Crossover musical style. Presentation on music on the theme "classic crossover style"

When installing a modern stereo system in a car, the owner must choose the right crossover. This choice is quite simple if you know and understand what it is and what it is intended for, as well as in which system this device will work. So, let's figure out what a crossover for acoustics is.

Characteristics, purpose

A crossover is a special piece of equipment in the kit, the main function of which is to prepare the desired frequency range for each speaker. As you know, any one is designed for a specific operating frequency range. If the speaker signal is out of range, the sound may be distorted.

So, if you apply a frequency too low for it to the speaker, then the sound picture will turn out to be distorted. If the frequency is too high, then the owner of the system will be able to face not only distorted sound, but also the failure of the high-frequency speaker. The latter simply cannot withstand such a mode of operation.

Under normal circumstances, the function of tweeters is to reproduce sounds only at high frequencies. Low frequencies work separately. Sometimes they are even installed in different places in the cabin. The same applies to midrange sounds. They are fed only to the speaker that produces the mids.

Therefore, for high-quality reproduction of music tracks in a car, it is necessary to allocate certain frequencies and apply them strictly to specific speakers. For this, you need a crossover for acoustics.

How it works

The design of the device is quite simple. These are two frequency filters that work according to the following principle. So, when the crossover frequency is 1000 Hz, one of the two filters will pick out frequencies below that. The second filter will work with a frequency band above the mark. Filters have their own names. Low-pass is designed to work with low frequencies up to 1000 Hz. The high pass will only process frequencies above 1000 Hz.

Two-way devices operate on this principle. However, there is also a three-way crossover on the modern market. The main difference here is another filter capable of handling mid frequencies between 600 and 1000 Hz.

More audio frequency filtering channels and feeding them to the speakers corresponding to these frequencies leads to better sound quality in the car interior.

Technical features of crossovers

Most modern devices are inductors and capacitors. Depending on the number and quality of manufacturing of these elements, the cost of the product is formed.

Why does an acoustic crossover include a capacitor and a coil? These are the simplest reactive parts. They are cost-effectively capable of processing various audio frequencies.

The capacitor can isolate and process the high frequency, while the inductor works with the low frequencies. Manufacturers competently use these properties and make structurally simple, but quite effective devices.

The number of reactive parts affects the filter capacity: 1 - one element is used, 2 - two elements. Depending on the number of reactive parts, as well as the crossover circuit, the system filters differently those frequencies that are not suitable for specific channels. It can be assumed that the more reactive elements in the circuit, the better the speaker crossovers will filter the signal. Filtration schemes have a certain characteristic. This is the so-called "slope slope". In other words, it's sensitivity. Depending on the level of "slope of the recession", all products on the market can be divided into models of the first, second, third and fourth class.

Active and passive equipment

Passive crossover for acoustics is the most common solution. It can often be found in the modern market. As the name implies, this device does not require additional power to operate. Therefore, it will be much faster and easier for the car owner to install sound equipment. The disadvantage of this group of devices is that simplicity is not always a guarantee of quality.

Due to the passive circuit, the system takes part of the energy to ensure the operation of the filter. At the same time, the reactive parts change the phase shift. Naturally, this is far from the most serious drawback. However, it will not be possible to perform the frequency correction as finely as possible.

An active crossover does not have such a disadvantage. The fact is that despite the more complex design, the flow of audio frequencies in them is filtered much better. Due to the presence in the circuit of not only several coils and capacitors, but also semiconductors, developers create high-quality devices with more compact dimensions. An active crossover is rarely found as a separate module. However, any amplifier has such active filters.

How to set up the device correctly?

In order to get the highest quality sound in a car, you need to choose the right frequency at which all unnecessary will be cut off. In the case of an active device designed for three bands, you need to find two cutoff points. The first will mark the edge in the range between low and medium frequencies. The second is the difference between medium and high frequencies.

How to calculate with your own hands?

Crossover calculation for acoustics is an important process. No manufacturer has yet been able to produce an ideal one that could reproduce sound in a different range with high quality. Subwoofers are used for low frequencies. For mids, midrange speakers are used. But when this whole complex begins to sound, a certain confusion may arise. That's what a crossover is for in acoustics - so that a signal of only a certain frequency goes to a specific speaker system.

To obtain a bipolar system or any other, a device that divides the signal is connected to the first channel of the amplifier. This is the filter. Complete with acoustic systems there are already passive crossovers made and calculated by manufacturers.

But what if you need to separate the sound into frequencies according to a different principle? You don’t have to count anything manually - in our high-tech time, there is software for even the simplest operations. So for these calculations there is a program, for example Crossover Elements Calculator.

First of all, the impedance index of the bass and treble speakers is introduced into the program, which is often 4 ohms. Next, enter the frequency that the device should separate. The order of the crossover is also introduced here. Then they press the button and wait for the program to give the result. As a result, it will issue a diagram where the necessary capacitors and coils for the entered parameters will be indicated.

Features of choice

The market offers a wide range of devices that differ in quality, cost, specific manufacturers. Choosing a crossover for acoustics is not easy - you can’t just take and buy what you like. The choice is made according to certain

Imagine that you have a subwoofer that produces a low frequency in the range from 18 to 200 Hz, a midrange speaker reproduces frequencies from 200 to 1000 Hz, and a high frequency speaker from 1000 to 16,000 Hz. At the same time, the amplifier does not have a built-in filter and reproduces frequencies in the range from 18 to 20,000 Hz. In this particular case, you need a three-way crossover capable of filtering in these ranges.

Also, when choosing, pay attention to the number of lanes. Another important parameter is the frequency range. Be sure to consider throughput. Multi-level devices with high sensitivity can significantly improve sound quality.

Conclusion

So, we found out what a crossover is and what functions it performs. As you can see, this is a fairly important element in the car's speaker system.

classic crossover (classic crossover) - a musical style that is a kind of synthesis, a harmonious combination of elements of classical music and pop, rock, electronic music. The name was officially approved not so long ago, entering the list of Grammy music award nominations, annually awarded by the US National Recording Academy. This style is so popular that Billboard has created a separate chart for it among their charts. Sometimes, in relation to vocal music of this genre, the name is used operatic pop or popera.

Classical crossover as a musical style was formed gradually, over the past three decades, step by step, overcoming the path from eclectic experiments in combining rock and classics to wide recognition.

Story

In the 1970s, Emerson, Lake & Palmer (ELP) played rock arrangements of Mussorgsky's Pictures at an Exhibition to roaring success, and Procol Harum boldly quoted Bach. The legendary Electric Light Orchestra (ELO), along with the traditional rock sound and electronics, used symphonic sound and classical composition techniques. Queen, starting with the album "A Night at the Opera", apply classical techniques of composition and sound, and this becomes an integral part of their unique sound.

At the turn of the century, rock bands Metallica, Scorpions, Gary Moore performed with great success with symphony orchestras, and symphonic power metallers Nightwish used Tarja Turunen's academic vocals. Rock and classical music are joined by guitarists Ritchie Blackmore (Deep Purple, Rainbow), Yngwie Malmsteen. Rock and classics were also joined by Elton John, Bono, Jon Bon Jovi at a concert played with Luciano Pavarotti

On the other hand, artists of the classical genre are expanding the boundaries of academic music. The great tenor Enrico Caruso, along with classical opera, performed with pleasure folk songs and compositions of his own composition. Classical crossover became a global phenomenon thanks to Placido Domingo, Jose Carreras and Luciano Pavarotti. The trio of tenors made their debut in 1990: in Rome, they performed the "Football Song" on the occasion of the opening of the World Cup. The project lasted 15 years and became the most profitable in the history of music.

Popular singers Sissel Shirshebo, Sarah Brightman, Emma Shaplin, Charlotte Church, singers Andrea Bocelli, Alessandro Safina, Russell Watson, as well as Aria, Amici Forever, Appassionante, Svetlana Feodulova, Vanessa May, Josh Groban, Il Divo, Jackie Ivanko, Natasha Marsh, Giorgia Fumanti, Mario Frangoulis, Vittorio Gri golo, Tarja Turunen, Floor Jansen, and many others successfully work in the Classical Crossover style, adding pop elements to the classical basis, blurring the boundaries between musical styles. Classical crossover is developing in a huge musical territory, gaining more and more fans. The constraining factor of style is the need for a high level of education and talent of composers, arrangers, musicians and vocalists.

Classical crossover in Russia

Classical crossover in Russia is represented by: singers Marina Cruso, Irina Delskaya, Sergiy Shamber (German by birth), as well as soprano Evgeniya Sotnikova, Victoria Sukhareva and Maria Demyanenko; singers, Valentin Sukhodolets, Alek Bugaev and Igor Manashirov; the GULFSTREAM symphonic group, the Terem-Kvartet ensemble, Universal Music Band, the Ariaphonics group, the Pianochocolate group, Viktor Zinchuk, DiDuLa, the QUATRO group, virtuoso cellist Georgy Gusev, as well as the composer and director Alexei Kolomiytsev and his musical theatrical project Esthetic Empire. In 2013, in St. Petersburg, the soloist of the Helikon Opera theater Dmitry Yankovsky organized the project “NeoClassic – Dmitry Yankovsky’s New Classics”.

In Russia, Radio Classic 100.9 FM operated exclusively in the classical crossover format. On the air of other Russian music radio stations and on TV, sound elements and the best representatives of this style are increasingly breaking through.

Classical crossover, in comparison with other musical styles and directions, has the widest age structure of the audience. (According to COMCON-MEDIA research: from 12 to 60+ years, where the age of the main audience is from 20 to 60 years).

Classical crossover is gaining more and more popularity in the world, harmoniously combining musical styles and genres.

This year I will also try to introduce you to an interesting phenomenon in the world of music. Fortunately, this world is surprisingly vast and diverse, because there are a huge number of styles and trends in it.

One of them iscrossover.

No, you heard right. Not at all such a well-known crossover, I mean.

And not like that.

crossover(English) crossover, literally transitional or matching device, boundary or transitional phenomenon, crossing etc.) is a collective name referring to various concepts and objects:

Crossover (music) - music in which two different styles are mixed.

Crossover thrash is a mixture of thrash metal and hardcore punk.

Crossover (plot) - the plot of a work of art, in which the characters and / or locations of different works are mixed.

Crossover (car type) - fromcross-over- cross-country driving. Station wagon (hatchback) off-road, passenger car, with all-wheel drive.

A crossover in computer networks is a patch cord for direct connection of network cards of two computers.

A crossover in electronics is a crossover filter (usually for audio frequencies, for example, a filter for a multi-band speaker system).

A crossover in basketball is a sudden change in direction while dribbling.

Crossover in bodybuilding is a power simulator for cross-pull of two cables.

So, today we will be interested not in a car, not in a plot, and not even in a power simulator, but in music, "in which two different styles are mixed."

In particular, classic crossover - This " a kind of synthesis, a harmonious combination of elements of classical music and pop, rock, electronic music ". Despite the fact that this style originated around the 1970s, it received its name relatively recently.

There are cases when rock musicians included classical works in their concerts or used some excerpts from them, of course, in a peculiar arrangement (for example, the groupEmerson, Lake & Palmer).
It has become no less common today to attract symphony orchestras to rock concerts (this is how bandsMetallica, Scorpions, Gary Moore) or a joint performance of works by a classical and rock singer (Freddie Mercury And Montserrat Caballe ).

Scorpions & Berlim Philharmonic Orchestra

In turn, classical singers perform not only compositions of the genre they are accustomed to, but sometimes they also move into other people's “possessions” (a trio of tenors -Placido Domingo, Jose Carreras and Luciano Pavarotti ).
Three tenors perform the song You "ll Never Walk Alone from the repertoire of Elvis Presley.
It was written in 1945 for the musical Carousel.
The most interesting thing is that the song is also the anthem of the English football team Liverpool)))

As a rule, listeners like such musical numbers, because. sound unusual and fresh, often revealing new facets of the long-familiar.

Year by year, the classic crossover is becoming more and more popular and has even already entered the award nominations.Grammys, receiving their well-deserved prizes.

Among the most famous foreign performers of the classic crossover areSarah Brightman And Andrea Bocelli, Vanessa May, quartet Il Divo, Emma Shaplin, Josh Groban and others. Among Russian artists - guitaristsViktor Zinchuk And DiDuLu, ensemble " Terem-Quartet" and etc.

Clip is old but good..
Viktor Zinchuk performs Caprice No. 24 by N. Paganini .

On different radio stations you can hear the music of this style, but I advise its ardent fans to find a Russian classical crossover station specially created for them.Radio Classic(100.9 FM). It boasts of its popularity among people of all ages. And this cannot but rejoice, because it becomes clear that many are already tired of the tasteless and primitive stage, which imposes "three chords" as the ultimate of listeners' dreams. Modern music lovers want to find music for themselves, which makes it possible not only for the feet to frolic, but also for the soul to get real pleasure.

Will we listen again?

The five solo albums he released have sold over 25,000,000 copies worldwide. According to Billboard magazine, Groban is the only singer whose two albums were in the top twenty of the best-selling albums of the last decade.

The artist's track record includes many duets: with Charles Aznavour, Beyoncé, Sarah Brightman, Lara Fabian, Celine Dion, Nelly Furtado, Barbra Streisand and many others. others. But the romantic solo singing of Joshua Groban also evokes positive emotions.

David Garrett(English) David Garrett, real name David Bongartz German. David Bongartz; September 4, 1980, Aachen, Germany) is a German-American virtuoso violinist.

The first meeting with the violin occurred when David was only four years old. By the way, the instrument was bought for the older brother, not for him. But, as they say, "what will be, it will not be avoided", and the boy soon learned to play, so much so that a year later he received the first prize at the competition. In the future, Garrett received a serious musical education. He records discs, gives concerts, tirelessly popularizing classical music.

Tarja Soile Susanna Turunen Kabuli(Fin. Tarja Soile Susanna Turunen Cabuli; August 17, 1977, Kitee, Finland) is a Finnish opera and rock singer, pianist, and composer.

Tarja Turunen also showed herself at an early age. At the age of three, she shocked everyone by performing a song in the church hall of Kitee. And so she began to sing in the church choir and learn to sing, and then to play the piano. Teachers noted how quickly their student grasps everything that others understand in the process of long classes. Sarah Brightman had a decisive influence in choosing the style of a classic crossover for Tarja.

For several years, Turunen successfully worked as the vocalist of the Finnish symphonic metal band Nightwish, but then due to internal conflicts and contradictions, they parted ways. The singer began a solo career, which, however, did not prevent her from collaborating with other musicians. In particular, with the famous band Scorpions.

Classical crossover is a genre of music that mixes classical music with various contemporary influences such as rock, pop and electronica. Actually from English the word "crossover" is translated as "crossing, crossing", "cross". It is important to note that regarding vocal performance in the West, this genre is often referred to as operatic pop. This name reflects the essence a little more accurately, since the singers perform popular or folk compositions with operatic vocals. Today, the classics in modern processing by Vanessa May, Sarah Brightman, Andrea Bocelli, Appassionante, Amici Forever and other famous artists are loved by millions.

Features and role of the classical crossover genre

The classical crossover plays an important role in the cultural world - it popularizes classical music, preserves the musical traditions of the 17th-20th centuries. The works of great composers, presented in modern processing, and modern popular songs performed by operatic vocals are simply amazing! Such compositions always sound sensual, emotional, lively and, of course, incomparably beautiful. It is important that to work in this genre, you must have a musical education, talent. Yes, this kind of creativity is not for everyone. Therefore, the performances of classical crossover stars are expensive. But the celebration is worth it - the listeners will feel like kings, to whom overseas artists have come!

Any corporate event or festive evening in a narrow circle will be filled with an unforgettable atmosphere if it is accompanied by the impetuous melodies of the violinist Vanessa Mae, the lyrical soprano Sarah Brightman, the external and vocal charm of the Appassionante trio, the sensual tenor of the Italian Andrea Bocelli or, for example, the multifaceted singing of Amici Forever. The evening will be unforgettable! The RU-Concert agency will help organize the show, select performers and make sure that everything goes at the highest level! You can place an order at any convenient time.

The audience of admirers of the classic crossover consists of people of different ages - usually they are from 12 to 60 years old and even more. This genre is in high demand because it offers really high-quality musical and vocal performance, which is valued much higher than ordinary popular music. It is impossible to imagine that it is outdated and out of fashion. This is truly a beautiful piece of art! Note that now this genre is on the list of Grammy nominations, and it is also represented by an individual chart in the music magazine Billboard. Moreover, the Russian radio station "Radio Classic" is dedicated to classical crossover compositions.

The history of the development of the classical crossover genre

This genre is relatively young - it began to develop in the 70s of the 20th century. However, it originated a decade earlier - in 1960, when the American opera singer Eileen Farrell released the disc "Gotta a Right to Sing the Blues". It is Eileen who is considered the first to combine classical and popular music in her work.

Today, most compositions in the classical crossover genre are precisely a combination of classical and pop music. However, this genre developed in the 1970s thanks to rock musicians from Britain. Emerson, Lake & Palmer played their own version of M.P. Mussorgsky, the Procol Harum team performed the works of J.S. Bach, the Electric Light Orchestra enriched their music with symphonic features. All these bands have made their mark in the progressive rock genre, which is characterized by a sophisticated form of performance, where rock is combined with academic, folk music, jazz, and avant-garde.

In 1975, the great Queen released the album "A Night at the Opera" with the famous "Bohemian Rhapsody". It is composed of genres as diverse as ballad, opera, heavy metal and a cappella. The record became very successful, so the group retained this special color in their future work. The Four Seasons, The Moody Blues, Deep Purple, Rick Wakeman, Gary Moore, Scorpions, Metallica and others also used classical techniques in their compositions. The Finnish band Nightwish, which also features operatic vocals, should be noted separately.

Along with the borrowing of classical techniques by rockers, classical performers sought to popularize their genre by combining it with the genre of pop and folk music. One of the first was the British singer Rhydian. An excellent example is also the work of opera singer Montserrat Caballe, singer and violinist David Garrett, singer Sarah Brightman, violinists Vanessa May and Katya Mare, singers Alessandro Safin and Andrea Bocelli, singer Emma Shapplin. The real breakthrough was made by the Three Tenors opera group in 1990, when they performed a song about football at a concert in Rome.

Among the young and, of course, talented heirs of the genre, we should highlight the singer Katherine Jenkins, the singers Mario Frangulis and Josh Groban, the string quartets Bond and Escala, the cello duo 2Cellos, the quartets of the performers Amici Forever and Il Divo, the charming vocal trio Appassionante.

Classical Crossover (Classical Crossover) - a musical style that is a kind of synthesis, a harmonious combination of elements of classical music and pop, rock, electronic music. The prehistory of Classical… Read all Classical Crossover (Classical Crossover) - a musical style that is a kind of synthesis, a harmonious combination of elements of classical music and pop, rock, electronic music. Background Classical Crossover as a musical style has evolved gradually over the past three decades, step by step going from seemingly eclectic experiments combining Rock and Classics to wide recognition. In the 1970s, Emerson, Lake & Palmer (ELP) played rock arrangements of Mussorgsky's Pictures at an Exhibition to roaring success, and Procol Harum boldly quoted Bach. The legendary Electric Light Orchestra (ELO), along with the traditional rock sound and electronics, used symphonic sound and classical composition techniques. Queen, starting with the album "A Night at the Opera", apply classical techniques of composition and sound, and this becomes an integral part of their unique sound. And when the magnificent voice of Freddie Mercury sounds a duet with opera star Montserrat Caballe, the complete harmony of Rock and Classic becomes obvious. At the turn of the century, rock bands Metallica, Scorpions, Gary Moore performed with symphony orchestras with great success, and symphonic power metallers Nightwish used academic vocals. Rock and Classics are joined by guitarists Ritchie Blackmore (Deep Purple, Rainbow), Yngwie Malmsteen. On the other hand, artists of the classical genre are expanding the boundaries of academic music. The great tenor Enrico Caruso, along with classical opera, performed with pleasure folk songs and compositions of his own composition. Classical Crossover became a global phenomenon thanks to Placido Domingo, José Carreras and Luciano Pavarotti. The trio of tenors made their debut in 1990: in Rome, they performed the "Football Song" on the occasion of the opening of the World Cup. The project lasted 15 years and became the most profitable in the history of academic music. 1990-2000 Popular singers Sissel Kyrkjebo, Sarah Brightman, Emma Shapplin, Charlotte Church, singers Andrea Bocelli, Alessandro Safina, Russell Watson, as well as Aria, Vanessa Mae, Josh Groban, Il Divo and many others successfully work in the Classical Crossover style, applying pop elements to the classical basis, erasing the limiting boundaries that divide musical forms. Classical Crossover is expanding into a vast musical territory, gaining more and more fans. The constraining factor of style is the need for a high level of education and talent of composers, arrangers, musicians and vocalists. Classical Crossover in Russia Classical Crossover in Russia is represented among vocalists by singer Alek Bugaev, Igor Manashirov. Among the vocalists are bright, talented, gifted singers Irina Delskaya, Sergiy Shamber, Marina Cruzo and Evgenia Sotnitkova. The Classical crossover style is also represented by guitarists Viktor Zinchuk and DiDuLa. In Russia, a radio station with a solid, steadily growing rating operates exclusively in the Classical Crossover format - Radio Classic 100.9 FM. On the air of other Russian music radio stations and on TV, sound elements and the best representatives of Classical Crossover are increasingly breaking through. Classical Crossover, in comparison with other musical styles and directions, has the widest age structure of the audience. (According to COMCON-MEDIA research: from 12 to 60+ years, where the age of the main audience is from 20 to 60 years). Classical Crossover is gaining more and more popularity in the world, harmoniously combining musical styles and genres. Collapse