Gorky at the bottom are images of heroes. Literature lesson M

The drama "At the Lower Depths" is a landmark work in Gorky's creative biography. Descriptions of the heroes will be presented in this article.

This work was written at a turning point for the country. In Russia in the 90s of the 19th century, a serious outbreak broke out. Masses of impoverished, ruined peasants left the villages after each crop failure in search of work. Plants and factories were closed. Thousands of people found themselves without means of livelihood and shelter. This led to the emergence of a large number of “tramps” who sank to the bottom of life.

Who lived in the dosshouses?

Enterprising slum owners, taking advantage of the fact that people found themselves in a hopeless situation, found how to extract benefit from fetid basements. They turned them into shelters in which beggars, the unemployed, thieves, tramps and other representatives of the “bottom” lived. This work was written in 1902. The heroes of the play "At the Bottom" are just such people.

Throughout his entire career, Maxim Gorky was interested in personality, man, his secrets. Feelings and thoughts, dreams and hopes, weakness and strength - all this is reflected in the work. The heroes of the play "At the Bottom" are people who lived at the beginning of the 20th century, when the old world collapsed and a new life arose. However, they differ from the rest in that they are rejected by society. These are people from the bottom, outcasts. The place where Vaska Pepel, Bubnov, Actor, Satin and others live is unsightly and scary. According to Gorky's description, this is a cave-like basement. Its ceiling is stone vaults with crumbling plaster, smoked. Why did the inhabitants of the shelter find themselves “at the bottom” of life, what brought them here?

Heroes of the play "At the Bottom": table

What ruined the lives of these people?

Addiction to alcohol ruined the Actor. By his own admission, he used to have a good memory. Now the Actor believes that everything is over for him. Vaska Pepel is a representative of the “thieves’ dynasty”. This hero had no choice but to continue his father’s work. He says that even when he was little, even then he was called a thief. Former furrier Bubnov left his workshop because of his wife’s infidelity, as well as out of fear of his wife’s lover. He went bankrupt, after which he went to serve in one “treasury chamber”, in which he committed embezzlement. One of the most colorful figures in the work is Satin. He was a former telegraph operator, and went to prison for the murder of a man who insulted his sister.

Who do the shelter's inhabitants blame?

Almost all the characters in the play “At the Bottom” tend to blame life circumstances rather than themselves for the current situation. Perhaps, if they had turned out differently, nothing would have changed significantly, and the same fate would have befallen the night shelters anyway. The phrase that Bubnov said confirms this. He admitted that he actually drank the workshop away.

Apparently, the reason for the fall of all these people is their lack of a moral core, which constitutes a person’s personality. You can cite the words of the Actor as an example: “Why did you die? I had no faith...”

Was there a chance to live a different life?

By creating the images of the characters in the play “At the Lower Depths,” the author provided each of them with the opportunity to live a different life. That is, they had a choice. However, for each, the first test ended in the collapse of life. The baron, for example, could improve his affairs not by stealing government funds, but by investing money in profitable businesses that he had.

Satin could have taught the offender a lesson in another way. As for Vaska Ash, would there really be few places on earth where no one would know anything about him and his past? The same can be said about many of the inhabitants of the shelter. They have no future, but in the past they had a chance not to get here. However, the heroes of the play "At the Bottom" did not use it.

How do the heroes console themselves?

All they can do now is live with unrealistic hopes and illusions. Baron, Bubnov and Actor live. The prostitute Nastya amuses herself with dreams of true love. At the same time, the characterization of the heroes of the play “At the Bottom” is complemented by the fact that these people, rejected by society, humiliated, wage endless debates about moral and spiritual problems. Although it would be more logical to talk about since they live from hand to mouth. The author's description of the characters in the play "At the Bottom" suggests that they are interested in such issues as freedom, truth, equality, work, love, happiness, law, talent, honesty, pride, compassion, conscience, pity, patience, death, peace and much more. They are also concerned about an even more important problem. They talk about what a person is, why he is born, what is the true meaning of existence. The philosophers of the shelter can be called Luka, Satina, Bubnova.

With the exception of Bubnov, all the heroes of the work reject the “losing” lifestyle. They hope for a lucky turn of fortune that will bring them from the “bottom” to the surface. Kleshch, for example, says that he has been working since he was young (this hero is a mechanic), so he will definitely get out of here. “Wait a minute... my wife will die...” he says. The actor, this chronic drunkard, hopes to find a luxurious hospital in which health, strength, talent, memory and the applause of the audience will miraculously return to him. Anna, an unfortunate sufferer, dreams of bliss and peace in which she will finally be rewarded for her torment and patience. Vaska Pepel, this desperate hero, kills Kostylev, the owner of the shelter, because he considers the latter the embodiment of evil. His dream is to go to Siberia, where he will start a new life with his beloved girl.

Luke's role in the work

These illusions are supported by Luke, the wanderer. He masters the skill of a comforter and preacher. Maxim Gorky portrays this hero as a doctor who considers all people to be terminally ill and sees his calling in softening their pain and hiding it from them. However, at every step, life refutes the position of this hero. Anna, to whom he promises divine reward in heaven, suddenly wants to “live a little more....” Having first believed in a cure for alcoholism, the Actor commits suicide at the end of the play. Vaska Pepel determines the true value of all these consolations of Luka. He claims that he “tells fairy tales” pleasantly, because there is so little good in the world.

Satin's opinion

Luka is full of sincere pity for the inhabitants of the shelter, but he cannot change anything, help people live a different life. In his monologue, Satin rejects this attitude, because he considers it humiliating, suggesting the failure and wretchedness of those to whom this pity is directed. The main characters of the play "At the Bottom" Satin and Luka express opposing opinions. Satin says that it is necessary to respect a person and not humiliate him with pity. These words probably express the author’s position: “Man!.. This sounds... proud!”

The further fate of the heroes

What will happen to all these people in the future, will the heroes of Gorky’s play “At the Lower Depths” be able to change anything? It is not difficult to imagine their future fate. For example, Tick. At the beginning of the work he tries to get out of the “bottom”. He thinks that when his wife dies, everything will magically change for the better. However, after the death of his wife, Kleshch is left without tools and money and gloomily sings along with others: “I won’t run away anyway.” In fact, he will not run away, like the other inhabitants of the shelter.

What is salvation?

Are there any ways to escape from the “bottom” at all, and what are they? A decisive way out of this difficult situation may be outlined in Satin’s speech when he talks about the truth. He believes that the purpose of a strong man is to eradicate evil, and not to comfort the suffering, like Luke. This is one of the firmest convictions of Maxim Gorky himself. People can rise from the bottom only by learning to respect themselves and gaining self-esteem. Then they will be able to bear the proud title of Man. It still needs to be earned, according to Gorky.

Declaring his belief in the creative powers, abilities and intelligence of a free person, Maxim Gorky affirmed the ideas of humanism. The author understood that in the mouth of Satin, a drunken tramp, words about a free and proud man sound artificial. However, they had to sound in the play, expressing the ideals of the writer himself. There was no one to say this speech to except Satin.

In his work, Gorky refuted the main principles of idealism. These are the ideas of humility, forgiveness, non-resistance. He made it clear what beliefs the future belongs to. This is proven by the fate of the heroes of the play "At the Bottom". The entire work is imbued with faith in man.

Gorky knew the world of “former people” firsthand. “When I wrote Bubnov, I saw in front of me not only a familiar “tramp,” but also one of the intellectuals, my teacher. Satin - a nobleman, a postal and telegraph official, served four years in prison for murder, an alcoholic and a brawler, also had a “double” - it was the brother of one of the major revolutionaries, who committed suicide while in prison.” Revealing the characters of the inhabitants of the shelter, the writer makes socio-philosophical generalizations.

In the play, Gorky raised the question of the fate of people rejected by society. The writer did not immediately find a title for his play. At first it was called “Without the Sun”, “Nochlezhka”, “Bottom”, “At the Bottom of Life” and, finally, “At the Bottom”.

Several dramas are played out before the reader at once, and among their participants there is not a single person who could be given an unambiguous description. All the night shelters recognize their existence as abnormal and dream of getting out of the bottom of life. Between the surrounding life and the characters of the play, the most important connections have been severed in many ways: social, spiritual, family, professional. At the same time, there is nothing connecting the night shelters themselves. They accidentally ended up in the same place and, perhaps, tomorrow they will go in different directions and will never remember each other. The reader appears as if a “naked” person, deprived of those external layers (cultural, professional, etc.) that he inevitably acquires while living in human society. How will these people behave? How will they build their lives? Who can help them and how? These are the questions that interest Gorky, readers, and viewers.

Note the description of the basement: “A cave-like basement. The ceiling is heavy, stone vaults...” In the basement live people who were driven here by fate. Gorky introduces symbolism into the description (some researchers call it the symbolism of hell): the shelter is located below ground level (the light falls “from top to bottom”); its inhabitants feel like “dead men”, “sinners”. If you remember the song that is sung in the basement: “The sun rises and sets, but it’s dark in my prison,” then another meaning arises - prison.

Who are they, the inhabitants of the shelter? Former worker Kleshch, his wife Anna, a former actor, a former baron, and now they are all people without specific occupations. The girl of easy virtue Nastya, the dumpling seller Kvashnya, the cap maker Bubnov, the shoemaker Alyoshka, the hook maker Crooked Zob, Tatar, Satin, Vasilisa’s sister Natasha, the elder Luka.

The heroes of the play - Actor, Ash, Nastya - strive to break free from the “bottom” of life, but are powerless to change anything. They develop a feeling of hopelessness and a craving for illusion, which gives them hope for the future. When the illusions disappear, these people die.

The owners of the shelter, Vasilisa and Kostylev, are also, in general, people of the bottom, but “higher” in social status than the “residents” of the basement. The shelters “are in eternal bondage to the owners of the shelters,” who “put things in such a way that a person needs to commit a crime...” (M. Gorky). Vasilisa angrily attacks Nastya: “Why are you sticking around? Is your mug swollen? Why are you standing there? Sweep the floor! Out of jealousy, she is capable of scalding her own sister with boiling water, using her lover to deal with her hated husband... “What atrocity there is in her, in this woman!” - says Bubnov. The representative of the authorities, policeman Medvedev, seems to legitimize this: “You can’t beat anyone in vain... they beat you for the sake of order...”

The play “At the Bottom” is not only social, but also philosophical. The heroes of the play are colorful, unique figures, capable of dreaming, thinking, and philosophizing. According to Yu. Aikhenval, “they are all philosophers. Gorky has a whole academy of them. Most of them - vagabonds, wanderers, fugitives - spend time in generalizations, in monotonous conversation of an abstract ethical nature... they only talk about the truth, about the soul, about conscience.”

What are the characters in the play talking about? About faith, human dignity, independence, freedom, about human identity, honor, conscience, honesty, truth, about equality, happiness, love, talent, law, pride, compassion, pity, peace, death... These topics are in connection with the most important question for them: “What is a person, why did he come to earth and what is the meaning of his life?”

Literary critic V.Yu. Troitsky noted that “the night shelters sometimes remember and talk about faith, but most often they understand it in the everyday sense. Absorbed in the difficult production of their daily bread, the inhabitants of the “bottom” are for the most part deeply indifferent to everything eternal, holy, and God.<...>...All the night shelters live “without the sun,” without true faith, without God. And this catastrophic lack of faith aggravates the hopelessness of their situation.”

In the understanding of the night shelters, human dignity, independence and freedom cannot be separated. What kind of freedom and independence does each of them dream of? Vasilisa - to free herself from her husband, Kleshch - from the owners of the shelter. Kvashnya is proud that she is a free woman... Satin “sums up”: “Man is free... he pays for everything himself: for faith, for disbelief, for love, for intelligence - man pays for everything himself, and therefore he - free!” What do other heroes dream about? Nastya - about beautiful, pure, bright love; The actor talks about returning to the stage; Vaska Ashes - about an honest life. But, speaking about human dignity, they trample on it with their behavior, attitude towards each other, with words... “Why are you grunting?”, “You’re lying!”, “You’re a red goat!”, “You’re a fool, Nastya...” , “Be silent, old dog!”, “Stray dogs”, “Pigs”, “Beasts”, “Wolves” - this is an incomplete set of characteristics referring to each other. Why is this possible? Because they live... without faith in God, in honor, in conscience. “Where are they - honor, conscience?” “I don’t believe in conscience,” says Ash. Other inhabitants of the shelter do not believe it either.

Satin and Luke.
The main “philosophers” in the play are Satin and Luke. Satin is undoubtedly one of the most colorful characters. A prisoner and murderer, he characterizes the tramps: “dumb as bricks,” “brutes.” He understands Luka better than others, agrees with him that people “live for the best,” that the truth is connected with ideas about a person who cannot be belittled and offended. In Act IV, at the beginning of his monologue, he defends and approves of Luke, but in the second part of the monologue he enters into an argument with him - he excludes pity for man, proclaims a hymn to strong, proud people: “Man is free... he pays for everything himself: for faith, for unbelief, for love, for intelligence - a person pays for everything himself, and therefore he is free!..”

Luke is the comforter of those who suffer. He has compassion for all the unfortunate: he consoles, deceives, supports illusions. Turning to Ash, he asks: “...what do you really need...<...>Why kill yourself?” This character plays a significant compositional and plot role in the play: he is called upon to reveal the essence of everyone, to awaken the best in people.

One of the main characters in the play, an ambiguous character, an elderly wanderer who unexpectedly appeared in a shelter. He has a wealth of life experience and is on a mission to console frustrated people.

A guest at a rooming house, a hereditary thief. He had been told since childhood that he would grow up to be a thief, just like his father. He grew up with such parting words. Vaska is 28 years old. He is young, cheerful and a naturally kind person. He does not want to accept such a life and tries in every possible way to find another truth.

The wife of the owner of the shelter Kostylev and the mistress of Vaska Pepla. Vasilisa is a cruel and domineering woman. She is 28 years younger than her husband and does not love him at all; most likely, she lives with him for the sake of money. She dreams of getting rid of him as quickly as possible and from time to time persuades the guest Vaska the Thief to rid her of her husband.

One of the characters in the play, an inhabitant of the flophouse. He does not give his real name, since he himself forgot it due to drunkenness. He only remembers his pseudonym and introduces himself as Sverchkov-Zavolzhsky. The Actor's memory has become so bad that he tries in vain to remember poems or recite excerpts from plays.

One of the most miserable inhabitants of the flophouse in the play, a former nobleman who squandered his fortune. He is thirty-three years old. He was once a rich aristocrat, and now he has sunk to the very bottom, to the position of a pimp. In the past he had hundreds of serfs and carriages with coats of arms.

A woman suffering from consumption, living her last days, is the wife of the hard worker Kleshch. She is tired of a life in which she trembles over every piece of bread and walks around in rags. At the same time, Anna constantly endures her husband’s cruel treatment. Anyone can sympathize with the poor thing, but not her husband.

One of the inhabitants of the shelter, a cap-holder, lives there on credit. In the past he was the owner of a dyeing shop. However, his wife got along with the master, after which he chose to leave in order to stay alive. Now he has sunk to the very “bottom” and does not want to retain any positive qualities in himself.

The sister of the hostess of the shelter, a kind and kind-hearted girl. Her image is noticeably different from the other guests. Natasha combines kindness, purity, dignity and pride. It was with these qualities that she charmed Vaska Pepel. The intrigue of the play is whether she will be able to maintain these qualities under the influence of a rough and cruel environment.

One of the inhabitants of the flophouse in the play, a former telegraph operator. This person has his own philosophy of life. This sets him apart from many other guests. He often uses buzzwords in his speech, for example, “macrobiotics,” which indicates that he is not educated.

One of the characters in the play; resident of the night shelter; dumpling seller. Kvashnya is a kind woman, which can be understood by her attitude towards the sick Anna, whom even her husband does not feel sorry for. She often feeds the patient and takes care of her.

One of the residents of the rooming house in the play, a fallen woman who dreams of romantic love. Despite the fact that she is engaged in prostitution, she dreams of pure and devoted love. However, she is surrounded by poverty, hopelessness and humiliation.

One of the guests of the shelter, a mechanic by profession, Anna's husband. At the beginning of the play, he idealizes hard work, considering it the only way out of the situation. He dreams of returning to a normal life with the help of honest work. The tick is contrasted with other lodgers who prefer to do nothing.

Gorky in his play offers readers a whole kaleidoscope of different characters and heroes. Let's take a brief look at each below.

Kostylev

Kostylev, a 54-year-old man, is the head of the shelter. In general, he is a negative character who is prone to anger and greed, and many other negative qualities. He has a wife, Vasilisa, who in turn has a sister named Natasha. He treats everyone with more than disdain, and can be rude and offend. This person does not think much about morality and is more inclined to seek personal gain. He buys stolen goods from Vaska Ash, but at the end of the play he dies at the hands of Vaska.

Vasilisa Karpovna

Vasilisa Karpovna is 26 years old, she is Kostylev’s wife. As they say, a rewarding wife. Kostylev can afford to have a young woman on his payroll, but Vasilisa herself is not exactly a positive heroine. She is prone to debauchery and cruelty, that is, she is not subservient and oppressed here, she herself knows her own goals towards which she is going and ultimately persuades Vaska, with whom she once had a relationship, to get rid of her elderly husband.

Natasha

Natasha – 20 years old. A rather sweet and positive girl who is subjected to all sorts of humiliation from Vasilisa (whose sister she is) and Kostylev. Vaska Pepl likes her, but he cannot provide for her and she ends up in the hospital and then disappears.

Vaska Ash

Vaska Pepel is a 28-year-old criminal. Previously, he met with Vasilisa, who continues to have feelings for him, and Vaska himself is trying to look after the younger Natasha, whom he offers to run away and start living honestly, but such an enterprise does not succeed. Moreover, Vaska, who was previously imprisoned many times, finds himself behind bars again after he dealt with Kostylev.

Luke

Luka is 60 years old, old man. An old man who wants to help everyone else and is wise from experience, but in fact his advice is not needed by anyone and even harms. He most likely settled in a shelter after escaping from hard labor. Probably, Luka did not serve out his own sentence; it is not known what his crime was.

Actor

The actor is a 40-year-old alcoholic. He previously served in the theater and is saving money to go to some mythical city where he is treated for alcoholism. Luke spoke about this city and in this advice its rather harmful influence is again revealed. In the end, Luka does not name in which city the sought-after hospital is located, and this hero drinks again, after which he commits suicide.

Satin

Satin is 40 years old, an alcoholic and a dishonest gambler. He had to serve five years, but prison did not rehabilitate him and he wants to continue to exist by cheating, although he himself is intelligent and educated.

Baron

The Baron is a 33-year-old drunkard, a nobleman. He served as an official, but got caught embezzling and after his family was unable to improve his life, he ended up poor. He is supplied with money by Nastya, with whom he meets and thanks to this he can drink.

Nastya

Nastya is a 24-year-old girl. She tolerates the Baron, who humiliates her, although he dates her. Probably a girl of easy virtue or earns money in some other indecent way. He loves romance novels, which he mostly reads in order to come up with some kind of love stories with himself in the leading role. Of course, no one really believes her.

Bubnov

Bubnov – 45 years old. He previously owned a fur workshop, which he lost after a divorce. Now a beggar.

Mite

Klesh is a 40-year-old artisan, mechanic. Constantly humiliates his wife, who falls ill. After Anna's death, he sells instruments to bury his wife.

Anna

Anna is a 30-year-old woman who is terminally ill with consumption. She suffers from consumption and considers the disease to be the cause of her husband’s bad attitude.

Kvashnya

Kvashnya is a 40-year-old dumpling seller. A woman who was beaten by her husband for eight years, after which she got divorced, and then marries Medvedev, who finds himself at the hand of this woman.

Medvedev

Medvedev is a 50-year-old police officer. For Vasilisa and Natasha, he is an uncle. After he becomes Kvashnya’s husband, he starts drinking. Throughout the entire play, he turns a blind eye to the affairs that Kostylev, Vaska and the others are doing. In addition, he also does not consider it necessary to interfere in the beatings that Kostylev and Vasilisa inflict on Natasha.

Alyoshka

Alyoshka is a 20-year-old shoemaker and drunkard. An unhappy young man who sometimes drinks and ends up in police custody. Can sing and play the harmonica.

Tatar

Tatar - inhabitant of the shelter, hooker (loader). He is one of the few honest people and even exposes Satin and Baron in a dishonest card game. At the end of the play, he finds himself with a broken arm and, accordingly, without work.

Crooked Goiter

Crooked Zob is also a loader. Unlike Tatarin, he is well aware of the dishonest card game (meaning Satin and Baron), but his attitude is different, he justifies these people. He loves to sing, which keeps him company with the other inhabitants of the shelter.

Characteristics of the heroes of Gorky’s work At the Lower Depths (2nd option)

In the play “At the Bottom” we see many different characters with their own destinies, feelings and problems. Next, we will try to pay close attention and consider each of them in more detail.

Kostylev This is the head of the flophouse in years. Gorky paints him as a negative character, to whom moral standards are alien. He is prone to outbursts of aggression, anger, he is stingy and greedy. He also has a wife, Vasilisa. And Vasilisa has a sister Natasha. And Kostylev prefers negatively towards each of the women; with them he is rude, impudent and often tries to offend. Kostylev is a mercantile person, he is used to looking for profit in everything. He buys things from Vaska Ash that were once stolen, without thinking about his actions. At the end of the work, Vaska kills him.

Vasilisa Karpovna This is Kostylev’s wife. A woman, as well as a spouse, cannot be called a positive character. She is depraved, prone to vices, cruel. She has her own goals and dreams. In the end, she persuades her former lover Vaska Pepel to kill Kostylev.

Natasha- Vasilisa’s twenty-year-old sister. Sweet, beautiful, but often subjected to humiliation from her relative and her husband. Vaska Peplov has his own designs on the girl, but he understands that he is not able to provide for her. Soon Natasha ends up in the hospital, after which she disappears forever.

Vaska Ash– a 28-year-old man, a criminal. Once had a love relationship with Vasilisa. The woman still has feelings for him, while Vaska himself prefers to look after young Natasha. The girl invites him to run away and start an honest life together, but they fail. Moreover, Vaska again finds himself in prison for the murder of Kostylev.

Luke- a sixty-year-old man who wants to give advice and help to everyone. But no one listens to the old man's advice, no one listens to him. Most likely, Luka ended up in the shelter after escaping from hard labor, but we will never know the old man’s real story.

Actor- an alcoholic in years. Once upon a time the actor actually worked in the theater. Now he is saving money to go to some mythical city, where he will be cured of the disease of alcoholism. Needless to say, Luke told the Actor about this city, whose advice often turns out to be harmful. But Luka does not say the name of the city, and the Actor again begins to drink from the bottle, after which he commits suicide out of despair.

Satin- a forty-year-old alcoholic and card sharper. The man had to serve five years, but even prison could not change him, and he still wants to live off the cards. He is an educated and far from stupid person.

Baron- nobleman, drunkard. He once worked as an official, but was caught committing a crime, after which he gave up and began to beg. The man drinks with the money Nastya gives her.

Nastya- a young girl, meets with the Baron, despite humiliation and rudeness. Most likely, this character earns his living in a way that is not the most appropriate for a girl, we can understand this from a few hints from other characters. The girl's passion is romance novels, thanks to which she writes stories with herself in the leading role. But, of course, no one believes her.

Kvashnya- a middle-aged dumpling seller. For many years she lived with a man who beat her and oppressed her in every possible way. But soon the woman finally gets divorced and marries Medvedev.

Medvedev- police officer, uncle of Vasilisa and Natasha. After marrying Kvashnya, he begins to drink a lot. Despite his profession, Medvedev prefers to turn a blind eye to what is happening around him. He doesn’t even care that Kostylev often beats his own nieces.

Bubnov- a simple man who once had his own profitable business. But after divorcing his wife, he found himself out of work, after which he became homeless and poor.

Mite- a middle-aged man who works in a metal shop. He had the habit of mocking his wife in every possible way, but soon she falls ill and dies. After her death, the man, wanting to find money for the funeral, sells all his plumbing tools.

Alyoshka- a young shoemaker and a godless drunkard. Because of his destructive passion, he often ends up in the police department.

Tatar- a simple loader, an honest fellow. At one point he denounces Baron and Satin for playing cards unfairly. At the end of the work he breaks his arm and remains unemployed.

Stories of the characters in the play At the Lower Depths

Gorky had the idea to write a work about representatives of the lower strata of a provincial imperial city quite a long time ago, and the play was created specifically for the troupe of the Moscow Art Public Theater and Stanislavsky personally, who not only directed the production, but also played one of the characters.

In order to describe the events taking place “at the bottom” of society, in a run-down shelter for the poor, Gorky created a complex system of characters. Initially, the writer planned to create 20 main characters, but in the end we got 11 of the most important characters with their own unique stories.

The first character, without whom the plot would simply be impossible, is the owner of the flophouse named Mikhail Ivanovich Kostylev. He is 54 years old and is characterized in the play as a totalitarian sadist. He is greedy and mercantile, his past is unknown to us, but his present evokes hostility from any reader. He suspected his wife of cheating, for which he beat her. Mikhail Ivanovich’s life ended when he was killed by his wife’s lover Vaska Pepel.

Kostylev’s wife, twenty-six-year-old Vasilisa Karpovna, evokes no less hostility than he himself. Even the “seer character” Luke calls her a viper. She cheated on her husband, beat her sister Natasha. Natasha herself, like her sister, is Ash’s lover, although she often rejects his advances. After the death of Mikhail Ivanovich, unexpectedly for everyone, he disappears.

Finally, it is worth considering the already mentioned Vaska Ash. He is 28 years old, he is the son of a thief, born in prison and “inherited” his father’s craft. In the past he courted Vasilisa, but at the time of the novel he is courting her sister Natasha. However, Vasilisa still has power over Ash, incites him to kill Kostylev, which Ash finally did, for which at the end of the play he is sent to prison.

The plot also contains characters who are not “at the bottom” - a hot-tempered fifty-year-old policeman named Abram Medvedev, Natasha and Vasilisa’s uncle, who cares for Kvashnya. Kvashnya herself is a character who expresses feminist views on life. Her story in the work is not finished, but Gorky makes us understand that everything is fine with her.

Andrei Mitrich, nicknamed “Tick,” also considers himself among those who are not “at the bottom.” He considers himself to be such because, from everyone else, he is a “working man,” a mechanic who ended up in a shelter because he was fired. However, Andrey has not accepted his fate and is actively looking for work. But the image of Kleshch is not entirely positive - he drank his tools away, and he regularly beats his wife Anna. And Gorky interrupts his life with poverty, as if telling us about his personal attitude towards the character.

The already mentioned Anna is one of the most unfortunate characters in the play. She is 30 years old, she has already experienced a life of hunger and poverty, and at the time of the play she suffers from a serious illness, death from which seems to her to be a deliverance from suffering. At the end of the second act he dies.

Also in the work there is a young girl Nastya, who, despite her work as a prostitute, dreams of true and pure love. He is in a relationship with the former aristocrat Baron, who ended up in a flophouse because he went bankrupt.

In addition to the bankrupt nobles, there are several more characters in the work who, it would seem, should not be “at the bottom”: the former gambler-sharp Bubnov, who went to a night shelter “out of harm’s way” and ends his life in poverty, a former actor named Sverchkov Zavolzhsky, who became an alcoholic, and after the destruction of hopes for a cure for alcoholism, hanged himself, as well as the former telegraph operator Satin, who, despite all his unpleasant traits (alcoholism and laziness), is endowed with a sharp mind and a dislike for lies and deception.

Well, the central character of the play is a tramp named Luka. He expresses his peculiar religious views, asks all the inhabitants of the shelter about their stories, gives everyone hope and inspires everyone that they can get out “from the bottom.” Disappears between the third and fourth acts as unexpectedly as he appeared.

Several interesting essays

• Living souls in the work Dead Souls

  The work Dead Souls, written by Nikolai Vasilyevich, was one of the most magnificent creations. The writer worked on writing it for a very long time, but unfortunately completed

Russia is our homeland. There is so much hidden under the word homeland. Our homeland is our home, our street. By homeland, each of us understands everything that is dear to him, what he loves most in the world

• Essay One day of vacation (summer)

  It was a warm July morning. The sun was shining brightly. Birds were chirping outside the window. Nature said that the day would be beautiful.

• Essay Why do fathers always teach their children? Final

  Parents are the closest and dearest people who always take care of their children and teach them throughout their lives. While they are small, they may not notice it. During adolescence, children, due to the fact

• Analysis of Pushkin's fairy tale About the Golden Cockerel

  A.S. Pushkin wrote the work “The Tale of the Golden Cockerel” in 1834. During this period, the author thought a lot about the fate of the Motherland. The tale is a bit reminiscent of “Legends of the Arab Astrologer”