What is present in the artistic style. Artistic and colloquial style

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IN general outline, to the main linguistic features artistic style of speech includes the following:

1. Heterogeneity of the lexical composition: a combination of book vocabulary with colloquial, colloquial, dialect, etc.

Let's look at some examples.

“The feather grass has matured. The steppe for many miles was dressed in swaying silver. The wind took it elastically, flowing, roughened, bumped, and drove bluish-opal waves to the south, then to the west. Where the flowing air stream ran, the feather grass bowed prayerfully, and on its gray ridge a blackened path lay for a long time.”

“Various grasses have bloomed. On the ridges of the ridge there is a joyless burnt-out wormwood. The nights faded quickly. At night, countless stars shone in the charred black sky; the month - the Cossack sun, darkened by the damaged side, shone sparingly, whitely; The spacious Milky Way intertwined with other star paths. The astringent air was thick, the wind was dry and wormwood; the earth, saturated with the same bitterness of the all-powerful wormwood, yearned for coolness.”

(M. A. Sholokhov)

2. The use of all layers of Russian vocabulary in order to realize the aesthetic function.

“Daria hesitated for a minute and refused:

No, no, I'm alone. I'm there alone.

She didn’t even know where “there” was and, leaving the gate, headed towards the Angara.”

(V. Rasputin)

3. Activity polysemantic words all stylistic varieties of speech.

“The river seethes all in a lace of white foam.

Poppies are blooming red on the velvet meadows.

Frost was born at dawn."

(M. Prishvin).

4. Combinatorial increments of meaning.

Words in an artistic context receive new semantic and emotional content, which embodies the author’s figurative thought.

“I caught the departing shadows in my dreams,

The fading shadows of the fading day.

I climbed the tower. And the steps shook.

And the steps trembled under my feet.”

(K. Balmont)

5. Greater preference for using concrete vocabulary and less preference for abstract vocabulary.

“Sergei pushed the heavy door. The porch step whimpered barely audibly under his foot. Two more steps and he’s already in the garden.”

“The cool evening air was filled with the intoxicating aroma of blooming acacia. Somewhere in the branches a nightingale was singing its trills, iridescent and subtle.”

(M. A. Sholokhov)

6. Minimum of generic concepts.

“Another piece of advice that is essential for a prose writer. More specifics. The more precise and specific the object is named, the more expressive the imagery is.”

“You have: “Horses chew grain. The peasants were preparing “morning food”, “the birds were noisy”... In the artist’s poetic prose, which requires visible clarity, there should be no generic concepts, unless this is dictated by the very semantic task of the content... Oats are better than grain. Rooks are more appropriate than birds.”

(Konstantin Fedin)

7. Wide use of folk poetic words, emotional and expressive vocabulary, synonyms, antonyms.

“The rosehip, probably, has been creeping up the trunk to the young aspen since spring, and now, when the time has come for the aspen to celebrate its name day, it all burst into flames with red, fragrant wild roses.”

(M. Prishvin).

“New Time was located in Ertelev Lane. I said “fit.” That's not the right word. Reigned, dominated."

(G. Ivanov)

8. Verbal speech management.

The writer names each movement (physical and/or mental) and change of state in stages. Pumping up verbs activates reading tension.

“Grigory went down to the Don, carefully climbed over the fence of the Astakhovsky base, and approached the window covered with shutters. He heard only the frequent beats of his heart... He quietly knocked on the frame binding... Aksinya silently walked up to the window and peered. He saw her press her hands to her chest and heard her inarticulate moan escape her lips. Grigory motioned for her to open the window and took off his rifle. Aksinya opened the doors. He stood on the rubble, Aksinya’s bare hands grabbed his neck. They trembled and beat so much on his shoulders, these dear hands, that their trembling was transmitted to Gregory.”

(M.A. Sholokhov “Quiet Don”)

The dominant features of the artistic style are the imagery and aesthetic significance of each of its elements (down to sounds). Hence the desire for a fresh image, uncluttered expressions, a large number of tropes, special artistic (corresponding to reality) accuracy, the use of special expressive means of speech characteristic only of this style - rhythm, rhyme, even in prose a special harmonic organization of speech.

Art style Speech is distinguished by imagery and extensive use of figurative and expressive means of language. In addition to its typical linguistic means, it also uses means of all other styles, especially colloquial. In the language of artistic literature, colloquialisms and dialectisms, words of a high, poetic style, slang, rude words, professional business turnover speeches, journalism. The means in the artistic style of speech are subordinate to its main function - aesthetic.

As I. S. Alekseeva notes, “if conversational style speech primarily performs the function of communication, (communicative), scientific and official business message function (informative), then the artistic style of speech is intended to create artistic, poetic images, emotional and aesthetic impact. All language means, included in a work of art, change their primary function and are subordinate to the objectives of a given artistic style."

In literature, language occupies a special position, since it is that building material, that matter perceived by hearing or sight, without which a work cannot be created.

An artist of words - a poet, a writer - finds, in the words of L. Tolstoy, “the only necessary placement of the only necessary words” in order to correctly, accurately, figuratively express a thought, convey the plot, character, make the reader empathize with the heroes of the work, enter the world created by the author.

All this is accessible only to the tongue fiction, so it has always been considered the top literary language. The best in language, its strongest capabilities and rarest beauty are in works of fiction, and all this is achieved artistic means language. Facilities artistic expression varied and numerous. First of all, these are the trails.

Tropes are a figure of speech in which a word or expression is used figuratively in order to achieve greater artistic expressiveness. The trope is based on a comparison of two concepts that seem close to our consciousness in some respect.

1). An epithet (Greek epitheton, Latin apositum) is a defining word, mainly when it adds new qualities to the meaning of the word being defined (epitheton ornans - decorating epithet). Wed. in Pushkin: “ruddy dawn”; Special attention theorists pay attention to an epithet with a figurative meaning (cf. Pushkin: “my harsh days”) and an epithet with the opposite meaning - the so-called. oxymoron (cf. Nekrasov: “poor luxury”).

2). Comparison (Latin comparatio) - revealing the meaning of a word by comparing it with another according to some common characteristic (tertium comparationis). Wed. from Pushkin: “youth is faster than a bird.” Discovering the meaning of a word by determining its logical content is called interpretation and refers to figures.

3). Periphrasis (Greek periphrasis, Latin circumlocutio) is a method of presentation that describes a simple subject through complex phrases. Wed. Pushkin has a parodic periphrase: “The young pet of Thalia and Melpomene, generously gifted by Apollo.” One type of periphrasis is euphemism - the replacement with a descriptive phrase of a word that for some reason is considered obscene. Wed. from Gogol: “get by with the help of a scarf.”

Unlike the tropes listed here, which are built on enriching the unchanged basic meaning of the word, the following tropes are built on shifts in the basic meaning of the word.

4). Metaphor (Latin translatio) - the use of a word in a figurative meaning. The classic example given by Cicero is the “murmur of the sea.” The confluence of many metaphors forms an allegory and a riddle.

5). Synecdoche (Latin intellectio) is the case when a whole thing is recognized by a small part or when a part is recognized by the whole. The classic example given by Quintilian is “stern” instead of “ship”.

6). Metonymy (Latin denominatio) is the replacement of one name for an object with another, borrowed from related and similar objects. Wed. from Lomonosov: “read Virgil.”

7). Antonomasia (Latin pronominatio) -- replacement own name another, as if borrowed from outside, nickname. The classic example given by Quintilian is “destroyer of Carthage” instead of “Scipio”.

8). Metalepsis (Latin transumptio) is a replacement, representing, as it were, a transition from one trope to another. Wed. from Lomonosov - “ten harvests have passed...: here, after the harvest, of course, it’s summer, after the summer, a whole year.”

These are the paths built on the use of words in a figurative meaning; theorists also note the possibility of simultaneous use of a word figuratively and literally, the possibility of a confluence of contradictory metaphors. Finally, a number of paths are identified in which not the main meaning of the word changes, but one or another shade of this meaning. These are:

9). Hyperbole is an exaggeration taken to the point of “impossibility.” Wed. from Lomonosov: “running, faster than wind and lightning.”

10). Litotes is an understatement expressing through a negative phrase the content of a positive phrase (“a lot” in the meaning of “many”).

eleven). Irony is the expression in words of a meaning opposite to their meaning. Wed. Lomonosov’s characterization of Catiline by Cicero: “Yes! He is a timid and meek man...”

TO expressive means languages include stylistic figures speech or simply figures of speech: anaphora, antithesis, non-union, gradation, inversion, polyunion, parallelism, rhetorical question, rhetorical appeal, silence, ellipsis, epiphora. The means of artistic expression also include rhythm (poetry and prose), rhyme, and intonation.

Introduction

1. Literary and artistic style

2. Imagery as a unit of figurativeness and expressiveness

3. Vocabulary with subject meaning as the basis for visualization

Conclusion

Literature

Introduction

Depending on the scope of the language, the content of the utterance, the situation and the goals of communication, several functional-style varieties, or styles, are distinguished, characterized by a certain system of selection and organization of linguistic means in them.

Functional style is a historically established and socially conscious variety of a literary language (its subsystem), functioning in a certain sphere of human activity and communication, created by the peculiarities of the use of linguistic means in this sphere and their specific organization.

The classification of styles is based on extralinguistic factors: the scope of use of the language, the subject matter determined by it and the goals of communication. The areas of application of language correlate with types of human activity corresponding to forms of social consciousness (science, law, politics, art). Traditional and socially significant areas of activity are: scientific, business (administrative and legal), socio-political, artistic. Accordingly, they also distinguish between the styles of official speech (book): scientific, official business, journalistic, literary and artistic (artistic). They are contrasted with the style of informal speech - colloquial and everyday.

The literary and artistic style of speech stands apart in this classification, since the question of the legality of its isolation into a separate functional style has not yet been resolved, since it has rather blurred boundaries and can use the linguistic means of all other styles. Specifics of this style It is also the presence of various figurative and expressive means to convey a special property - imagery.

1. Literary and artistic style

As we noted above, the question of the language of fiction and its place in the system functional styles is resolved ambiguously: some researchers (V.V. Vinogradov, R.A. Budagov, A.I. Efimov, M.N. Kozhina, A.N. Vasilyeva, B.N. Golovin) include a special artistic style in the system of functional styles , others (L.Yu. Maksimov, K.A. Panfilov, M.M. Shansky, D.N. Shmelev, V.D. Bondaletov) believe that there is no reason for this. The following are given as arguments against distinguishing the style of fiction: 1) the language of fiction is not included in the concept of literary language; 2) it is multi-styled, open-ended, and does not have specific features that would be inherent in the language of fiction as a whole; 3) the language of fiction has a special, aesthetic function, which is expressed in a very specific use of linguistic means.

It seems to us that the opinion of M.N. is very legitimate. Kozhina that “removal artistic speech beyond functional styles impoverishes our understanding of the functions of language. If we remove artistic speech from the list of functional styles, but assume that literary language exists in many functions, and this cannot be denied, then it turns out that the aesthetic function is not one of the functions of language. The use of language in the aesthetic sphere is one of highest achievements literary language, and from this neither the literary language ceases to be such when it enters a work of art, nor the language of fiction ceases to be a manifestation of the literary language.”

The main goal of the literary and artistic style is to master the world according to the laws of beauty, satisfy the aesthetic needs of both the author of a work of art and the reader, and have an aesthetic impact on the reader with the help of artistic images.

Used in literary works different kinds and genres: stories, novels, poems, poems, tragedies, comedies, etc.

The language of fiction, despite its stylistic heterogeneity, despite the fact that the author’s individuality is clearly manifested in it, still differs in a number of ways specific features, allowing one to distinguish artistic speech from any other style.

The features of the language of fiction as a whole are determined by several factors. It is characterized by broad metaphoricality, imagery of linguistic units of almost all levels, the use of synonyms of all types, polysemy, and different stylistic layers of vocabulary is observed. The artistic style (compared to other functional styles) has its own laws of word perception. The meaning of a word is largely determined by the author’s target setting, genre and compositional features of the work of art of which this word is an element: firstly, in the context of a given literary work it can acquire artistic ambiguity not recorded in dictionaries, secondly, it retains its connection with the ideological and aesthetic system of this work and is assessed by us as beautiful or ugly, sublime or base, tragic or comic:

The use of linguistic means in fiction is ultimately subordinated to the author's intention, the content of the work, the creation of an image and the impact through it on the addressee. Writers in their works proceed, first of all, from correctly conveying a thought, feeling, truthfully revealing spiritual world hero, realistically recreate the language and image. Not only the normative facts of language, but also deviations from general literary norms are subject to the author’s intention and the desire for artistic truth.

The breadth of literary speech covering the means of the national language is so great that it allows us to affirm the idea of the fundamental potential possibility of including all existing linguistic means (though connected in a certain way) into the style of fiction.

The listed facts indicate that the style of fiction has a number of features that allow it to take its own special place in the system of functional styles of the Russian language.

2. Imagery as a unit of figurativeness and expressiveness

Figurativeness and expressiveness are integral properties of an artistic and literary style, therefore we can conclude from this that imagery is a necessary element of this style. However, this concept is still much broader; most often in linguistic science the issue of imagery of a word is considered as a unit of language and speech, or, in other words, lexical imagery.

In this regard, imagery is considered as one of the connotative characteristics of a word, as the ability of a word to contain and reproduce in verbal communication the concrete sensory appearance (image) of an object, recorded in the minds of native speakers - a kind of visual or auditory representation.

In the work of N.A. Lukyanova “On semantics and types of expressive lexical units” contains a number of judgments about lexical imagery, which we fully share. Here are some of them (in our formulation):

1. Imagery is a semantic component that actualizes sensory associations (ideas) associated with a certain word, and through it with specific subject, a phenomenon called by this word.

2. Imagery can be motivated or unmotivated.

3. The linguistic (semantic) basis of motivated figurative expressive words is:

a) figurative associations that arise when comparing two ideas about real objects, phenomena - metaphorical imagery (boil - “to be in a state of strong indignation, anger”; dry - “to worry greatly, to care about someone, something”);

b) sound associations – (burn, grunt);

c) imagery of the internal form as a result of word-formation motivation (play up, star, shrink).

4. The linguistic basis of unmotivated imagery is created due to a number of factors: obscurity of the internal form of the word, individual figurative ideas, etc.

Thus, we can say that imagery is one of the most important structural and semantic properties of a word, which affects its semantics, valence, and emotional-expressive status. The processes of formation of verbal imagery are most directly and organically associated with the processes of metaphorization, that is, they serve as figurative and expressive means.

Imagery is “figurativeness and expressiveness,” that is, the functions of a linguistic unit in speech with the peculiarities of its structural organization and a certain environment, which reflects precisely the plane of expression.

The category of imagery, being a mandatory structural characteristic of each linguistic unit, covers all levels of reflection of the surrounding world. It is precisely because of this constant ability to potentially generate figurative dominants that it has become possible to talk about such qualities of speech as figurativeness and expressiveness.

They, in turn, are characterized precisely by the ability to create (or actualize linguistic figurative dominants) sensory images, their special representation and saturation with associations in consciousness. The true function of imagery is revealed only when turning to a real objective action - speech. Consequently, the reason for such qualities of speech as figurativeness and expressiveness lies in the system of language and can be detected at any of its levels, and this reason is imagery - a special inseparable structural characteristic of a linguistic unit, while the objectivity of the reflection of the representation and the activity of its construction can be studied only at the level of the functional implementation of a language unit. In particular, this can be vocabulary with a subject-specific meaning, as the main means of representation.

The artistic style of speech, as the name implies, is characteristic of the language of fiction.

Literary scholars and linguists call it one of the most important means of artistic communication. We can say that it is a linguistic form of expressing figurative content. We should not forget that when we consider the artistic style of speech, we are talking at the intersection of literary criticism and linguistics. It should be noted that the norms of a literary language are just a kind of starting point for qualitatively different language norms.

Features of artistic style of speech

This style of speech can include colloquial, colloquial, clerical, and many other styles. Every writer's language obeys only those laws that the author himself creates. Many linguists note that in last decades literary language gradually removes restrictions - it becomes open to dialects, jargon, colloquial vocabulary. The artistic style of speech presupposes, first of all, freedom in the choice of words, which, however, must be associated with the greatest responsibility, expressed in a sense of proportionality and conformity.

Artistic style of speech: main features

The first sign of the described style is the original presentation of the word: it seems to be torn out of its schematic connections and placed in “unusual circumstances.” Thus, a presentation of the word arises in which it becomes interesting in itself, and not in context. Secondly, it is characteristic high level linguistic organization, that is, additional ordering. The degree of organization of speech in prose consists in dividing the text into chapters and parts; V dramatic work- on acts, scenes, phenomena. The most complex level of linguistic organization in poetic speech seems to be metrication, stanza, and the use of rhymes. By the way, one of the most striking properties of artistic speech in a poetic work is a high degree of polysemy.

IN artistic prose As a rule, ordinary human speech comes to the fore, which is one of the means of characterizing characters (the so-called speech portrait of the hero).

Comparison

Comparison is of great importance in the language of almost any work. This term can be defined as follows: “Comparison is main way formation of new ideas." It serves mainly to indirectly characterize the phenomenon and contributes to the creation of completely new images.

Language of the work of art

Summarizing all of the above, we can conclude that the artistic style of speech is characterized primarily by imagery. Each of its elements is aesthetically significant: not only words are important, but also sounds, rhythm, and melody of the language. You can find examples of artistic style of speech by opening any literary work. Every writer strives, first of all, for freshness and originality of the image - this explains the widespread use of special means of expression.

Try writing a comment in book style!!!

Greetings, dear readers! Pavel Yamb is in touch. A captivating plot, an interesting presentation, an inimitable, unlike anything else style - and it is impossible to tear yourself away from the work. By all indications, this is an artistic style of text or a type of bookish style, since it is most often used in literature, for writing books. It mainly exists in written form. This is what causes its features.

There are three genres:

Prose: story, fairy tale, novel, story, short story.
Dramaturgy: play, comedy, drama, farce.
Poetry: poem, poem, song, ode, elegy.

Who hasn't done this yet? Leave any comment and download my book, which contains a fable, a parable and a story about copywriters and writers. Look at my art style.

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1 .
- Yes, he spent the entire scholarship. Instead of buying a new computer, or at least a laptop
Task 2 of 10
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What text style does this passage belong to?
“Varenka, such a sweet, good-natured and sympathetic girl, whose eyes always shone with kindness and warmth, with the calm look of a real demon, walked towards the “Ugly Harry” bar with a Thompson machine gun at the ready, ready to roll these vile, dirty, smelly and slippery types into the asphalt, who dared to stare at her charms and drool lustfully."
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3 .
What text style does this passage belong to?
- But I don’t love him, I don’t love him, that’s all! And I will never love you. And what is my fault?
Task 4 of 10
4 .
What text style does this passage belong to?
“Based on the results of the experiment, we can conclude that simplicity is the key to success”
Task 5 of 10
5 .
What text style does this passage belong to?
“The transition to a multi-tier architecture of Internet-oriented client-server applications has confronted developers with the problem of distributing data processing functions between the client and server parts of the application.”
Task 6 of 10
6 .
What text style does this passage belong to?
“Yasha was just a petty dirty trickster, who, nevertheless, had very great potential. Even in his pink childhood, he masterfully stole apples from Aunt Nyura, and not even twenty years had passed when, with the same dashing fuse, he switched to banks in twenty-three countries of the world, and he managed to clean them out so skillfully that neither the police nor Interpol could in any way catch him red-handed."
Task 7 of 10
7 .
What text style does this passage belong to?
“Why did you come to our monastery? - he asked.
- What do you care, get out of the way! – the stranger snapped.
“Uuuu...” the monk drawled meaningfully. - Looks like you weren't taught any manners. Okay, I'm just in the mood today, let's teach you a few lessons.
- You got me, monk, hangard! – hissed uninvited guest.
– My blood is starting to play! – the churchman moaned with delight, “Please try not to disappoint me.”
Task 8 of 10
8 .
What text style does this passage belong to?
"I ask you to grant me a week's leave to travel abroad. family circumstances. I am enclosing a certificate regarding my wife's health. October 8, 2012. "
Task 9 of 10
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What text style does this passage belong to?
“I am a 7th grade student who took school library the book “Alice in Wonderland” for a literature lesson. I undertake to return it on January 17th. January 11, 2017"
Task 10 out of 10
10 .
What text style does this passage belong to?
“During the war in the village. Borovoe, 45 houses out of 77 survived. The collective farmers had 4 cows, 3 heifers, 13 sheep, 3 piglets. Most gardens on personal plots, as well as Orchard with a total area of 2.7 hectares, belonging to the Krasnaya Zarya collective farm, were cut down. The damage caused by the Nazi invaders to the property of the collective farm and collective farmers is estimated at approximately 230,700 rubles.”

The ability to write in this style gives a good advantage when making money by writing articles for a content exchange.

Main features of the artistic style

High emotionality, the use of direct speech, an abundance of epithets, metaphors, colorful narration - these are the features of the literary language. Texts influence the imagination of readers, “turning on” their fantasy. It is no coincidence that such articles have gained popularity in copywriting.

Main features:

Artistic style is the author’s way of self-expression; this is how plays, poems and poems, stories, short stories, and novels are written. He is not like the others.

The author and the narrator are one person. In the work, the author’s “I” is clearly expressed.
Emotions, the mood of the author and the work are conveyed using the entire wealth of language. Metaphors, comparisons, phraseological units are always used when writing.
Elements of conversational style and journalism are used to express the author's style.
Words are not just used to draw pictures artistic images, embedded in them hidden meaning, thanks to the polysemy of speech.
The main task of the text is to convey the author’s emotions and create the appropriate mood in the reader.

The artistic style does not tell, it shows: the reader feels the situation, as if transported to the places that are being narrated. The mood is created thanks to the author's experiences. The artistic style successfully combines explanations scientific facts, and imagery, and attitude to what is happening, author's assessment events.

Linguistic diversity of style

Compared to other styles, linguistic means are used in all their diversity. There are no restrictions: even using scientific terms you can create vivid images, if there is an appropriate emotional mood.

Reading the work is clear and easy, and the use of other styles is only to create color and authenticity. But when writing articles in an artistic style, you will have to carefully monitor the language: it is the book language that is recognized as a reflection of the literary language.

Language features:

Using elements of all styles.
The use of linguistic means is completely subordinated to the author's intention.
Linguistic means perform an aesthetic function.

There is no formality or dryness to be found here. There are no value judgments either. But the smallest details are conveyed to create the appropriate mood in the reader. In copywriting, thanks to the artistic style, hypnotic texts appeared. They create an amazing effect: it is impossible to tear yourself away from reading, and reactions arise that the author wants to evoke.

The obligatory elements of the artistic style were:

Conveying the author's feelings.
Allegory.
Inversion.
Epithets.
Comparisons.

Let's consider the main features of the style. IN works of art- a lot of details.

To form the reader’s attitude towards the characters or what is happening, the author conveys own feelings. Moreover, his attitude can be both positive and negative.

The artistic style owes its rich vocabulary to epithets. Usually these are phrases where one or more words complement each other: incredibly happy, beastly appetite.

Brightness and imagery are a function of metaphors, combinations of words or individual words used in a figurative sense. Classical metaphors were especially widely used. Example: His conscience gnawed at him for a long time and insidiously, causing cats to scratch at his soul.

Without comparisons, artistic style would not exist. They bring special atmosphere: hungry like a wolf, unapproachable like a rock - these are examples of comparisons.

Borrowing elements of other styles is most often expressed in direct speech and character dialogues. The author can use any style, but the most popular is conversational. Example:

“How beautiful this landscape is,” the writer said thoughtfully.

“Well,” his companion snorted, “the picture is so-so, not even ice.”

To enhance a passage or give a special coloring, reverse word order or inversion is used. Example: It is inappropriate to compete with stupidity.

The best in language, its strongest capabilities and beauty are reflected in literary works. This is achieved through artistic means.

Each author has his own style of writing. Not a single random word is used. Each phrase, each punctuation mark, the construction of sentences, the use or, on the contrary, the absence of names and the frequency of use of parts of speech are means of achieving the author’s intention. And every writer has his own ways of expressing.

One of the features of the artistic style is color painting. The writer uses color as a way to show atmosphere and characterize characters. The palette of tones helps to dive deeper into the work, to present the picture depicted by the author more clearly.

Features of the style include deliberately identical construction of sentences, rhetorical questions, and appeals. Rhetorical questions are interrogative in form, but they are narrative in essence. The messages in them are always associated with the expression of the author's emotions:

What is he looking for in a distant land?

What did he throw in his native land?

(M. Lermontov)

Such questions are needed not to obtain answers, but to attract the reader’s attention to a phenomenon, subject, or to express a statement.

Appeals are also often used. In their role, the writer uses proper names, animal names, and even inanimate objects. If in a conversational style the address serves to name the addressee, then in the artistic style they more often play an emotional, metaphorical role.

It involves all the elements at the same time, as well as some of them. Each has a specific role, but the goal is common: filling the text with colors to maximize the conveyed atmosphere to the reader.

Features of speech

The world of fiction is the world that the author sees: his admiration, preferences, rejection. This is what causes the emotionality and versatility of the book style.

Vocabulary features:

When writing, template phrases are not used.
Words are often used in a figurative sense.
Intentional mixing of styles.
The words are emotionally charged.

The basis of vocabulary is, first of all, figurative means. Highly specialized combinations of words are used only slightly to recreate a reliable situation in the description.

Additional semantic nuances are the use of polysemantic words and synonyms. Thanks to them, an original, unique, imaginative text is formed. Moreover, not only expressions accepted in the literature are used, but also conversational phrases, vernacular.

The main thing in book styles- its imagery. Every element, every sound is significant. That’s why common phrases and original neologisms are used, for example, “nikudism.” Great amount comparisons, particular accuracy in description the smallest details, use of rhymes. Even the prose is rhythmic.

If the main task of the conversational style is communication, and the scientific one is the transmission of information, the book style is intended to have an emotional impact on the reader. And all the linguistic means used by the author serve to achieve this goal.

Purpose and its tasks

Art style - construction material to create a work. Only the author can find the right words for the correct expression of thoughts, conveying the plot and characters. Only a writer can make readers enter the special world he created and empathize with the characters.

Literary style distinguishes the author from the rest and gives his publications a peculiarity and zest. That’s why it’s important to choose the right style for yourself. Character traits Every style has it, but every writer uses them to create their own signature. And there is absolutely no need to copy classic writers if you like him. He will not become his own, but will only turn publications into parodies.

And the reason is that individuality was and remains at the head of the book style. Choosing your own style is very difficult, but this is what is valued most of all. So the main features of the style include sincerity, which forces readers not to tear themselves away from the work.

Artistic style differs from other styles in the use of linguistic means of other styles. But only for aesthetic function. And not the styles themselves, but their features and elements. Literary and extra-literary devices are used: dialect words, jargon. All the richness of speech is necessary to express the author's intention and create a work.

Imagery, expressiveness, and emotionality are the main things in book styles. But without the author’s individuality and special presentation there would not be the most artistic work as a whole.

There is no need to get carried away excessively with conversational style or include scientific terms in the text: only elements of styles are used, but all styles are not thoughtlessly mixed. And a description of the smallest details of the apartment, which I briefly glanced at main character, also no use.

Colloquialisms, jargon, a mixture of styles - everything should be in moderation. And a text written from the heart, not compressed or stretched, will become hypnotic, attracting attention to itself. This is the purpose that artistic style serves.

Pavel Yamb was with you. See you!