Research work "Tatyana Larina is Pushkin's favorite heroine. Integrity, noble simplicity of Tatyana's character"

As you know, real beauty lies not only in the outer shell, which is visible to human eye, but also in spiritual fulfillment: purity and freshness of perception of the surrounding world, inner harmony.

This is exactly how we see the immortal heroine of Tatiana Larina in Pushkin's novel "Eugene Onegin". This mysterious, beautiful in its detachment from the surrounding brilliance and festivity secular life the girl from the first pages of her appearance in the novel wins the love of the reader. The girl was not a slave of an aristocratic society; the world of ordinary people was close to her heart.

The subtle nature of Tatiana

Tatyana found joy for her soul in solitude, in observing the wild wilderness surrounding her. The girl was not always understood by others, in comparison with younger sister Olga, her inner world always remained closed and unknown to close people. Tatyana's only friend from early childhood to adolescence was her nanny, who felt the delicate nature of the girl. Together they read poems, nanny's stories about rural life further inflamed in the girl's soul love for the simplicity of existence.

Her big pure heart first of all needed true sincere love. The person to whom she first gave her warm, pure girlish feelings turned out to be Eugene Onegin. The young man, due to his inability to understand people, could not appreciate this and did not reciprocate her. The image of Tatyana becomes especially touching when writing a letter to her beloved. Her soul at this moment is overwhelmed with sincere excitement, because in fact for the first time in her life she opens her soul to another person. The neglect of her feelings by Eugene to some extent made her even more closed, but our heroine learned to live with it.

In the future, when we see Tatyana already married woman, we never cease to admire the fact that despite the fact that she became a secular lady, the girl did not change herself. The abyss of social events and receptions could not suck her in, and as before, the only outlet for her languid soul was reading, contemplation of the world around and loneliness. Tatyana was able to carry through the years bright feelings to Onegin. When Eugene sees Tatyana for the second time, love for this strong woman is born in his heart. beautiful woman. But the girl's mind takes precedence over feelings, remembering Onegin's selfishness and changeable character, she rejects his love. Because of her spiritual nobility, she could not betray the man to whom she swore allegiance to death before the altar. Here we see that Tatyana, having experienced incredible suffering herself, does not want her husband to experience the same.

The image of Tatyana is the image of a strong woman

The image of Tatyana is the image of a strong and sublime woman, truthful, honest, incapable of betraying either the people around her or herself.

The heroine of Tatyana Larina in the novel "Eugene Onegin" personifies the image of all Russian women - honest, noble, with a colossal inner world. Women who know how to love freely and experience tragedy with great deep feelings. The image of Tatyana filled the novel with rich emotions and unsurpassed spiritual depth, which is so characteristic of the golden age of Russian literary classics.

The problem of duty and happiness is major problem novel in verse "Eugene Onegin".

Tatyana appears in the novel as a seventeen-year-old girl:

Dika, sad, silent,

Like a forest doe is timid,

She is in her family

Seemed like a stranger girl.

She grows up, changes outwardly, but for her the concept of honor and duty, which is the dominant of this female image, remains unchanged.

In the opening chapters of the novel, Tatyana appears as an internally contradictory person. Genuine feelings and sensitivity, inspired by sentimental novels, which "replaced everything" for her. Tatyana imagines herself to be the heroine of her favorite books and expects "someone" like Grandison or Malek-Adel, therefore, when she met Onegin, Tatyana saw in him the embodiment of all best qualities favorite heroes. There was something romantic in her, not without reason Lensky compares her with Svetlana Zhukovsky.

The behavior of Tatyana in love is based on the novel models known to her. Her letter was written in French (“she knew little Russian”), letters from the novels she had read served as a model. The author translates it, releasing the true feelings of the heroine from the captivity of book templates. The fact that Tatyana enters into correspondence with an unfamiliar young man and is the first to confess her love to him makes her act impossible from the point of view of social decency.

A revolution in Tatyana's fate takes place in the 7th chapter. External changes in her life are only a consequence of the complex process that went on in Tatyana's soul after Onegin's departure. Once in his estate and trying to understand her hero from the books left there, she realized that her lover was an utterly mysterious person:

What is he? Is it an imitation

An insignificant ghost, or else

Muscovite in Harold's cloak...

And again, Tatyana sees not the real Onegin, but the one whom her imagination suggested.

Not hoping for new meeting and the reciprocity of her lover, Tatyana makes a decisive moral choice: agrees to go to Moscow. She loves Onegin, but voluntarily submits to her duty to her family.

And in last episode novel, in last monologue(“But I am given to another; / I will be faithful to him for a century”) Tatyana confirms the choice made earlier. Onegin's Lesson is full of unfair reproaches and remarks. Tatyana does not understand the feelings of the hero, sees in his love only a secular intrigue, a desire to drop her honor. Again, as once in the village, Tatyana does not see the real Onegin.

Tatyana's monologue reflects the inner drama. Loving each other, they will never be together. Tatyana is sure that happiness cannot be built on the misfortune of another, therefore Tatyana Larina is a heroine of conscience, and not a love heroine.

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Abdrakhmanov Rustam Iskandarovich

Plan research work:

Introduction. The meaning of the image of Tatyana Larina in the system of images of the novel;

Main part.

1. Tatyana's confession of love for Onegin, 2. Onegin's confession of love to Tatyana.

3. Humility for an unhappy marriage.

4. The awakening of new, not yet known violent feelings, which Tatiana has already experienced.

5. Loyalty to marital duty.

Pushkin singles out Tatyana from many representatives noble society because she is superior in her development environment. The beauty of the surrounding nature, constant solitude, the habit of thinking independently, the natural mind formed Tatyana's inner world, to which, with all his mind, Onegin did not grow up. She was alone in her family. Pushkin writes: "Wild, sad, silent, like a doe in the forest, timid, she seemed like a stranger to her family."

FROM early years she was dreamy, she lived a special inner life. The author emphasizes that the girl was devoid of coquetry and pretense - qualities that he did not like so much in women. Many lines in the novel are devoted to the role of books, which for Tatyana were a special world, shaped her worldview, spiritual qualities. So Pushkin brings us to the understanding that Tatyana is a poetic, high, spiritual nature.

The poet finds the most precise, most convincing words,

to explain how unhappily Yevgeny was brought up:

he does not know how to feel, suffer, rejoice.

But he knows how to "dissemble, seem, appear";

but, like many secular people, he knows how to get bored, to languish.

Met two people who can give each other happiness. We met - and noticed each other, and could fall in love. .. But Onegin pushes away this possibility: he doesn't believe in love, he doesn't believe in happiness, he doesn't believe in anything, he doesn't know how to believe...

And Tatyana can do it! And believe, and dream, and wait, and hope, and love:

Tatyana Larina and Eugene Onegin cannot be happy because they have different views for life.

It seems to Tatyana, “And happiness was so possible, so close,” - this is not true. Previously, happiness was not possible, because Onegin did not know how to love. Happiness is possible only now, with the renewed Onegin, but ... too late.

A pure and whole person, Tatyana does not want and cannot deceive her husband, whom she respects. Leaving him for Onegin would mean destroying your own life (the world would not forgive such an act) and, most importantly, the life of another person who loves her - Tatyana does not consider herself entitled to sacrifice her husband's happiness for her own happiness.

Tatyana can only suffer. The former Eugene, indifferent and selfish, would not have understood her torment. Now he understands everything - Onegin is not able to continue to pursue the princess, nor to abandon her at all.

Tatyana, modest, silent, turned into "Stateful and careless

legislator of the hall." She transformed the "soulless world" into a "masquerade"

Petersburg, she brought her simplicity and naturalness.

A reasonable question arises: why the upper world, which we are accustomed to

far from disgusting Tatyana? Why did she fit in so well with him?

Is there a contradiction here?

Tatiana's life is wonderful

history of character development
which was created in the lessons of life

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Topic: Tatyana Larina is Pushkin's favorite heroine. Wholeness noble simplicity Tatyana's character The purpose of the research work: . 1) show the meaning of the image of Tatyana Larina in the system of images of the novel; understand author's attitude to the heroine 2) to show integrity, noble simplicity of Tatyana's character

Plan of my speech: Introduction. The meaning of the image of Tatyana Larina in the system of images of the novel; Main part. 1. Tatyana's confession of love for Onegin, 2. Onegin's confession of love to Tatyana. 3. Resignation to an unhappy marriage. 4. The awakening of new, not yet known violent feelings, which Tatiana has already experienced. 5. Loyalty to marital duty. Conclusion.

Pushkin distinguishes Tatyana from many representatives of the noble society, because in her development she is higher than the environment. The beauty of the surrounding nature, constant solitude, the habit of thinking independently, the natural mind formed Tatyana's inner world, to which, with all his mind, Onegin did not grow up. She was alone in her family. Pushkin writes: "Wild, sad, silent, like a doe in the forest, timid, she seemed like a stranger to her family." . There is no portrait of Tatyana, as if the author is trying to convey to the reader that external beauty is often devoid of life, if there is no beautiful and pure soul, and therefore devoid of poetry.

From an early age, she was distinguished by dreaminess, lived a special inner life. The author emphasizes that the girl was devoid of coquetry and pretense - qualities that he did not like so much in women. Many lines in the novel are devoted to the role of books, which for Tatyana were a special world, shaped her worldview, spiritual qualities. So Pushkin brings us to the understanding that Tatyana is a poetic, high, spiritual nature. The poet finds the most precise, most convincing words to explain how unhappily Yevgeny was brought up: he does not know how to feel, suffer, rejoice. But he knows how to "dissemble, seem, appear"; but, like many secular people, he knows how to get bored, to languish.

Both Onegin and Tatyana are keenly aware of their alienation from the environment in which they are forced to live. This is expressed in the fact that Tatyana "in her own family seemed like a strange girl," and in Onegin's blues. So, Evgeny and Tatyana have features that bring them together. Dissatisfaction with the surrounding life plunges them into beautiful world books. Both of them have a penetrating mind and observation, their relationship is imbued with honesty and truthfulness. Possessing some similar features, Onegin and Tatyana are in many ways different from each other. Onegin's arrogance and selfishness are opposed by Tatyana's spiritual generosity. These qualities of heroes are most clearly manifested in love. Onegin with young years learned the "science of tender passion", which replaced the true feelings. How early could he be hypocritical, Hold hope, be jealous, Dissuade, make believe, Seem gloomy, languish, Be proud and obedient, Attentive or indifferent! Constant pretense became his second nature, drowned out in his soul the ability to sincerely and strongly love

Met two people who can give each other happiness. We met - and noticed each other, and could fall in love. .. But Onegin repels this possibility from himself: he does not believe in love, does not believe in happiness, does not believe in anything, does not know how to believe ... But Tatyana can! And believe, and dream, and wait, and hope, and love: For a long time her imagination, Burning with negligence and longing, Alkalo fatal food; For a long time, heartfelt languor Constricted her young breast; The soul waited... for someone, And waited... Eyes opened; She said it's him!

She "loves without art", "trustful", "endowed from heaven with a rebellious imagination, a living mind and will, and a wayward head, and a fiery and tender heart." Tatyana's letter is permeated with the same tremendous feeling that Pushkin has already told us about, and is expressed in the same bookish words that the poet has already shown us: "unfortunate fate", "souls of inexperienced excitement", "the advice in the highest is destined", "until the grave you are my keeper”, “you appeared to me in dreams”, “who are you, my guardian angel or the insidious tempter”... Tatyana is trying to break out of the circle familiar to a rural young lady. She is the first! writes a letter to Onegin. / Let's listen to a video of Tatiana's letter to Onegin / What prevented Onegin from surrendering to feeling? Everything that happened between Eugene and Tatiana is prepared previous life Onegin. Years lived in a fake world were not in vain.” Murmur eternal soul” was replaced by indifference to both people and feelings. Now, when the feeling is ready to be resurrected, - he was frightened - he preferred cold rest.

Such a girl as Tatyana was once Onegin's ideal! But this ideal is “the former”, Onegin no longer believes in it; late, as it seems to him, he met Tatyana.. Hating and despising the world, he is nonetheless infected by its views, its prejudices: No matter how much I love you, Having got used to it, I will stop loving you immediately; You will start to cry: your tears will not touch my heart, but will only infuriate it...

Having met Tatyana at a ball in Moscow, Onegin is already writing a letter to her. At that time she was already the wife of a general. It is difficult to write such a letter to a person whose love you have rejected. It is even more difficult to understand that this person does not know you at all and may not believe you, to see “the undertakings of despicable cunning where a painful and deep feeling boils ... Now he is even scared to think about those times when he rejected his beloved He cannot understand himself he cannot, as he was then, because now he is different.

It seems to Tatyana, “And happiness was so possible, so close,” - this is not true. Previously, happiness was not possible, because Onegin did not know how to love. Happiness is possible only now, with the renewed Onegin, but ... too late. A pure and whole person, Tatyana does not want and cannot deceive her husband, whom she respects. Leaving him for Onegin would mean destroying your own life (the world would not forgive such an act) and, most importantly, the life of another person who loves her - Tatyana does not consider herself entitled to sacrifice her husband's happiness for her own happiness. Tatyana can only suffer. The former Eugene, indifferent and selfish, would not have understood her torment. Now he understands everything - Onegin is not able to continue to pursue the princess, nor to abandon her at all. We came to the conclusion that Tatyana Larina and Eugene Onegin cannot be happy, as they have different views on life.

Tatyana, modest, silent, turned into a "Stateful and careless legislator of the hall." She transformed the "soulless world", she brought her simplicity and naturalness into the "masquerade" of St. Petersburg. A reasonable question arises: why is the high society, which we are accustomed to consider a false and hypocritical world, and there are good reasons for this, far from disgusting Tatyana? Why did she fit in so well with him? Is there a contradiction here?

Conclusion: Tatyana's life is a wonderful story of character development, which was created in the lessons of life

1.V.G. Belinsky Works by A.S. Pushkin. Articles eight and nine. 2.N.G.Dolinina. Let's read Onegin together. M.-L., "Children's Literature", 1968. 3. A.S. Pushkin. "Eugene Onegin" Kharkov, Belgorod 2008 4. Internet resources. Sources of information

Tatyana - the image of a Russian woman in the novel in verse "Eugene Onegin" by Alexander Pushkin. The story of Tatyana, her character are shown in a novel with different sides, in development. At the beginning of the work, she is still almost a child, who is just becoming an adult. Tatyana is silent, shy, loves to mourn at the window, does not like noisy games and girlish conversations of her sister and her friends. Therefore, in her family, Tatyana appears to be a “stranger girl”, she does not know how to ask her relatives for affection. At a time when everyone around is admiring her mischievous sister Olga, Tatyana is always alone.

However, Tatyana is familiar with the subtlest spiritual impulses: they simply do not reveal themselves to others. She is a romantic person. Tatyana loves to read books, vividly experiences various feelings and adventures with their heroes. She is attracted to everything mysterious, mysterious. Therefore, Tatyana loves to listen folk legends, Mystic stories, which tells the old nanny;

"Tatyana believed the legends

common folk antiquity,

And dreams, and card fortune-telling,

And the predictions of the moon.

When Tatiana falls in love, the depth of her romantic nature is revealed. Yesterday's timid girl turns out to be unexpectedly bold. She is the first to confess her love to Onegin, writes him a letter. Her love is coming from the heart, it's a pure, gentle, shy feeling. Even the cynic Onegin sees what a dreamy girl is standing in front of him, he does not dare to play with her. However, he also does not know how to appreciate the depth, the passion of her love. Tatyana, having fallen in love, becomes very sensitive, she even foresees the tragedy of Lensky's murder and the departure of her beloved.

The image of Tatyana a few years later in St. Petersburg is already different. Gone is the naivete, the childlike faith in fairy tales. Tatyana now knows how to keep herself in high society, inaccessible and royally majestic. And at the same time, she does not renounce herself, she behaves naturally. Tatyana is considered the queen of the capital, and Onegin suddenly falls in love with her. But then Tatyana discovers her own dignity. She remains faithful to her husband, although her girlish love for Onegin still lives in the depths of her soul. Willpower helps her to observe honesty, nobility in relation to her family.

Thus, Tatyana Larina is the standard of a sensitive, feminine, dreamy personality. But at the same time, the image of Tatyana is the image of a strong, honest and decent woman.

Grade 10

Topic:Tatyana is Pushkin's favorite heroine. Integrity, noble simplicity of Tatiana's character.

Goals: 1) show the meaning of the image of Tatyana Larina in the system of images of the novel; help students understand the author's attitude to the heroine;

2) improve text analysis skills;

3) to cultivate the aesthetic taste of students

Lesson type: lesson-analysis of the work.

Equipment: textbook-reader for grade 9, portraits of the Pushkin era.

Methodical methods: drawing up a plan, conversation, student messages, teacher comments, expressive reading, text analysis.

During the classes

Organizing time.

Checking homework.

An expressive reading of the "Letters" of the novel.

Drawing up a plan "The Image of Tatyana Larina"

1.Childhood and youth of Tatyana.

2. Meeting with Onegin and love for him.

3. Tatyana at the end of the novel.

III. Message from a student of "Sister Larina"

Questions to reinforce:

In what environment did Tatyana's childhood pass?

Does Tatyana have an inner intimacy with Olga?

What is the difference between them?

What role does her nanny play in Tatiana's life?

What was the meaning of books for Tatyana?

teacher's word

Next to the culture of the noble society, there was another culture born in the depths of the Russian nation. It included the life, customs, folklore of the village common people, which enter the novel through the depiction of the Larin family, and above all Tatyana. Tatyana absorbed folk morality, which colored her thoughts and feelings and manifested itself in her behavior. For Pushkin, the very name of Tatyana is "inseparable" from "remembrance of the old days or girlish ones." The fact is that this name was very rarely called noble girls. The name Tatyana became popular after Pushkin glorified him in his novel.

The image of Tatyana is accompanied folklore images. Here is this simple folk culture, expressing the warehouse of the Russian character and folk ideals, gradually shaped Tatyana's morality, her character. One can only guess why in one Larin family there were such different tempers- Olga and Tatiana.

Olga lives thoughtlessly, guided in her life by the views and habits established in the local life of the nobility. Her feelings do not differ in that depth and stability, like Tatiana's. But under Pushkin's pen, this image, although sketchy, acquired such artistic expressiveness, which influenced the creation of a number of female images in the works of later writers (for example, Marfinka in Goncharov's novel The Cliff),

V. Conversation on questions

Analyzing the life of Tatyana in her youth, her attitude. Belinsky wrote: “Tatyana's whole inner world consisted in a thirst for love; nothing else spoke to her soul, her mind was asleep. Is this true in your opinion?

How did the novels she read influenced Tatiana? Chardson and Rousseau? ( They instilled in her soul a thirst for love. Love in these novels was portrayed as a feeling of exaltation.new, pure, source of great joys and great sufferingny and victims. Tatyana received from such novels not only the idea of ​​love as the greatest joy of life, but also the idea of ​​the nobility of a woman, the sublimity and strength of her feelings.)

How does the reading circle characterize the heroine?(Novels to her "deputytook everything." Dreamy, alienated from her friends, so unlike Olga, Tatyana perceives everything around her.It’s like a novel that hasn’t been written yet, she imagines herself as the heroine of her favorite books.)

How does Tatyana appear in the second - fifth chapters of the novel?

(In Tatyana, genuine feelings and sensitivity, inspired by sentimental novels, coexist. Tatyana did not fall in love with any of the nobles around her, but Onegin was immediately noticed and singled out by her.)

How does Tatyana Onegin perceive? What is the behavior of the heroine

after meeting him?(Tatyana saw in Onegin exactly the hero of the novel.The behavior of Tatyana in love is based on the novel models known to her.Her letter, written in French, is an echo of the love letters of the heroines of the novels.)

- What qualities of Tatyana are revealed in her letter? ( The letter is imbued with “a living mind and will” and “a fiery and tender heart”.)

- Do you think that the meeting in the garden of Tatiana with Onegin is the most difficult moment in her life? What kind of person shows Onegin? (The explanation with Onegin is tragic in nature and determines later life Tatyana, stayingsamam the greatest grief in her life. These terrible moments, this pain, Tatiana did not forget at the end of the novel: remembering the first meeting with Onegin, she feels that her blood "freezes")

- What happens to Tatyana after Onegin's departure? What feelings does she have for him? How does her perception of Onegin change?(There is a revolution in the fate of Tatyana.She was convinced of her "optical" deception.Restoring Onegin according to the “traces” left in his estate, she realized that her lover was an utterly mysterious, strange person, but not at all the one she took him for.)

- When it comes new stage inner life Tatyana? (She understood that there are interests for a person, there are sufferings and sorrows, besides the interest of suffering and the sorrow of love.With this new step in internal development Tatiana is indebted to Onegin. Now she understands him better and even moreloves:

And in the cruel loneliness

Her passion burns stronger

And about distant Onegin

Her heart speaks loudly.)

Through diary entries Onegin's heroine learned about his thinking about fate modern man and was struck by the sharpness of the "embittered" mind, forced to live in inaction, in a contradictory combination of good and evil. She opened the soul of a man living a busy life, seeking truth, truth. Tatyana's deep loneliness, her indifference to the petty interests of the people around her helped to keep her love for Onegin as the most precious feeling. The main result of Tatyana's "research" was love not for a literary chimera, but for a genuine Onegin. She completely freed herself from bookish ideas about life.

- Why did Tatiana get married?(Not hoping for the reciprocity of her lover, Tatyana makes a decisive moral choice: she agrees to go to Moscow and get married.This is the free choice of the heroine, for whom "all lots are equal."She loves Onegin, but voluntarily submits to her duty to her family.)

Has Tatyana changed? If yes, in what?(Stanzas.XXVII-XXVIIIthe eighth chapter: "trendsetter", "Ravno-hearted princess "remained inthe depths of the soul of the former - serdechnoy, sincere and simple Tatyana.She is oppressed by the situationnew luxury, among which she now lives:

And to me, Onegin, this splendor,

hatefultinsel life,

My progress in a whirlwind of light

What's in them? Now I'm happy to give

All this rags of masquerade

All this brilliance, and noise, and fumes ...)

The recent, but now irrevocably distant past is still dear and close to her. Onegin and the nanny were always in her memory. The nanny died, and Onegin was the only person dear to her:

And happiness was so possible

So close, but my destiny

Already decided...

Why did Tatyana reject Onegin's love if she still loves him?

Work on stanzas XLIV-XLV of the eighth chapter.

Does Tatyana judge correctly about Onegin, about her love, are her reproaches fair?

Why did Onegin and Tatyana not find ways to each other?

Onegin is not exhausted by the books he has read. "Lord Byron's portrait" and "a column with a cast-iron doll" (Napoleon), of course, are Onegin's symbols of faith, but not the gods he worships. Onegin has no gods at all, he is too skeptical to worship and respects himself too much to subordinate his life to someone else's rules. But Tatyana did not understand this and lost faith in love and her hero.

At the same time, Onegin is undergoing a new stage in his spiritual development. He is being transformed. Nothing remains of the former cold and rational person in him - he is an ardent lover. He experiences for the first time a real feeling, but it turns into a drama for him.

About what Tatyana's monologue testifies? ( Othat she has retained her former spiritual qualities, she is true to her love for Onegin, but also true to her marital duty.)

What does Tatyana think about the current Onegin? ( Onegin's Lesson is full of unfair remarks and absurd assumptions. Tatyana does not understand the feelings of the hero, seeing in his love only secular intrigue, a desire to drop her honor in the eyes, societies,accusing him of self-interest.)

What is Onegin's love for Tatyana?(Onegin's love for her is "little", "a petty feeling", and in him she sees only a slave of thisthe senses. Again, as once in the village, Tatyana sees and "does not recognize" the real Onegin.)

What is the reason for such misunderstanding of Onegin by Tatyana?

(Her false idea of ​​him is generated by the world, that “oppressive dignity”, the methods of which, as the Author noted, she “soon adopted”)

VI. Final word

The image of Tatyana herself is free from predestination: she is not the embodiment of vices and not a “perfect model”. Tatyana is a living person and therefore the Author's "sweet ideal". Tatyana found the ideal of moral duty, indestructible marital fidelity, so vividly outlined in folk tales and songs. Pushkin created her image so exhaustively and deeply that we can easily imagine Tatyana in any life situation.

(Examples: stanzas XV, XXXI, XXXVII from the third chapter; stanzas XXIII, XXIV from the fourth chapter; stanzas V, LV from the seventh chapter; stanza L from the eighth chapter.)

Homework

Prepare for writing.

Summing up the lesson, grading.