Female images in the works of A.S. Pushkin

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With the main character of the story Pyotr Grinev. And just like him, we find ourselves embarrassed and surprised by the look of the commandant's wife: “An old woman in a padded jacket and with a scarf on her head was sitting at the window. She was unwinding the threads ... ". And the appearance, and clothes, and the occupation of Vasilisa Yegorovna did not correspond to her position as the wife of the commandant. By this, the author, in my opinion, emphasized the origin of Vasilisa Yegorovna from the people. This was also indicated by her speech, saturated with proverbs, and the appeal to Grinev: “I ask you to love and favor. Sit down, father." Vasilisa Egorovna respected her husband, called him both in front of his eyes and behind his eyes by name and patronymic. But, like any strong woman, she felt superior to him.
Before the arrival of Pugachev, Vasilisa Yegorovna seemed to me like a kind of nimble Russian old woman, firmly holding both her daughter Masha and her weak-willed husband (this is how Captain Mironov seems to me at the beginning of the story), equally interested in pickling cucumbers and all the things that happened in the fortress. Because of all this, Vasilisa Yegorovna looked a little even ridiculous in my eyes. A completely different old woman appeared before me with the arrival of Pugachev in the fortress. Obsessively curious, busy only with household chores and chores, Vasilisa Egorovna turned into a selfless, noble woman, ready in a difficult moment to share, if necessary, the tragic fate of her husband. Having learned that the fortress might be in the hands of the rebels, Vasilisa Yegorovna refused her husband's offer to take refuge with relatives in Orenburg: “- Good, - said the commandant, - so be it, we will send Masha. And don’t ask me in a dream: I won’t go. There is no point in my old age to part with you and look for a lonely grave on a strange side. Live together, die together.” Are these words not worthy of respect, and is not the wife who said them to her husband worthy of respect?! Vasilisa Yegorovna confirmed what was said in practice: when, having hanged the commandant, the Cossacks dragged her out of the house “disheveled and stripped naked”, Vasilisa Yegorovna did not ask for mercy, but shouted loudly: “Release your soul to repentance. Fathers, take me to Ivan Kuzmich. And so they died together.
Marya Ivanovna, the daughter of the Mironovs, turned out to be worthy of her parents. She took from them the best: honesty and nobility. Describing Masha Mironova, it is impossible not to compare her with other Pushkin heroines: Masha Troekurova and Tatyana Larina. They have a lot in common: they all grew up in solitude in the bosom of nature, they were all nourished by folk wisdom, once falling in love, each of them remained forever true to his feeling. Only Masha Mironova, in my opinion, turned out to be stronger than her predecessors, she, unlike them, did not resign herself to what fate had in store for her, but began to fight for her happiness. Innate dedication and nobility forced the girl to overcome shyness and go to seek intercession from the empress herself. Thanks to this, Masha Mironova turned out to be happier than other Pushkin heroines.

In the story "" we meet a few female images. But, this does not prevent us from understanding the character and essence of a real woman of that time. Before us are the images of Vasilisa Egorovna and Masha Mironova.

Vasilisa Yegorovna was the wife of the commandant Ivan Kuzmich, but at the same time, she is very simple, generous and kind. The Mironov family did not live in wealth. Their house was modest and cozy. Therefore, the heroine herself looked the same. When meeting her, the woman was dressed in a warm padded jacket and a scarf. She was very close to the people, often used proverbs in her conversations, old words and phrases.

Vasilisa Egorovna was always interested in the affairs of her husband and gave him advice, and sometimes decrees. It was she who was the head of the family, but Ivan Kuzmich was not offended by this, because harmony and true love reigned between husband and wife.

After Pugachev's attack on the Belgorod fortress, Vasilisa Yegorovna shows nobility and courage, devotion to her land and her own husband. The woman does not agree to her husband's persuasion to leave for Orenburg and prefers to share death with him.

After Ivan Kuzmich was hanged, she mourned him loudly, and then went after him.

She was the daughter of Ivan Kuzmich and Vasilisa Egorovna. This girl was brought up in a wonderful atmosphere and took all the best from her parents. She was pure and pure, she was like an angel who had descended from heaven. Masha evoked sympathy and was liked by everyone who met her. It is not surprising that they were in love with this folk beauty.

In the course of the development of the story, Masha shows a persistent character. Once in captivity, she considered death a better way out than marriage to Shabrin. The girl showed perseverance and reached the Empress herself. She made a speech and won back her happiness. Only thanks to her courage and bravery, the girl found love and happiness.

These are two beautiful images that appear before us in the story "The Captain's Daughter".

The female image of Masha in the story "The Captain's Daughter"

"The Captain's Daughter" is one of the works of art on the historical theme of Alexander Sergeevich Pushkin. In this novel, the love story of two hearts is closely connected with Emelyan Pugachev, a man who pretended to be Tsar Peter the Third. One of the characters in this story is Masha Mironova, the daughter of Captain Mironov. At first, it seems that this is not the main character and the title of the story is bewildering, but it is not. Masha is not only the main reason for most of the events taking place in the story, she is a true heroine. Her image can be absolutely accurately represented, thanks to the description of Pushkin. Every action, every word, everything helps the reader to understand the character of any hero. Most of all I remember Masha, she fought for her right to be with her loved one, which means that she was faithful and capable of sincere love.
The first meeting between Masha and Grinev took place in the commandant's house. An ordinary Russian girl of eighteen years old - "chubby, ruddy, with light blond hair, combed smoothly behind her ears." Poor, timid, sensitive "girl of marriageable age", she was afraid even of a shot from a gun. Father - the captain, watched the fortress. Mother - Vasilisa Yegorovna "looked at the affairs of the service as if they were her master's, and ruled the fortress as accurately as her own house." There were few women in the fortress, and there were no girls at all. She lived rather closed and lonely, which influenced the formation of her character. Peter's first impression of her was not the best because of Shvabrin's slander. When Peter met Masha, he realized that she was a "prudent and sensitive girl", and soon fell in love with her. Shvabrin continued to slander Marya Ivanovna, but Grinev no longer shared his friend's thoughts. This soon went too far, and the friends quarreled, deciding to duel. In a conversation with Marya Ivanovna, Peter learned the reason for Shvabrin's attacks on her, and that she was extremely worried about the upcoming duel. And the reason for the attacks was Masha's refusal to woo Alexei Ivanovich. Despite the fact that she is a “marriable girl” without a dowry, as Vasilisa Yegorovna said: “what kind of dowry does she have? a frequent comb, and a broom, and an altyn of money ... with what to go to the bathhouse. Well, if there is a kind person; otherwise sit yourself in the girls as an eternal bride, ”Masha still refuses Shvabrin. Although he is “of course, a smart man, and of a good surname, and has a fortune; but when I think that it will be necessary to kiss him under the crown in front of everyone ... No way! for no welfare!”. Her pure, open soul cannot accept marriage with an unloved person. At the duel, Pyotr Andreevich was seriously injured. Masha looked after her lover and did not leave his bed. She agreed to the marriage proposal. Masha no longer concealed her feelings and "without any affectation confessed to me her heartfelt inclination and said that her parents, of course, would be glad of her happiness." However, she never agrees to marry without the blessing of the groom's parents. Upon learning of Father Peter's refusal to be blessed, Masha did not change her mind and decided to face her fate, avoiding her beloved in every possible way. Masha's bitter fate does not end there - upon the arrival of Pugachev in their fortress, she becomes an orphan and is forced to hide in the priest's house. But Shvabrin, having managed to defect to the side of the enemy, takes the girl and puts her under lock and key, preparing for the wedding with her. Masha, on the other hand, preferred death to marriage with Alexei. Pyotr Andreevich and Pugachev freed the girl from imprisonment. Seeing the killer of her parents, the girl "covered her face with her hands and fell unconscious." Pugachev released the lovers, and they went to the groom's parents. Along the way, circumstances forced Grinev to remain in the garrison, and Masha continued on her way. Marya Ivanovna was received by Peter's parents with "sincere cordiality." "They soon became genuinely attached to her." Upon learning of the arrest, "Marya Ivanovna was greatly alarmed, but kept silent, for she was eminently gifted with modesty and caution." After receiving a letter saying that the Empress spares Peter from execution out of respect for his father. Masha begins to suffer the most, considering herself guilty, because she knew the real reason for the arrest. This becomes a turning point, and we begin to get to know the other side of her character. “She hid her tears and suffering from everyone, and meanwhile she constantly thought about the means to save her beloved.” Having told Grinev's parents that "her whole future fate depends on this journey, that she is going to seek protection and help from strong people, like the daughter of a man who suffered for her loyalty," Masha goes to St. Petersburg. She is ready to fight for her love, for the release of Peter in all possible ways. Early in the morning, walking in the garden, Masha met a lady in whom "everything involuntarily attracted the heart and inspired confidence." The girl openly tells her her story and says that Grinev “for me alone, was subjected to everything that befell him. And if he did not justify himself before the court, then only because he did not want to confuse me. Then the lady left our heroine. It is during this meeting that the other side of Masha is revealed - a girl who survived the death of her parents, imprisonment, the arrest of her fiancé found the strength and determination to prove the innocence of her lover and see him again. Soon the empress called her to her, she turned out to be the lady with whom Marya Ivanovna spoke in the morning. Catherine II announced the release of Peter Andreevich.
Marya Ivanovna Mironova is a true heroine. Throughout the novel, you can see how her character changes. From a timid, sensitive, cowardly girl, she grows into a brave and determined hero, capable of defending her right to happiness. That is why the novel is named after her - "The Captain's Daughter".

Female images and their role in Pushkin's prose

Many writers considered female images in their works, tried to reveal the essence of women and their true character. However, in my opinion, A.S. Pushkin achieved the greatest success in this.
In his historical prose, the writer examines the female character in great detail, revealing its main features. This can be seen especially clearly in the images of Marya Kirilovna Troekurova and Masha Mironova.
Marya Kirilovna Troekurova is a young lady who grew up alone in the bosom of nature, meek, sensitive and dreamy. Marya Kirilovna revered her father, but she did not find a friend or adviser in him. Kirila Petrovich, although he “loved her to the point of madness, but treated her with his characteristic willfulness, either trying to please her slightest whims, or frightening her with harsh, and sometimes cruel treatment. Confident in her affection, he could never gain her confidence. Having fallen in love with Deforge and learning that he is Dubrovsky, Masha did not renounce him. However, the father disposed of the fate of Marya differently - he gave her in marriage to an unloved, but rich man. Dubrovsky wanted to save her, but did not have time. At the end of the story, when Vladimir stops the carriage of the newlyweds and tells the heroine that she is free, Masha shows all the firmness of her character. She is already the wife of another person, and cannot betray the one whom she called her husband before God. And it's all about morality, a sense of duty and responsibility, on which Masha grew up and which she firmly absorbed into herself. Honor and duty are dearer to her than love.
Masha Mironova from the story "The Captain's Daughter" also personifies high morality and spiritual purity. This is an ordinary Russian girl, "chubby, ruddy, with light blond hair." By nature, she is cowardly: she is afraid even of a gunshot, but lives rather closed and lonely. She does not seek wealth and an influential husband. However, Masha has a high moral sense. She immediately correctly assesses the human qualities of Shvabrin and Grinev. And in those days when difficult life trials fall on her (the capture of the fortress by Pugachev, the death of both parents, captivity at Shvabrin), Masha maintains unshakable stamina, presence of mind and loyalty to her principles. Finally, at the end of the story, saving her beloved Grinev, Masha, as an equal with an equal, talks with an unrecognized empress and even contradicts her. And it is in this episode that the character of the captain's daughter is truly revealed - a simple Russian girl, cowardly by nature, without any education, who at the necessary moment found in herself enough strength, firmness of spirit and adamant determination to achieve the acquittal of her innocent fiancé. As a result, the heroine wins, rescuing Grinev from prison.
It seems to me that A.S. Pushkin skillfully depicted female images in his historical prose. Reading the novel, it is simply impossible not to notice with what love the writer treated his heroines and how vividly he showed the main features of a real Russian woman - honesty, morality, humility and at the same time fortitude and willpower.

Female images in the story of A. S. Pushkin "The Captain's Daughter"

Among those few female images that are found in the story, the images of Vasilisa Yegorovna Mironova, the wife of Captain Mironov and her daughter Masha Mironova, made the greatest impression on me.
As for Vasilisa Egorovna, in her image the author showed us a simple Russian woman, the keeper of the family hearth and happiness, not downtrodden, not weak, but selfless and noble, able to make an important decision, and at the same time feminine inquisitive, insightful and quick-witted.
With Vasilisa Egorovna, we get acquainted simultaneously with the main character of the story, Pyotr Grinev. And just like him, we find ourselves embarrassed and surprised by the look of the commandant's wife: “An old woman in a padded jacket and with a scarf on her head was sitting at the window. She was unwinding the threads ... ". And the appearance, and clothes, and the occupation of Vasilisa Yegorovna did not correspond to her position as the wife of the commandant. By this, the author, in my opinion, emphasized the origin of Vasilisa Yegorovna from the people. This was also indicated by her speech, saturated with proverbs, and the appeal to Grinev: “I ask you to love and favor. Sit down, father." Vasilisa Yegorovna respected her husband, called him both in front of his eyes and behind his eyes by name and patronymic. But, like any strong woman, she felt superior to him.
Before the arrival of Pugachev, Vasilisa Yegorovna seemed to me like a kind of nimble Russian old woman, firmly holding both her daughter Masha and her weak-willed husband (this is how Captain Mironov seems to me at the beginning of the story), equally interested in pickling cucumbers and all the things that happened in the fortress. Because of all this, Vasilisa Yegorovna looked a little even ridiculous in my eyes. A completely different old woman appeared before me with the arrival of Pugachev in the fortress. Obsessively curious, busy only with household chores and chores, Vasilisa Egorovna turned into a selfless, noble woman, ready in a difficult moment to share, if necessary, the tragic fate of her husband. Having learned that the fortress might be in the hands of the rebels, Vasilisa Egorovna refused her husband's offer to take refuge with relatives in Orenburg: “- Good, - said the commandant, - so be it, we will send Masha. And don’t ask me in a dream: I won’t go. There is no point in my old age to part with you and look for a lonely grave on a strange side. Live together, die together.” Are these words not worthy of respect, and is not the wife who said them to her husband worthy of respect?! Vasilisa Yegorovna confirmed what was said in practice: when, having hanged the commandant, the Cossacks dragged her out of the house “disheveled and stripped naked”, Vasilisa Yegorovna did not ask for mercy, but shouted loudly: “Release your soul to repentance. Fathers, take me to Ivan Kuzmich. And so they died together.
Marya Ivanovna, the daughter of the Mironovs, turned out to be worthy of her parents. She took from them the best: honesty and nobility. Describing Masha Mironova, it is impossible not to compare her with other Pushkin heroines: Masha Troekurova and Tatyana Larina. They have a lot in common: they all grew up in solitude in the bosom of nature, they were all nourished by folk wisdom, once falling in love, each of them remained forever true to his feeling. Only Masha Mironova, in my opinion, turned out to be stronger than her predecessors, she, unlike them, did not resign herself to what fate had in store for her, but began to fight for her happiness. Innate dedication and nobility forced the girl to overcome shyness and go to seek intercession from the empress herself. Thanks to this, Masha Mironova turned out to be happier than other Pushkin heroines.

Women's images in the works of A. S. Pushkin. Bright, unique female images are depicted in the works of A. S. Pushkin: a romantic proud Zemfira, a cheerful and charming peasant lady, a childishly simple-hearted Olga, a fatal mistress of a black shawl ... But there are such heroines in his works, about which V. G. Belinsky said that they are the embodiment of the national Russian character.

The Russian national character is embodied by Pushkin in the female type not by chance: its essence, according to V. G. Belinsky, is “both fiery passion, and the sincerity of a simple, sincere feeling, and the purity and holiness of the naive movements of a noble nature”, and much more. These qualities are especially clearly manifested in the characters of such heroines as Tatyana Larina and Marya Ivanovna Mironova, who invariably command the respect and admiration of readers. There is much in common in their characters, although the origin, the conditions of education for the young ladies are different.

Tatyana grew up in the countryside, among the provincial nobility, narrow-minded and at the same time kind-hearted. She read and wrote French, although, of course, the Russian nanny played a much more important role in her upbringing. From here come typical folk traits in her character: love for nature, for her native places (this is especially noticeable before leaving for Moscow), faith in signs and folk beliefs, love and knowledge of folklore.

Masha Mironova grew up in a steppe garrison, deprived of even the society that Tatyana had, and, of course, did not receive a typical noble education - she writes to Grinev in pure Russian. But she is even less different from the people among whom she grew up, in addition, she is poor, all her dowry is a serf girl Palashka; and priest Akulina Pamfilovna accepts her into her family at a difficult moment. The main thing that brings both young ladies together is the primordially folk moral principle, embedded in the character, which helps the heroines to endure life's trials, preserving the best in themselves and improving.

The ability to love deeply, sincerely unites in the soul of the heroines with a readiness for self-sacrifice and a sense of duty. Tatyana Larina will remain faithful to her feelings for the rest of her life. Onegin rejected the love of a provincial dreamer and, after a duel with Lensky, left the estate. Tatyana carefully kept her deep feelings. But Onegin did not remind of himself in any way ... Tatyana got married.

For what? Not for myself:

Me with tears of spell

Mother prayed; for poor Tanya

All the lots were equal ...

Tatyana is not capable of deceit, betrayal, it is impossible for her to inflict suffering on her husband, a respected person, to break the vow of fidelity given in the church:

I love you (why lie?),

But I am given to another;

I will be faithful to him forever.

Such a result of her explanation with Onegin is natural, it simply could not be otherwise, otherwise it would no longer be Tatyana - sincere and faithful, ready to sacrifice her feelings, but not harm another. She was guided by her high honesty and sense of duty.

Marya Ivanovna is the same in love. She cannot marry Grinev without the blessing of his parents, she does not agree to a wedding secretly, without their knowledge. Moreover, she is ready to give Pyotr Andreevich freedom, sacrificing her feelings. “If you find yourself a betrothed, if you love another, God be with you, Pyotr Andreevich; and I am for both of you ... ”- so, crying, she says to the hero. Shy and timid, the “coward” Masha turns out to be strong-willed and resolute in difficult life trials. Having lost her parents during the attack on the Pugachev fortress, hiding her origin, in a severe nervous illness, she finds the strength and courage to resist Shvabrin's harassment.

“On the floor, in a tattered peasant dress, sat Marya Ivanovna, pale, thin, with disheveled hair. In front of her stood a jug of water, covered with a slice of bread.

Having endured such conditions, Masha is ready to die, but not to become Shvabrin's wife. Even Pugachev was touched by the girl's determination. And she shows the same determination when she decides to save Grinev from unfair accusations. Alone, without anyone's support, she goes to St. Petersburg to ask for mercy from the empress, neglecting the fact that under the circumstances revealed, her good name, the reputation of an honest girl, may suffer. This is the same decision that violates all the rules of decency, like Tatyana's letter with her declaration of love for Onegin. But in such life circumstances, moral laws, the search for truth, a deep feeling are stronger than the norms of public morality, and only her own conscience can be the highest judge for the heroine.

In spiritual wholeness Pushkin sees the essence of the Russian national character, this is the secret of the enduring love of readers for Pushkin's heroes. Russian literature subsequently gave many beautiful images of Russian women. But in their rich gallery, Tatyana Larina and Masha Mironova remain among the best and unforgettable images, immortal creations of Pushkin's creative genius.

Female images in "The Captain's Daughter" are not numerous. In my essay, I want to dwell on two images that seem very attractive to me - Masha Mironova and Vasilisa Egorovna.

By portraying Vasilisa Yegorovna, Pushkin wanted to show readers a simple Russian woman. She is noble and selfless, strong, her calling is to keep the family hearth. She is smart, insightful and feminine inquisitive. Vasilisa Egorovna knows how to make an important decision at a difficult moment.

We get to know this woman at the same time when Peter Grinev, the main character of The Captain's Daughter, gets to know her. Like Petra, the sight of the commandant's wife surprises us. Pushkin writes that it was an old woman who was sitting in a headscarf and quilted jacket and was unwinding threads. And her occupation, and clothes, and appearance did not correspond to the position that Vasilisa Yegorovna occupied. I believe that Pushkin wanted to emphasize by this that she came from the people. Vasilisa Yegorovna's speech, replete with proverbs, confirms this. For example, referring to Grinev, she says: "Please love and favor." She respected her husband, whom she called by name and patronymic. However, like any strong woman, Vasilisa Yegorovna felt her superiority over her husband.

Before Pugachev arrived at the Belogorsk fortress, this heroine seems to be a nimble Russian woman, to whom her weak-willed husband obeys. At the beginning of the work, the commandant of the fortress introduced himself to me just like that. He is equally interested in pickling cucumbers and what happens in the fortress. Because of this, Vasilisa Yegorovna even seems to be a somewhat ridiculous heroine, controlling her weak-willed spouse.

When Pugachev appears in the fortress, this old woman appears before the reader in a completely different light. From being busy only with household chores, the keeper of the hearth, she turns into a noble and selfless woman. If necessary, she is ready to share the tragic fate of her husband without hesitation. Vasilisa Egorovna rejects her husband's offer to go to Orenburg to live with relatives when she learns that the rebels can take possession of the Belogorsk fortress. She decides to send Masha there, while she stays with her husband. "Live together, die together," says Vasilisa Egorovna. Of course, these words are worthy of respect.

Masha Mironova is a daughter worthy of her parents. This girl inherited their nobility and honesty. The image of Masha Mironova can be compared with the images of other Pushkin heroines: Tatyana Larina and Masha Troekurova. These girls have a lot in common. They grew up in the bosom of nature, in solitude. They absorbed folk wisdom. Each of them, having fallen in love, remains true to his feelings to the end. In my opinion, Masha Mironova is stronger than the other two girls. She did not want to accept her fate and decided to fight for her happiness. The nobility and selflessness of Masha Mironova made her overcome her shyness and go to the Empress herself to ask for her intercession. Thanks to this act, her fate turns out to be happier than the fate of her predecessors.