Igor to the Russian land and the singing of glory to him at the entrance to Kyiv. So, despite the fact that the “Word” is dedicated to the defeat of Igor, it is full of confidence in the power of the Russians, full of faith in the glorious future of the Russian land, in victory over the enemy. The history of mankind consists of victories and defeats in wars.
In the novel "War and Peace" L.N. Tolstoy describes the participation of Russia and Austria in the war against Napoleon. Drawing the events of 1805-1807, Tolstoy shows that this war was imposed on the peoples. Russian soldiers, being far from their homeland, do not understand the purpose of this war, they do not want to lay down their lives senselessly. Kutuzov understands better than many the uselessness of this campaign for Russia. He sees the indifference of the allies, the desire of Austria to fight by proxy. Kutuzov protects his troops in every possible way, delaying their advance to the borders of France. This is explained not by distrust of the military skill and heroism of the Russians, but by the desire to save them from senseless slaughter. When the battle turned out to be inevitable, the Russian soldiers showed their constant readiness to help the allies, to take the brunt. For example, a detachment of four thousand under the command of Bagration near the village of Shengraben held back the onslaught of the enemy, "eight times" outnumbering him. This made it possible for the main forces to advance. The miracles of heroism were shown by the unit of officer Timokhin. It not only did not retreat, but struck back, which saved the flank units of the army. The real hero of the Shengraben battle was the courageous, resolute, but modest captain Tushin before his superiors. So, largely thanks to the Russian troops, the battle of Shengraben was won, and this gave strength and inspiration to the sovereigns of Russia and Austria. Blinded by victories, preoccupied mainly with narcissism, holding military reviews and balls, these two men led their armies to defeat at Austerlitz. So it turned out that one of the reasons for the defeat of the Russian troops under the sky of Austerlitz was the victory at Shengraben, which did not allow an objective assessment of the balance of power. All the senselessness of the campaign is shown by the writer in the preparation of the highest generals for the battle of Austerlitz. So, the military council before the battle of Austerlitz does not resemble advice, but an exhibition of vanities, all disputes were not conducted with the goal of reaching a better and correct solution, but, as Tolstoy writes, “... it was obvious that the goal ... of the objections was mainly to make General Weyrother feel, as self-confidently as to schoolchildren who read his disposition, that he was dealing not only with fools, but with people who could teach him in military affairs. And yet, we see the main reason for the victories and defeats of the Russian troops in the confrontation with Napoleon when comparing Austerlitz and Borodin. Speaking with Pierre about the upcoming battle of Borodino, Andrei Bolkonsky recalls the reason for the defeat at Austerlitz: “The battle is won by the one who firmly decided to win it. Why did we lose the battle near Austerlitz?.. We told ourselves very early that we had lost the battle - and lost. And we said this because we had no reason to fight: we wanted to leave the battlefield as soon as possible. “We lost - well, run like that!” We ran. If we had not said this until evening, God knows what would have happened. We won't say that tomorrow." L. Tolstoy shows a significant difference between the two campaigns: 1805-1807 and 1812. The fate of Russia was decided on the Borodino field. Here, the Russian people had no desire to save themselves, no indifference to what was happening. Here, as Lermontov says, “we promised to die, and we kept the oath of allegiance in the Battle of Borodino.” Another opportunity to speculate about how a victory in one battle can turn into a defeat in a war is provided by the outcome of the Battle of Borodino, in which Russian troops gain a moral victory over the French. The moral defeat of Napoleon's troops near Moscow is the beginning of the defeat of his army. The Civil War turned out to be such a significant event in the history of Russia that it could not but be reflected in fiction.
The basis for the reasoning of graduates can be "Don stories", "Quiet Don" M.A. Sholokhov. When one country goes to war with another, terrible events occur: hatred and the desire to defend themselves make people kill their own kind, women and the elderly are left alone, children grow up as orphans, cultural and material values are destroyed, cities are destroyed. But the warring parties have a goal - to defeat the enemy at any cost. And every war has a result - victory or defeat. Victory is sweet and immediately justifies all losses, defeat is tragic and sad, but it is the starting point for some other life. But "in a civil war every victory is a defeat" (Lucian). The life story of the central character of the epic novel by M. Sholokhov "The Quiet Don" by Grigory Melekhov, reflecting the drama of the fate of the Don Cossacks, confirms this idea. War cripples from the inside and destroys all the most precious that people have. It forces the heroes to take a fresh look at the problems of duty and justice, to seek the truth and not find it in any of the warring camps. Once at the Reds, Grigory sees all the same as the Whites, cruelty, intransigence, thirst for the blood of enemies. Melekhov rushes between the two belligerents. Everywhere he encounters violence and cruelty, which he cannot accept, and therefore cannot take one side. The result is logical: “Like a steppe scorched by fires, Grigory’s life became black ...”. Moral-philosophical and psychological aspects Victory is not only success in battle. To win, according to the dictionary of synonyms, is to overcome, overpower, overcome. And often not so much the enemy as himself. Consider a number of works from this point of view.
A.S. Griboyedov "Woe from Wit". The conflict of the play is a unity of two principles: public and personal. Being an honest, noble, progressive-minded, freedom-loving man, the main character Chatsky opposes the Famus society. He condemns the inhumanity of serfdom, recalling "Nestor of noble scoundrels", who exchanged his faithful servants for three greyhounds; he is disgusted by the lack of freedom of thought in the society of the nobility: “And who in Moscow did not shut up lunches, dinners and dances?”. He does not recognize servility and sycophancy: "Who needs it: for those who are arrogant, they lie in the dust, and for those who are higher, flattery, like lace, was woven." Chatsky is full of sincere patriotism: “Will we ever rise again from the foreign power of fashion? So that our smart, peppy people, although by language, do not consider us Germans. He strives to serve the “cause”, and not individuals, he “would be glad to serve, it’s sickening to serve.” Society is offended and, defending itself, declares Chatsky crazy. His drama is aggravated by a feeling of ardent but unrequited love for Famusov's daughter Sofya. Chatsky does not make an attempt to understand Sophia, it is difficult for him to understand why Sophia does not love him, because his love for her speeds up “every heartbeat”, although “the whole world seemed to him dust and vanity.” Chatsky's blindness with passion can justify him: his "mind and heart are out of tune." The psychological conflict turns into a social conflict. Society unanimously comes to the conclusion: "crazy in everything ...". Crazy society is not terrible. Chatsky decides to "search around the world where the offended feeling has a corner." I.A. Goncharov assessed the finale of the play as follows: "Chatsky is broken by the quantity of the old force, inflicting a mortal blow on it with the quality of the new force." Chatsky does not give up his ideals, he only frees himself from illusions. Chatsky's stay in Famusov's house shook the inviolability of the foundations of Famusov's society. Sophia says: “I am ashamed of myself!” Therefore, the defeat of Chatsky is only a temporary defeat and only his personal drama. On a public scale, "the victory of the Chatskys is inevitable." The “past century” will be replaced by the “current century”, and the views of the comedy hero Griboyedov will win. ]
A.N. Ostrovsky "Thunderstorm". Graduates can reflect on the question of whether Katerina's death is a victory or defeat. It is difficult to give an unambiguous answer to this question. Too many reasons led to a terrible ending. The playwright sees the tragedy of Katerina's position in that she comes into conflict not only with Kalinov's family mores, but also with herself. The straightforwardness of Ostrovsky's heroine is one of the sources of her tragedy. Katerina is pure in soul - lies and debauchery are alien and disgusting to her. She understands that, having fallen in love with Boris, she has violated the moral law. “Ah, Varya,” she complains, “I have a sin on my mind! How much I, poor thing, wept, no matter what I did to myself! I can't get away from this sin. Nowhere to go. After all, this is not good, because this is a terrible sin, Varenka, that I love another? Throughout the play, there is a painful struggle in Katerina's mind between understanding her wrong, her sinfulness and a vague, but increasingly powerful sense of her right to human life. But the play ends with Katerina's moral victory over the dark forces that torment her. She expiates her guilt immeasurably, and escapes bondage and humiliation by the only path that has been opened to her. Her decision to die, if only not to remain a slave, expresses, according to Dobrolyubov, "the need for the emerging movement of Russian life." And this decision comes to Katerina along with internal self-justification. She dies because she considers death the only worthy outcome, the only way to preserve the higher that lived in her. The idea that Katerina's death is in fact a moral victory, the triumph of the real Russian soul over the forces of the "dark kingdom" of the Wild and Kabanovs, is also strengthened by the reaction of other heroes of the play to her death. For example, Tikhon, Katerina's husband, for the first time in his life expressed his own opinion, for the first time he decided to protest against the suffocating foundations of his family, joining (if only for a moment) in the fight against the "dark kingdom". “You ruined her, you, you…,” he exclaims, turning to his mother, before whom he has trembled all his life.
I.S. Turgenev "Fathers and Sons". The writer shows in his novel the struggle between worldviews of two political trends. The plot of the novel is built on the opposition of the views of Pavel Petrovich Kirsanov and Evgeny Bazarov, who are the brightest representatives of two generations that do not find mutual understanding. Differences on various issues have always existed between the youth and the elders. So here, a representative of the younger generation, Evgeny Vasilyevich Bazarov, cannot, and does not want to understand the "fathers", their life credo, principles. He is convinced that their views on the world, on life, on relations between people are hopelessly outdated. “Yes, I will spoil them ... After all, this is all pride, lion's habits, foppery ...”. In his opinion, the main purpose of life is to work, to produce something material. That is why Bazarov disrespectfully treats art, sciences that do not have a practical basis. He believes that it is much more useful to deny what, from his point of view, deserves to be denied, than to watch indifferently from the side, not daring to do anything. “At the present time, denial is the most useful - we deny,” says Bazarov. And Pavel Petrovich Kirsanov is sure that there are things that cannot be doubted (“Aristocracy ... liberalism, progress, principles ... art ...”). He values habits and traditions more and does not want to notice the changes taking place in society. Bazarov is a tragic figure. It cannot be said that he defeats Kirsanov in a dispute. Even when Pavel Petrovich is ready to admit his defeat, Bazarov suddenly loses faith in his teaching and doubts his personal need for society. "Does Russia need me? No, apparently, I don't," he reflects. Of course, most of all a person is manifested not in conversations, but in deeds and in his life. Therefore, Turgenev, as it were, leads his heroes through various trials. And the strongest of them is the test of love. After all, it is in love that the soul of a person is revealed fully and sincerely. And then the hot and passionate nature of Bazarov swept away all his theories. He fell in love with a woman whom he highly valued. “In conversations with Anna Sergeevna, he expressed even more than before his indifferent contempt for everything romantic, and left alone, he indignantly recognized the romance in himself.” The hero is going through a severe mental breakdown. "...Something...was possessed in him, which he never allowed, over which he always mocked, which revolted all his pride." Anna Sergeevna Odintsova rejected him. But Bazarov found the strength to accept defeat with honor, without losing his dignity. So, did the nihilist Bazarov win or lose? It seems that in the test of love, Bazarov is defeated. First, his feelings and himself are rejected. Secondly, he falls into the power of the aspects of life he himself denies, loses ground under his feet, begins to doubt his views on life. His position in life turns out to be a position in which, however, he sincerely believed. Bazarov begins to lose the meaning of life, and soon loses life itself. But this is also a victory: love made Bazarov take a different look at himself and the world, he begins to understand that life does not want to fit into a nihilistic scheme in anything. And Anna Sergeevna formally remains among the winners. She managed to cope with her feelings, which strengthened her self-confidence. In the future, she will build a sister well, and she herself will successfully marry. But will she be happy? F.M. Dostoevsky "Crime and Punishment". Crime and Punishment is an ideological novel where non-human theory collides with human feelings. Dostoevsky, a great connoisseur of the psychology of people, a sensitive and attentive artist, tried to understand modern reality, to determine the degree of influence on a person of the then popular ideas of the revolutionary reorganization of life and individualistic theories. Entering into polemics with democrats and socialists, the writer sought to show in his novel how the delusion of fragile minds leads to murder, shedding of blood, maiming and breaking young lives. Raskolnikov's ideas are generated by abnormal, humiliating conditions of life. In addition, the post-reform breakup destroyed the age-old foundations of society, depriving human individuality of connection with the old cultural traditions of society, historical memory. Raskolnikov sees a violation of universal moral norms at every step. It is impossible to feed a family with honest labor, so the petty official Marmeladov finally becomes an inveterate drunkard, and his daughter Sonechka is forced to trade herself, because otherwise her family will die of hunger. If unbearable living conditions push a person to violate moral principles, then these principles are nonsense, that is, they can be ignored. Raskolnikov comes to this conclusion when a theory is born in his inflamed brain, according to which he divides all of humanity into two unequal parts. On the one hand, these are strong personalities, "super-humans" such as Mohammed and Napoleon, and on the other hand, a gray, faceless and submissive crowd, which the hero awards with a contemptuous name - "trembling creature" and "anthill". The correctness of any theory must be confirmed by practice. And Rodion Raskolnikov conceives and carries out the murder, removing the moral prohibition from himself. His life after the murder turns into a real hell. A painful suspicion develops in Rodion, which gradually turns into a feeling of loneliness, rejection from everyone. The writer finds a surprisingly accurate expression characterizing Raskolnikov's inner state: he "as if cut himself off with scissors from everyone and everything." The hero is disappointed in himself, believing that he did not pass the test for the role of the ruler, which means, alas, he belongs to the "trembling creatures". Surprisingly, Raskolnikov himself would not want to be the winner now. After all, to win means to perish morally, to remain with your spiritual chaos forever, to lose faith in people, yourself and life. Raskolnikov's defeat was his victory - a victory over himself, over his theory, over the Devil, who took possession of his soul, but could not forever oust God in it.
M.A. Bulgakov "The Master and Margarita". This novel is too complex and multifaceted, the writer touched on many topics and problems in it. One of them is the problem of the struggle between good and evil. In The Master and Margarita, the two main forces of good and evil, which, according to Bulgakov, should be in balance on Earth, are embodied in the images of Yeshua Ha-Notsri from Yershalaim and Woland - Satan in human form. Apparently, Bulgakov, in order to show that good and evil exist outside of time and that people live according to their laws for thousands of years, placed Yeshua at the beginning of a new time, in the fictional masterpiece of the Master, and Woland, as the arbiter of cruel justice, in Moscow in the 30s. XX century. The latter came to Earth to restore harmony where it had been broken in favor of evil, which included lies, stupidity, hypocrisy and, finally, betrayal that filled Moscow. Good and evil in this world are surprisingly closely intertwined, especially in human souls. When Woland, in a scene in a variety show, tests the audience for cruelty and deprives the head of the entertainer, and compassionate women demand to put her in her place, the great magician says: “Well ... they are people like people ... Well, they are frivolous ... well ... and mercy sometimes knocks on their hearts ... ordinary people ... - and loudly orders: “Put on your head.” Master and Margarita "- about the responsibility of a person for the good and evil that occurs on earth, for his own choice of life paths leading to truth and freedom or to slavery, betrayal and inhumanity. He is about all-conquering love and creativity, elevating the soul to the heights of true humanity. The author wanted to proclaim: the victory of evil over good cannot be the end result of social and moral confrontation. This, according to Bulgakov, she does not accept human nature should not allow the whole course of civilization.Of course, the range of works in which the thematic direction "Victory and defeat" is revealed is much wider. The main thing is to see the principle, to understand that victory and defeat are relative concepts. R. Bach wrote about this in his book “Bridge over Eternity”: “It is not important whether we lose the game, but how we lose and how we change due to this, what new things we bring out for ourselves, how we can apply it in other games. In a strange way, defeat turns out to be victory.”
