Famous Ukrainian composers: a list of names, a brief overview of works. Famous Ukrainian composers National Academic Brass Band of Ukraine

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“God gave us music, so that we, first of all, were drawn upwards by it ...”- Nietzsche F.

Music is that area of art that is able to overcome the boundaries of language barriers, and understandable to the heart of every person. Almost all of us love to listen to music., slightly fewer people know how to admire it, even fewer people on the planet are able to invent music, and very few are given to compose melodies that remain for centuries. We want to tell you about the geniuses of music born in Ukraine.

Valentin Silvestrov (1937)

The name of this now living Kyiv composer is known all over the world. He is known to our compatriots for the music written for the films of Kira Muratova "Three stories" (2002), "Chekhov's motives", "Two in one" and "Adjuster" (2004).

His work was closely followed German philosopher and composer Theodor Adorno and Soviet composer Alfred Schnittke, and the Estonian composer Arvo Pärt calls Silvestrov "the most interesting contemporary composer". Among the musical abundance of symphonies written by Sylvestrov, a requiem, a poem for orchestra, there are Four Songs to Mandelstam's verses, unique in their simplicity.

Miroslav Skorik (1938)

Today the famous composer is 77 years old. Despite the difficult fate, he managed to maintain a sense of beauty and convey it to people through music.

Among his works music for the film "Shadows of Forgotten Ancestors", music cycle "In the Carpathians", Carpathian Rhapsody for Violin and Piano.

Nikolai Kolessa (1903-2006)

The world-famous composer, a native of the Lviv city of Sambir, Nikolay Kolessa lived 102 years! He was a well-rounded man. Behind him Medical Faculty of the Jagiellonian University(Krakow), faculty Philosophy and Slavic Studies of Prague University, learning from famous Italian pianist Marietta de Gelli.

During his long life, Kolessa managed to work conductor at the Lviv Philharmonic and the Opera Theatre, write methodological aids, create music for the film "Ivan Franko" and many more wonderful pieces of music.

Sergei Prokofiev (1891-1953)

The composer owes his musical talents to his mother, an excellent pianist, who began to teach her son how to play the piano as soon as he was 5 years old. Already at the age of 9, Sergei wrote two operas: "The Giant" and "On the Deserted Islands".

Among his famous works are operas "War and Peace", "A Tale of a Real Man", "The Gambler", "The Love for Three Oranges", ballets "Cinderella", "Romeo and Juliet", "The Tale of the Stone Flower".

Nikolai Leontovich (1877-1921)

A man who managed to glorify the Ukrainian carol to the whole world. The music he wrote for the folk "Shchedryk" became known to the whole world under the name Carol The Bells. And thanks to many arrangements and use in films, the melody has become a Christmas anthem.

Leontovich was fluent in the violin, piano and some wind instruments. In the village of Chukovi, where the composer taught music, he managed to organize an amateur symphony orchestra.

Reinhold Gliere (1874-1956)

Despite the foreign name and surname, the composer Glier is from Kiev. It's just that he was born back in the 70s of the 19th century and b was the son of a Saxon subject. Reingold heard music since birth, since his father and grandfather made musical instruments.

Here is just a small list of countries in which Gliere's works have been performed: Austria, Greece, Great Britain, Germany, France, Denmark. In honor of the great countryman in Kyiv, a music school was named.

Nikolai Lysenko (1842-1912)

The creative energy of this composer is simply amazing. Besides writing music Lysenko was a musical ethnographer, collected and studied folk songs, rituals. He managed to become a talented teacher - he taught at the Kiev Institute of Noble Maidens, and in 1904 he opened his own School of Music and Drama.

In addition, Lysenko was a conductor, pianist and active public figure. He wrote the music for the "Children's Anthem", now world-famous as "Prayer for Ukraine" Great God, Unity!

Mikhail Verbitsky (1815-1870)

Composer, social activist and priest Verbitsky entered the history of Ukraine as the author of the national anthem music.

Music and church ministry were the main centers in Verbitsky's life. He led the seminary choir, wrote liturgical music. In addition, the composer composed a romance, created music for performances and orchestral concerts.

Artemy Vedel (1767-1808)

Ukrainian composer, choral conductor and singer (tenor). In 1790 he organized and led a choir in Kyiv of "soldier's children and free people."

In 1790-1798 he taught a vocal music class at the Kharkov Collegium and at the same time led the choirs of church singers. Author of 29 church choral concertos, in some of which he himself performed tenor solos. In the works of Vedel, the influence of Ukrainian folk songs affected.

Dmitry Bortnyansky (1751-1825)

Thanks to studying at the famous Glukhov school the child received an excellent musical education. A wonderful voice allowed the young musician go to study in Venice, Bologna, Rome and Naples.

Unfortunately, many secular works of Bortnyansky were lost. The archive of the court chapel of St. Petersburg refused to publish them. And after the archive was disbanded, it turned out that most of the composer's works had disappeared.

National Union of Composers of Ukraine

Union of Composers of Ukraine traces its history from the Society to them. Leontovich (1922), within the framework of which separate composer cells began to function in Ukraine. However, the direct basis for the creation of the Union of Composers was the Decree of the Central Committee of the All-Union Communist Party of Bolsheviks of 1932 "On the restructuring of literary and artistic organizations", for the implementation of which in 1932 the Organizing Bureau for the creation of the Union of Soviet Musicians was approved, which included outstanding composers of Ukraine - P Kozitsky, B. Lyatoshinsky, I. Kolyada, L. Revutsky. Subsequently, composer organizations appeared in Kharkov, Kyiv, Odessa, and later - in Lvov. In Kiev, the Union was headed by Levko Revutsky (by that time Boris Lyatoshinsky was the executive secretary. Since 1939, B. M. Lyatoshinsky became the Chairman of the Union of Composers of Ukraine. Over the years, the Union of Composers of Ukraine was headed by Konstantin Dankevich (1941), Lev Revutsky (since 1944 to 1948 during the difficult period of the war and the first post-war years), and then Grigory Verevka, Philip Kozitsky, again Konstantin Dankevich, Georgy Maiboroda. For more than 20 years until 1989, the Union was headed by A. Ya. Shtogarenko. Since 1989, she began to actively operate the middle generation of composers - the Union was led by Yevhen Stankovich, Mykhailo Stepanenko.Currently, the National Union of Composers of Ukraine (the Union has had this status since 1998) is headed by the Co-Chairmen - Yevhen Stankovich and Miroslav Skorik.

A significant place among the organizations created to promote the creative activities of professional composers and musicologists, to support them and provide them with material, financial, legal and other assistance, is occupied by the Musical Foundation of Ukraine of the National Union of Composers of Ukraine. Since Ukraine gained independence in August 1991, the Musical Foundation of Ukraine exists today as an independent organization, subordinate in its activities to the Union of Composers of Ukraine and the Board of the Musical Foundation of Ukraine.

The Musical Foundation of Ukraine (Director - Alexander Ilyich Serebryanik) provides an opportunity for everyone who is interested in the art of music to get a broad idea of the diversity of modern and classical musical creativity, and for Ukrainian musicians and composers to realize themselves and their original culture in the context of general world processes.

The Musical Foundation of Ukraine over the years of its existence has become a cultural, social and legal center of the creative intelligentsia, where issues of the development of national musical culture, copyright protection of composers and social problems (participation in the organization of creative concerts, festivals, provision of a musical instrument for use) are solved. , financial assistance, health improvement and treatment services, etc.). Today, thanks to the fruitful work of the new team of employees of the Muzfond, contacts are maintained with numerous musicians, creative associations from many countries of the world, new trends in the development and formation of Ukrainian musical culture and the legal protection of copyright and related rights have begun to appear.

The main goal of the Musical Fund of Ukraine is to ensure the full implementation of the multifaceted creativity of members of the Union of Composers of Ukraine, the creation of appropriate social and living conditions for them. In its creative activities, the Musical Foundation of Ukraine carries out: · Assistance to composers and musicologists in promoting their creative activity; · Organization of the first audition, holding consultations, providing creative business trips, census and copying of manuscripts; · Financing of measures to assist in improving the professional skills of composers and musicologists; · Financing of orders for writing works by young composers and musicologists; · Organization of competitions for the creation of musical works of various genres; · Appointment of annual awards of the Musical Fund of Ukraine for the best works of certain genres, the best musicological works, covering modern processes and the musical heritage of Ukraine.

In social services, the Musical Foundation of Ukraine carries out: · Organization of the provision of household, medical and sanatorium-and-spa services for members of the Muzfond and their families; - Provision of legal assistance; · Allocation of monetary loans for writing new works; - Provision of material assistance; · Dealing with issues of improving living conditions.

Since June 1991, by the decision of the Board of the Union of Composers of Ukraine, the store "Notes" was subordinated to Tsentrmuzinform. At the end of 1956, at the expense of the Union of Composers in Kyiv, a residential building was built on the street. Sofievskaya, 16/16 with non-residential premises built into it on the ground floor and basement to accommodate the Musical Fund of Ukraine of the National Union of Composers of Ukraine. For 45 years of operation of the house, he gained the status of "Monument of History", where numerous memorial plaques are installed to famous composers: L. M. Revutsky, Platon Mayboroda, Andrey Olkhovsky.

Almost 50 years of activity of the Musical Foundation of Ukraine, the presence of numerous legal acts, makes it possible to obtain a reliable and sustainable existence of the Musical Foundation of Ukraine. The development and rise of the national musical culture is not possible without financial resources. And the flow of financial resources to the Muzfond is impossible without hard and painstaking work to raise funds for their further refinancing into the Fund's social programs, as well as: significant rule-making work. Therefore, the process of implementing the program of activities of the Music Fund is underway.

In addition, now the Muzfond, together with the Ukrainian Agency for Copyright and Related Rights, is introducing new areas of the Fund's activities: - Collection of royalties to the Musical Fund for the use of musical works; - Collective management of property copyright and related rights when using works and objects of related rights in digital networks (including the Internet). Everyone understands that all these processes are connected with the solution of many problems. However, without this, it is impossible to effectively engage in collective management in the field of copyright and related rights.

The Ukrainian branch of the Musical Fund of the USSR was established in the city of Kiev on September 20, 1939 in accordance with the Decree of the Council of People's Commissars of the USSR No. 1511 and the Charter of the Musical Fund of the USSR, approved by the Board of the Union of Composers of the USSR of September 30, 1939. The Ukrainian branch of the Musical Fund of the USSR was set up to provide creative and everyday assistance to the members of the Musical Fund who lived in the territory of the Ukrainian Republic. Due to the fact that no pre-war archival documents have been preserved, there is no other information about the activities of the Ukrainian branch of the USSR Music Fund for the period from 1939 to 1942. On February 10, 1958, the Board of the Union of Composers of the USSR approved the new charter of the Ukrainian branch of the USSR Music Fund, on the basis of which the branch carries out its activities.

The main task of the Ukrainian branch of the USSR Music Fund was to promote the creative activity of the members of the Music Fund, improve their material, everyday and cultural situation. The Ukrainian branch of the USSR Music Fund was entrusted with: Assistance to composers and musicologists in their creative activities in creating all types and genres of music, as well as musicological works, listening, organizing creative business trips, providing repayable loans, irrevocable assistance, census of notes, etc. ; - Providing assistance in improving the skills of composers and musicologists and enhancing their creative skills; · Popularization of works of composers; · Organization of cultural, community, medical and sanatorium services for members of the USSR Music Fund, as well as members of their families; · Carrying out activities to improve the living conditions of members of the USSR Music Fund; - Provision of legal assistance, etc. The Ukrainian branch has been granted the right, in accordance with the established procedure, to build and maintain residential buildings, composers' creative houses, rest houses, sanatoriums, music shops, printing houses and other enterprises.

The highest governing body that managed all the activities of the Ukrainian branch of the USSR Music Fund was the Board, which was intended by the Board of the Union of Composers of the Ukrainian SSR. The Ukrainian branch of the USSR Music Fund was directly subordinated to the Board of the USSR Music Fund, to which it provided estimates and reports on its activities, as well as the conclusions of the Audit Commission of the Union of Composers of the Ukrainian SSR, within the established time limits. The Ukrainian branch of the USSR Music Fund had its own seal, the sample of which was established by the USSR Music Fund with the addition of the name of the Ukrainian branch of the USSR Music Fund. The Ukrainian branch of the USSR Music Fund was a self-supporting organization and had its own budget. The Ukrainian branch of the USSR Music Fund has slightly subordinated regional branches in the cities of Dnepropetrovsk, Donetsk, Lvov, Odessa, Simferopol, Kharkov.

In addition, little Vorzelsky House of Composers' Creativity, a residential building in the city of Kiev (former Kalinina Street (now Sofiyivska, 16/16), a production plant and a music store are under its control. In early 1963 to March 1964, under the jurisdiction of the Ukrainian branch of the Muzfond In the USSR, there was a music printing factory, which was later transferred to the State Committee of the Supreme Council of the Ukrainian SSR for Printing All subordinate enterprises, with the exception of a residential building, were on an independent balance sheet.

On January 16, 1967, the Secretariat of the Board of the Union of Composers of the USSR approved the Instruction on the procedure for spending funds to provide creative and everyday assistance to members of the Muzfond. This Instruction assumed that the assistance provided by the Muzfond should not be of a charitable nature, therefore only creatively active composers and musicologists, as well as those members of the Muzfond who, for various reasons, are temporarily not working, but whose creative activity had or has public meaning. The amount of loans and the period of their repayment are determined depending on the nature of the works, as well as on the conditions of creative work and the financial situation of the member of the Music Fund. Vouchers to the houses of creativity were provided to members of the Muzfond to work on a specific piece of music and musicological works that were of great ideological, artistic and social significance. A member of the Muzfond could receive a creative business trip through the department for up to 1.5 months. Business trips were provided: · To collect materials for the creation of new works; · To collect and record samples of folk music; · For creative reports and demonstrations of new musical works and musicological works; · For advice when working on new works. · To collaborate with musical theaters and concert organizations on the creation of new musical works; · To participate in the plenums of the Board of the Union of Composers, meetings and conferences convened by the Union of Composers, etc. During the period of activity of the Ukrainian branch, the USSR Music Fund was left with archival documentary materials that have a certain historical, scientific and reference value.

In June 1987, according to the Order of the USSR Music Fund No. 73 dated June 29, 1987, the propaganda department was separated from the Ukrainian branch and the Ukrainian republican branch of the Center for Musical Information (Centrmuzinform) was created on its basis. By that time, the subordinate organizations of the Musical Fund of Ukraine were the production plant, the House of Composers' Creativity "Vorzel" and the store "Notes".

In November 1989, the Ukrainian branch of the Musical Fund of the USSR was renamed into the Musical Fund of the Ukrainian SSR. This renaming was due to organizational and structural changes in the Union of Composers of the USSR - the formation of a voluntary federative association of unions of composers of the Union republics, composer organizations of Moscow, Leningrad and Kiev, granting economic independence to these unions and in connection with the Declaration on State Sovereignty adopted by the Supreme Soviet of the Ukrainian SSR.

Since Ukraine gained independence in August 1991, the Musical Foundation of Ukraine exists today as an independent organization, subordinate in its activities to the National Union of Composers of Ukraine and the Board of the Musical Foundation of Ukraine.

At present, the Union has 440 members (271 composers and 169 musicologists). The work of many of them is a real national treasure, an intellectual and spiritual treasury of the Ukrainian people.

The significant contribution of the members of the Union of Composers to the development of national culture is evidenced by the fact that among the members of the Union there are 17 People's Artists of Ukraine, 54 Honored Art Workers of Ukraine, 16 winners of the Taras Shevchenko National Prize of Ukraine, 6 academicians and 3 corresponding members of the Academy of Arts of Ukraine, 35 doctors of sciences, 59 professors, 20 laureates of the N. V. Lysenko Prize, 15 laureates of the Prize. B. Lyatoshinsky, 15 laureates of the Prize. L. M. Revutsky, etc. For special achievements, 10 artists were awarded the Order of Merit of the III Stupa with the Order of Merit of the President of Ukraine, 1 - with the Order of Yaroslav the Wise, 1 - with the Order of Princess Olga.

The highest governing body of the National Union of Composers of Ukraine is the congress, which is convened once every five years. Between congresses, the activities of the Union are managed by the Board headed by the Chairman of the Board.

The grounds for the entry of citizens of Ukraine to the NCU are determined by the Charter of the Union. According to it, composers and musicologists - professionals with a special higher education, whose creative activity, having independent artistic and scientific value, contributes to the development of the national musical culture of Ukraine, can be members of the NSCU.

Every year, the National Union of Composers of Ukraine, in close cooperation with the Ministry of Culture and Arts of Ukraine, holds a large number of cultural events - festivals, forums, competitions, concert cycles, anniversary evenings, as well as symposiums, conferences, seminars, creative meetings, etc.

Thanks to the fruitful efforts of the Union of Composers of Ukraine, an international festival movement was established in Ukraine in the field of academic music, which brought the national musical art into the world orbit.

Since 1990, 17 international festivals "Kyiv Music Fest" (the main festival of modern academic music in our country), 9 International Forums of Young Music, 16 festivals "Musical premieres of the season" have been held. All of them have received worldwide recognition. The International Festival of Avant-Garde Music "Two Days and Two Nights", which takes place every spring in Odessa, the Lviv Festival of Contemporary Music "Contrasts", musical festivals in Kharkov, Donetsk, Drohobych, Kolomyia, Dnepropetrovsk, Uzhgorod, etc., are also very popular with listeners.

The Union of Composers is actively working on international musical exchange. Representatives of almost all European countries, as well as the USA, Canada, Australia, Japan, Latin American countries, Israel, Lebanon take part in the above events. On the other hand, Ukrainian contemporary music is increasingly heard in these countries, which is now increasingly recognized as an extraordinary, original phenomenon of global culture.

The constant concern and subject of special attention of the Union is the creative youth. As the Forum of Young Music established by the Union shows, the creative potential of young Ukrainian composers is extremely high. This is evidenced by the high artistic results demonstrated by the young members of the Union at prestigious international composer competitions in Switzerland, Austria, France, Belgium, the Netherlands, Germany, Italy, Poland, China, Japan, the Czech Republic, Slovakia, Serbia, Croatia, Macedonia and other countries.

The powerful musicological team of the Union is actively working, making its constant contribution to the development of fundamental areas of musicological science, revealing to the public pages forgotten or deliberately removed from the cultural history of Ukraine, exploring the modern musical process, engaging in extensive journalistic and educational work.

The National Union of Composers of Ukraine for many years has been and remains a unique, active creative organization that does its best to maintain the national professional school of composers at a high world level. Working closely with state organizations and institutions, the National Union of Composers of Ukraine significantly influences the process of cultural development of a civilized Ukrainian state, the preservation and development of national cultural traditions, increasing the international prestige of Ukrainian music, and the formation of the spiritual ideals of our people.

STATISTICAL INFORMATION

Total members of the National Union of Composers of Ukraine as of April 1, 2008 - 440

Of these, composers - 271, musicologists - 169

Age composition

From 25 to 30 years - 25

From 30 to 40 years - 48

40 to 50 years - 99

From 50 to 60 years - 108

From 60 to 70 years - 87

Over 70 years - 57

MUSICAL EDUCATION

With higher - 440

HONORARY TITLES, AWARDS AND PRIZES:

Awarded:

Order of Prince Yaroslav the Wise In Art. - 1, Order of Princess Olga III c. - 1, Order "For Merit" III Art. - 10, Order of St. Prince Vladimir III Art. - 5, the Order of St. Barbara the Great Martyr - 3, the Order of St. Nicholas the Wonderworker "For the increase of good on earth" - 1, the Order of St. Stanislav III degree - 1, the Order of the Badge of Honor - 3, the Order of St. Michael the Archangel - 1, the Order " Cossack glory "III century. - 1

People's Artist of Ukraine - 17

Honored Art Worker of Ukraine - 54

Honored Artist of Russia - 1, Honored Artist of the Republic of Moldova - 1, Honored Artist of the Republic of Kazakhstan - 1, Honored Artist of Ukraine - 1, Honored Artist of Ukraine - 2, Honored Artist of Russia - 1, Honored Worker of Culture of Ukraine - 5 , Honored Journalist of Ukraine - 1, "Person of the Year - 2002" - 1, "Person of the Year - 2003" - 1

WINNERS:

National Taras Shevchenko Prize of Ukraine - 16 Laureate of the Gorky Prize - 20 Laureate of the Boris Lyatoshinsky Prize - 15 Laureate of the L. N. Revutsky Prize - 15 Laureate of the V.S. Kosenko - 6 Laureate of the M. Verikovsky Prize - 3 Laureate of the Leo Vitoshinsky Prize - 4 Laureate of the Ivan Ogienko Prize - 2 Laureate of the Vernadsky Prize - 2 Laureate of the Kiev Prize (named after A. Vedel) - 5 Laureate of the B. Asaf "Eva" - 1 Laureate of the F. Kolessa Prize - 1 Laureate of the V. Stus Prize - 1 Laureate of the Republican Komsomol Prize named after N. Ostrovsky - 9 Laureate of the State Prize of the Autonomous Republic of Crimea - 3 Laureates of regional (regional, city) prizes - 34

SCIENTIFIC DEGREES AND SCIENTIFIC RANKS:

Academician - 6 Corresponding Member - 3 Doctor of Science - 35 Professor - 59 Candidate of Art History - 70 Associate Professor - 51

The governing bodies of the Union

Head of the Union, Chairman of the Board,

First Secretary Stankovich Yevgeny Fedorovich. Composer, Hero of Ukraine, People's Artist of Ukraine, laureate of the Taras Shevchenko National Prize, academician of the Academy of Arts of Ukraine.

Co-Chair of the Union

Skorik Miroslav Mikhailovich

Composer, Hero of Ukraine, People's Artist of Ukraine, laureate of the Taras Shevchenko National Prize, academician of the Academy of Arts of Ukraine.

SECRETARY

NATIONAL UNION

COMPOSERS OF UKRAINE

Nevenchanaya Tamara Sergeevna

musicologist, doctor of philosophy of art. Executive secretary, secretary of the board for organizational and creative issues.

Dichko Lesya Vasilievna

composer, People's Artist of Ukraine, laureate of the Taras Shevchenko National Prize. Creative Secretary of the Board. He deals with creative issues, the development of concert programs for festivals, forums, creative meetings, anniversary evenings. Represents the Board of the Union in the Collegium of the Ministry of Culture and Tourism, various organizing committees, juries, councils, etc.

Lyashenko Gennady Ivanovich

composer, people's artist of Ukraine, professor. Creative Secretary of the Board. He deals with creative issues, the development of concert programs for festivals, forums, creative meetings, anniversary evenings. Represents the Board of the Union in various organizing committees, juries, councils, etc. Provides constant communication with performing groups, philharmonic societies, and other art institutions.

OLEYNIK Lesya Stepanovna

musicologist, candidate of art criticism, associate professor, Secretary General of the National Committee of the UNESCO International Music Council. Secretary of the Board for Foreign Relations. He is in charge of international relations related to the popularization of the work of Ukrainian composers in the world, creative contacts with foreign composers, groups of performers and musicological institutions. Maintains relations with foreign embassies in Ukraine on issues of cultural cooperation, as well as with various foundations. Represents the National Union of Composers of Ukraine in the international cultural organization - UNESCO.

Pilyutikov Sergei Yurievich

composer. Secretary of the board for work with creative youth. Deals with issues of working with creative youth, incl. those who are preparing to join the Union. He heads the directorate and creative and organizational work for the International Festival "Forum of Music of the Young". Organizes and conducts the international competition for young composers "Gradus ad Parnassum", master classes, seminars, creative laboratories with leading Ukrainian and foreign masters of contemporary music. Carries out the artistic direction of the youth Ensemble of new music "Ricochets". Engaged in establishing creative relations with international and domestic youth centers, organizations, unions, foundations, etc.

TARANENKO Ivan Ivanovich

composer. Secretary of the Board for Intellectual Property and Advertising. Carries out general work on intellectual property issues, coordinates the work of public organizations that manage copyright and related rights, along with the Department of Intellectual Property, regulates the legal relations of subjects of copyright and related rights in Ukraine. Provides coverage of the activities of the NCU, various programs and projects through television, radio, the Internet, periodicals, etc.

SHCHERBAKOV Igor Vladimirovich

composer, Honored Art Worker of Ukraine, laureate of the Taras Shevchenko National Prize, associate professor. Chairman of the board of the Kyiv organization NSCU.

Stetsyun Nikolai Grigorievich

Composer, Honored Art Worker of Ukraine. Chairman of the board of the Hariv organization of the NSCU.

SOKOL Alexander Viktorovich

musicologist, doctor of art history, honored worker of arts of Ukraine, academician of the Academy of Sciences of the Higher School of Ukraine. Chairman of the board of the Odessa organization NSCU.

Tsepkolenko Karmella Semyonovna

Composer, Honored Art Worker of Ukraine, Candidate of Pedagogical Sciences, Associate Professor. Member of the board of the Odessa organization NSCU.

MAMONOV Sergey Alekseevich

composer, honored worker of arts of Ukraine, professor. Chairman of the board of the Donetsk organization NSCU

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Most of us love music, many admire and understand it, and some people have a musical education and have mastered the ability to play musical instruments. However, the smallest percentage of the most talented members of the human race are able to compose melodies that fit through the ages. Some of these people were born in Ukraine, in its picturesque corners. In the article we will talk about Ukrainian composers of the 20th century, and not only, who glorified Ukraine to the whole world.

Valentin Silvestrov (1937)

The famous Ukrainian composer was born in 1937 and still lives in Kyiv. The genius of musical art is famous all over the world. We hear his music in pictures:

"Two in one";
"Tuner";
"Chekhov's motives";
"Three stories".

Estonian colleague Theodor Adorno considers him the most interesting of all the composers of the modern world. In his work there are requiems, poems for orchestra, symphonies, and his "Four Songs on the Verses of Mandelstam" are known and appreciated all over the world. Experts consider the piece of music to be unique in its simplicity.

Miroslav Skorik (1938)

The 77-year-old modern Ukrainian composer lived a difficult life, but managed to maintain the fortitude and sense of beauty that imbued his works.

He wrote melodies for the legendary film "Shadows of Forgotten Ancestors", created a musical cycle called "In the Carpathians". His Carpathian Rhapsody for Violin and Piano made him famous as one of the best Ukrainian composers of the 20th century in the whole world.

Miroslav's parents were intellectuals and were educated in Vienna. Skoryk is the great-nephew of Solomiya Krushelnitskaya, which he is immensely proud of.

Nikolai Kolessa (1903-2006)

The Ukrainian composer, who was born in the city of Sambir, Lviv region, lived to be one hundred and two years old! This man is amazing in his versatility. In his youth, he graduated from the Medical University in Krakow. On this, his education did not end, he enters the faculty of philosophy and Slavic studies at a higher educational institution in Prague. Kolessa was also trained by the legendary Italian Marietta de Gelli, who is a world famous pianist.

Whoever Nikolai Filaretovich was during his long life. He conducted at the Lviv Philharmonic and the Opera Theatre. Under his authorship, many methodological manuals have been published. Nikolai Kolessa also wrote the melody for the painting "Ivan Franko".

Sergei Prokofiev (1891-1953)

He was truly a composer. The classics, on which his mother, a talented pianist, brought up, influenced the filigree of his works. Mom started teaching Sergei how to play the piano at the age of five. He wrote his first operas - "The Giant" and "On the Deserted Islands" - at the age of nine.

Sergei Prokofiev is world famous for his operas:

"A Tale of a Real Man";
"Love for Three Oranges";
"War and Peace".

He also wrote music for the ballets The Tale of the Stone Flower, Cinderella and Romeo and Juliet.

Nikolai Leontovich (1877-1921)

There are few instruments that this Ukrainian composer did not own: piano, violin, wind instruments... He can be safely called a "man-orchestra". In his youth, in the village of Chukovi, where he lived with his family, he independently created a symphony orchestra.

Thanks to this man, the Ukrainian carol sounded in many foreign films. This is the famous "Shchedryk", which is known all over the world as Carol The Bells. The melody has many arrangements, and it is rightfully considered a Christmas anthem.

Reinhold Gliere (1874-1956)

He comes from the family of a Saxon subject and a citizen of Kiev by passport. Gliere grew up in a musical environment. The men in his family were engaged in the manufacture of musical instruments. Gliere's works are heard all over the world. Austria, Denmark, Germany, France, Greece applaud him. One of the music schools in Kyiv bears the name of this composer.

Nikolai Lysenko (1842-1912)

Lysenko was not only a composer, he also made a great contribution to musical ethnography. In the collection of Nikolai there are a lot of folk songs, rituals, carols. In addition to music, he was fond of pedagogy, believing that there is no one more important than children.

There was in his life a period of teaching at the Kiev Institute of Noble Maidens. 1904 was a landmark year for him - he opened his own School of Music and Drama.

Most of all, Lysenko glorified his "Children's Anthem". Now it is known all over the world as "Prayer for Ukraine". In addition, Nikolai took an active civic position and took part in social activities.

Mikhail Verbitsky (1815-1870)

Verbitsky was a deeply religious person. Religion occupied a leading place in his life. He was the director of the choir in the seminary, he composed musical works for worship. His creative heritage also includes romances. Verbitsky played the guitar perfectly and adored this instrument. He created many works for strings.

Fame came to Verbitsky after he wrote the music for the anthem of Ukraine. The lyrics for the anthem were composed by Pavel Chubinsky. The exact date of writing the song "Ukraine has not died yet" is unknown. There is information that it was the period 1862-1864.

For the first time, the future anthem sounded on March 10, 1865 in the city of Przemysl. It was the first concert in the lands of Western Ukrainians dedicated to the work of Taras Grigorovich Shevchenko. Verbitsky himself at the concert was in the choir, the conductor of which was Anatoly Vakhnyanin. Young people liked the song, and for a long time many considered it folk.

Artemy Vedel (1767-1808)

Artemy, in addition to the composer's gift, had a beautiful high voice and sang in the choir. In the capital of Ukraine, in 1790, he became the head of the choir of "soldiers' children and free people."

For eight years he taught vocals at the Kharkov Collegium, in addition, he led the choirs of church choristers.

He created 29 choral concertos for the church. At performances, he often led tenor solos himself. Wedel's works were greatly influenced by folk song.

Dmitry Bortnyansky (1751-1825)

As a child, he received an excellent education. Little Dmitry was lucky. He graduated from the legendary Glukhov school. Dmitry had a truly beautiful voice. He had a great treble. His voice was amazingly clear and flowed like a stream. The teachers loved and appreciated Bortyansky.

In 1758 he was sent with choristers to the chapel of St. Petersburg. The mother crossed her son, gave him a modest bundle of food and kissed him. Seven-year-old Dima never saw his parents again.

His talent allowed him to study abroad. To comprehend the basics of musical skill, he went to Venice, Naples, Rome.

Alas, most of Bortnyansky's secular works have not survived to this day. They were kept in the archives of the St. Petersburg Singing Chapel, which refused to put them on public display. The archive was disbanded, and the works of the legendary author simply disappeared in an unknown direction.

Valentin Silvestrov (1937)

The famous Ukrainian composer was born in 1937 and still lives in Kyiv. The genius of musical art is famous all over the world. We hear his music in pictures:

"Two in one";
"Tuner";
"Chekhov's motives";
"Three stories".

Miroslav Skorik (1938)

The 77-year-old modern Ukrainian composer lived a difficult life, but managed to maintain the fortitude and sense of beauty that imbued his works.

Miroslav's parents were intellectuals and were educated in Vienna. Skoryk is the great-nephew of Solomiya Krushelnitskaya, which he is immensely proud of.

Nikolai Kolessa (1903-2006)

Sergei Prokofiev (1891-1953)

He was a truly outstanding Ukrainian composer. The classics, on which his mother, a talented pianist, brought up, influenced the filigree of his works. Mom started teaching Sergei how to play the piano at the age of five. He wrote his first operas - "The Giant" and "On the Deserted Islands" - at the age of nine.

Sergei Prokofiev is world famous for his operas:

"A Tale of a Real Man";
"Love for Three Oranges";
"War and Peace".

He also wrote music for the ballets The Tale of the Stone Flower, Cinderella and Romeo and Juliet.

Nikolai Leontovich (1877-1921)

Reinhold Gliere (1874-1956)

Nikolai Lysenko (1842-1912)

There was in his life a period of teaching at the Kiev Institute of Noble Maidens. 1904 was a landmark year for him - he opened his own School of Music and Drama.

Mikhail Verbitsky (1815-1870)

Artemy Vedel (1767-1808)

For eight years he taught vocals at the Kharkov Collegium, in addition, he led the choirs of church choristers.

He created 29 choral concertos for the church. At performances, he often led tenor solos himself. Wedel's works were greatly influenced by folk song.

Dmitry Bortnyansky (1751-1825)

In 1758 he was sent with choristers to the chapel of St. Petersburg. The mother crossed her son, gave him a modest bundle of food and kissed him. Seven-year-old Dima never saw his parents again.

His talent allowed him to study abroad. To comprehend the basics of musical skill, he went to Venice, Naples, Rome.

First of all, we note that the background Ukrainian music as such begins in Soviet Ukraine, in 1920-30, when it was initially based mainly in Kyiv and Kharkov.

In large Ukrainian cities, operetta theaters begin to open, philharmonic societies are founded, young composers resort to instrumental creativity and become at the forefront of Ukrainian music. A pioneer, a major center around which young composers began to accumulate was the Leontovich community (1923). Its honorary members are: Lev Revutsky, a teacher of composition in Kyiv, author of symphonies and many piano works, Boris Lotoshinsky, professor at the Kyiv and Moscow conservatories, adept at the Ukrainian music. Together they literally brought up a galaxy of composers. Viktor Kosenko, Mikhail Verikivsky, Valentin Kostenko, Ignat Khotkevich, N. Fomenko, K. Boguslavsky and others also worked during these years.

The period of the 30s was one of the most intense times for progress Ukrainian music, which aspired to high professionalism and showed itself in absolutely different styles. At the same time, theatrical musical art is developing and the concert life is progressing. Education is actively unfolding, interest in the national well-known instrument, the bandura, is being revived. After 1930, music, like other areas of art, began to be interpreted as a means of party propaganda. Composers are forced to churn out solemn laudatory compositions - songs in honor of the Soviet homeland, the party, the leaders of communism. At the same time, they strengthened totalitarian control over music. By a government decree of 1932, the Association of Modern Ukrainian music, uniting innovative composers who focused on Western movements music such as jazz. Society. M. Leontovich was renamed and reorganized into the All-Ukrainian community of revolutionary musicians, valid until the age of 31, and also created the Association of Proletarian musicians Ukraine in 1928, which operated until 1932.

Life Ukrainian music also manifested itself in the development of opera theaters in large and small centers, as in Kharkov, Vinnitsa, Odessa, Dnepropetrovsk. The repertoire was mostly traditional - Italian or German opera, but even then in Ukrainian.

Ukrainian music in the 40s - 50s

1941 - 1945 were inscribed in history Ukrainian music as a complex and ambiguous period. This, of course, was caused by historical events that determined the essence and meaning and direction of the artistic process, stipulated genre dominants, attraction to certain ideological, thematic and figurative spheres.

The beginning of V.O. the war became a turning point for Ukrainian music and culture in general. Ukrainian artists and musicians fought on the fronts. A large number of performing groups, theaters, philharmonic societies, faculty of many musical educational institutions were evacuated to the republics of the USSR. Thus Ukrainian music continued its further development - but in a different national context, in a different cultural atmosphere.

IN Ukrainian music of that time, the folklore of the peoples of the USSR was included in full rights, was closely and actively studied by composers and musicologists. The musical heritage of the Bashkir people attracted the attention of P. Kozitsky, G. Verevka, Kazakh folklore was reflected in the work of M. Skorulsky, Turkmen - in the works of Y. Meitus and A. Znosko-Borovsky. The leading themes of the works are the dominance of the idea of a single desire for victory, patriotic themes, the theme of protecting the native land and cultural heritage.

Signs of musical life at that time were the ultra-high creative activity of numerous amateur groups, which embraced the broad masses with the spirit of artistic creativity and introduced them to classical musical refinement. The level of performing skills of such groups was often quite high. It is not for nothing that a significant part of them received the well-deserved title of people and the opportunity to show their skills and art outside the state, to get acquainted with musical foreign culture. Among the most popular professional groups of that time were the Ukrainian SSR Academic Bandurist Choir, the Verevka Ukrainian Choir, the Virsky Folk Dance Group, the Ukrainian Symphony Orchestra, the Dumka Academic Choir, the Lysenko Quartet and others.

The theme of the party, a happy Soviet life and socialist labor, captured by the labor enthusiasm of the masses, at that time loses its canonical status, but does not lose its significance. At the same time, all innovative searches were unofficially hampered. Such duality was adequate to the very atmosphere of that time, which combined the opposition - criticism of Stalinism - and the official - the preservation of the foundation of communist ideology.

the sixties in Ukrainian music.

An entire culture, a unique generation, was dubbed “Sixties” Ukrainian and the Soviet intelligentsia and authors, who intensively manifested themselves in the politics and culture of the 60s. These were times of partial weakening of the totalitarian regime, a period which was later called the Khrushchev thaw. The sixties then came out in defense of the Ukrainian language and culture, demanded freedom in art. Their mentality was formed on the basis of humanistic democratic Western traditions. They literally raised the interest of the population in their own cultural heritage. The sixties focused their creativity on the visualization of the existing problems of life, so to speak, painful issues that were often simply hushed up earlier. One of the first sixties of Ukraine - Lina Kostenko and Vasily Simonenko.

1960s is a breakthrough Ukrainian music, composer school to major arenas around the world, as well as the development and application of the latest trends in Euro-culture. In Kyiv, a group of artists "Kiev Avant-Garde" was formed, which was joined by such famous domestic figures as Godzyatsky Vitaly, Grabovsky Leonid, Silvestrov and others. The members of this organization began to be harassed and persecuted by the authorities, as a result of which the organization collapsed.

Around the same time, such composers as George and Platon Mayborody, Dankevich K., Lyatoshinsky B. continued to create. Our school of vocal art received real recognition in the whole world. big names Ukrainian opera stage: E. Miroshnichenko, A. Solovyanenko, B. Rudenko, D. Gnatyuk. One of the most significant events of that time was the staging of Shostakovich's opera Katerina Izmailova (1965, Kyiv).

Although Lotoshinsky Boris Nikolaevich has already finished his creative activity, he is also recorded in the sixties. After all, he taught Grabovsky, and Silvestrov, and Karabits, and Dychko, and Stankovich, who later became members of the sixties. When the “Iron Curtain” began to gradually rise in the 1960s, a tremendous wave of information about music west. Everyone started to admire her. And Boris Nikolayevich created his famous Fourth Symphony. Lotoshinsky in the 1960s returned to eternal ideas and the question of what is truth, and gave a brilliant concept regarding the eternal cycle of life, embodying the idea in the echoes of bells - a symbol of eternity.

Ukrainian author's music gradually acquires the status of the brightest artistic phenomenon. In this genre, a very significant contribution to the development Ukrainian music made V. Ivasyuk (1949-1979) - a very famous singer and composer, the author of legendary immortal hits like "I'm going to the distant mountains", "Chervona Ruta", "Vodogray" and others. First of all, the artist's work is based on folklore primary sources. By the way, the song "Chervona Ruta" gave the name to a major festival Ukrainian music and songs.

Ukrainian music 70-80 years

Over these decades Ukrainian music went through a turbulent time like never before. It was based on the realities of Soviet life, those turns of history that resulted in the period of the so-called thaw, liberalization, the revival of spiritual life, the way out of the artificial isolation of Soviet art.

Artists of the "older generation" continue their creative work - B. Lotoshinsky, Revutsky, Dankevich, Zhukovsky, Taranov, Klebanov. The “middle” generation is active - K. Dominchen, the Mayboroda brothers, V. Gomolyaki, I. Shamo, etc. Active activity begins at the turn of the 50-60s: Bibik, Belash, Buevsky, Grabovsky, Gubarenko, L. Dychko , Ishchenko, Karabits, G. Lyashenko, Skorik, Zagortsev, Stankovich, Guba, Godzyatsky and others. It is thanks to these names that Ukrainian music aspires to European modernism.

The 70s and 80s were a period of explosive development of software music, which made it possible to avoid any genre definitions and fully reveal individual artistic aspirations. Works that were essentially polygenre arose - a synthesis of instrumental and vocal principles and a choral symphony, a symphony-ballet.

During this period of fruitful development, he receives education. the system of artistic education is expanding significantly: a network of children's and youth musical schools, musical schools. Their graduates receive higher education at the Kyiv, Lvov, Odessa conservatories, the Kharkov Institute of Arts, the Kharkov Institute of Culture with the Kyiv branch. In 1968, the already independent Kiev Institute of Culture opened the Nikolaev and Rivne educational faculties.

Active is the periodical edition of the collection of scientific works "Ukrainian Musicology" (since 1964). Since 1970, the publication of the journal “ Music“, the journal “Folk Art and Ethnography” is being printed, in a word, Ukrainian music receives an additional let of its development.

Ukrainian music in the 80s and 90s

The indicated period is perestroika in the 80s, the collapse of the USSR, Ukraine gained independence in the 90s. This period was marked by the emergence of new cultural trends. The changes that started in our country contributed to the resumption of the interrupted cultural-modernist tradition of the 20s and the democratization stream of the 60s. The main subject of development Ukrainian music and Ukrainian art of this time is a rethinking of the established and the search for new creative principles. Second half of the 80s. Indicated by the appeal of domestic sociologists, cultural studies, art critics to the concepts of Western culture, to the renewal of the spiritual foundations of being, the revival of national traditions, it acquires various forms of cultural dialogue between socialist realist and alternative types of thinking.

In the early 1990s, numerous non-state creative groups appeared in Ukraine, voluntary societies of various kinds, a significant part of which very successfully began to cooperate with foreign cultural and educational organizations and contributed to the introduction of Ukraine into the world space.

An important means of understanding the processes taking place in Ukrainian music, is becoming the holding of numerous scientific conferences devoted to the consideration of new cultural and philosophical problems of musicology, questions of the theory and history of musical art, modern views on the system of training music specialists, etc.

At the end of the 80s, music festivals began to be organized in Ukraine, the programs of which were works of various stylistic branches, at which works from the classics and, in fact, to the avant-garde were presented. These festivals showcase the latest art forms, such as video installations, instrumental and musical theater, and various performances. The series of concerts “New Music” (Kyiv, Kharkov) contributes to the dissemination of information about the achievements of Ukrainian and foreign artists in the field of contemporary music. picture of development Ukrainian music complement author's, anniversary concerts of composers, solemn evenings, which are organized by the Center for Musical Information of the Union of Composers of Ukraine and its regional branches.

One of the leading places in musical Piano music takes the process of 80-90s. This is evidenced by the increase in the number of national and international piano competitions, as well as the spread of the practice of premiere concert performances of piano works by Ukrainian composers abroad (Austria, Germany, China, USA). big picture Ukrainian music enrich numerous competitions and festivals of other genres of art, in particular, organ and chamber music, sacred, choral, wind and jazz, opera, as well as popular modern songs and the like. These events expand the sphere of communication between domestic and foreign composers, performers, teachers, promote the exchange of experience, expand the geography of participants, and influence communication with representatives of the mass media (press, radio, TV).

The multidirectional and multi-vector nature of artistic tendencies allows us to define them as postmodernist, where, on the one hand, one can trace the preservation, rethinking and updating of the achievements of the past, and on the other hand, there is a rejection of traditionalism, intensive searches and experiments.

Ukrainian music end of the twentieth century

Popular music And Ukrainian rock music brightly represented at such festivals as Chervona Ruta, Chaika, Tauride Games, etc. Modern Ukrainian rock music. Among the well-known names are Okean Elzy, VV, TNMK, Skryabin, Dead Piven. Ukrainian rock festivals are regularly and successfully held.

About modern Ukrainian music, about all its novelties and premieres, you can easily find out regularly on our website "". Discover a modern and independent Ukrainian music!