Katherine is a strong personality. Ostrovsky A

The premiere of The Thunderstorm took place on December 2, 1859 at the Alexandrinsky Theater in St. Petersburg. A.A. Grigoriev, who was present at the performance, recalled: “That's what the people will say! .. I thought, leaving the box into the corridor after the third act of “Thunderstorm”, which ended in an explosion ...

A play by A.N. Ostrovsky's "Thunderstorm" was published in 1860, on the eve of the abolition of serfdom. In this difficult time, the culmination of the revolutionary situation of the 60s in Russia is observed. Even then, the foundations of the autocratic-feudal system were collapsing, but still ...

Katerina is a ray of light in a dark kingdom. “There is something refreshing and encouraging in The Thunderstorm. This “something” is, in our opinion, the background of the play, indicated by us and revealing shakiness and the near end of tyranny. Then the very character of Katerina, drawn on this ...

The play "Thunderstorm", written by Alexander Nikolayevich Ostrovsky, tells about life in the small town of Kalinovo, where the tyranny of rich landowners knows no bounds. The "dark kingdom", personifying these landlords, has no over ...

A thunderstorm is a purifying and necessary phenomenon in nature. It brings with it freshness and coolness after exhausting heat, life-giving moisture after sushi. It has a cleansing, renewing effect. Such a "breath of fresh air", a new look ...

The play "Thunderstorm", written by Alexander Nikolayevich Ostrovsky in 1859, is the only one from the cycle "Nights on the Volga" conceived by the writer. The main theme of the drama is the conflict in a merchant family, first of all, the despotic attitude of...

The drama The Thunderstorm, according to Dobrolyubov, "is the most decisive work of Ostrovsky", in which he showed the tyranny and despotism of the merchants of the "dark kingdom".
In the drama, the main character of the “Russian strong character” clashes with the cruel and inhuman mores of the old way of life. Katerina is the main character of the drama. This nature is poetic, dreamy, tender.
Katerina's childhood in her parents' house passed very quickly, and she remembers it as the best time of her life. Her mother's life was easy and joyful. Katerina loved taking care of flowers, walking in the garden, going to church to listen to church singing and music, she embroidered on velvet with gold. Then the girls were not given any education, and books were replaced by the stories of wanderers. Even as a child, Katerina was impressionable. Under the influence of the stories of praying women and wanderers, her freedom-loving and romantic character was formed.
The main feature in Katerina's character is the "image of a bird." In folk poetry, the bird is a symbol of will. “I lived, didn’t grieve about anything, like a bird in the wild,” Katerina recalls about how she lived before marriage. “... Why don't people fly like birds? she says to Barbara. “You know, sometimes I feel like I’m a bird.”
Katerina wants to love both her husband and her mother-in-law, but she does not find a response to her feelings in them. Tikhon refuses to take her with him, Kabanikha pursues with his instructions. But Katerina endures for the time being. “And if it gets too cold for me here,” she says, “there is no way to keep me by any force. I’ll throw myself out the window, I’ll throw myself into the pool ... ”. The boar is an ardent defender of the old order. Realizing that the old kingdom of tyrants is coming to an end, she hates everything new, sharpens everyone, achieving her own rules, therefore lies and pretense reign in her house.
Katerina is an independent, determined person. How hard it is for her when she listens to Tikhon's orders, which he gives her under the dictation of her mother. It is here that she begins to understand the horror of her situation.
Katerina is a determined and courageous person. Katerina's only love and joy is Boris. She will not come to terms with the reality around her. She is ready for any sacrifice for the sake of a loved one, transcending even those concepts of sin that are sacred to her. She truly loves. "Let everyone know, let everyone see what I'm doing!" she says to Boris. She expects real, happy love from life.
Katherine is alone. She does not find protection either from her husband or from her lover Boris Grigorievich. Neither the husband nor Boris can fight for their happiness, defend their rights, love.
Katerina's love for Boris is sincere and deep. Katerina is not afraid of death, and Boris is too weak to help Katerina.
The path to freedom is cut off, and she cannot live among the boars. And Katerina decides to commit suicide.
The suicide of the heroine is a protest against tyranny, dark forces, the kingdom of house building. So for the first time in the "dark kingdom" a "light beam" flashed.
Plays by A.N. Ostrovsky - these are plays of true truth, true life. The drama "Thunderstorm" was of great importance in the work of the writer and in all Russian drama.
Katerina is a strong personality. She managed to awaken in her husband a feeling of love, pity, truthfulness. Kabanov says to his mother: “You ruined her! You! You!"
The image of Katerina belongs to the best images of a woman in the work of Ostrovsky, in all Russian literature.

One of the main conflicts of Ostrovsky's play "Thunderstorm" is the character of the main character - Katerina. A huge number of critics have their own opinion on this matter, but the positions of N. A. Dobrolyubov and D. I. Pisarev can be considered the most striking of them. In addition, they expressed their views on Katerina's final, fatal act - suicide.

By itself, Katerina is a religious person. She talks more than once about her childhood, which she calls paradise, about going to the temple, about the service.

And, at the same time, she commits suicide, which is considered the greatest sin in Christianity.

But is this act a weakness of the character of the main character, or, conversely, a strength? To answer this question, you need to understand the character of the girl.

At the beginning of the play, Katerina appears before us as a humble victim, as a person with a broken will. She suffers bullying and reproaches from Kabanova (her fiancé's mother). Katerina herself understands her position and notes in a conversation with Varvara that "she completely withered here." But, at the same time, Katerina is a person with a strong character. She is still trying to resist Kabanikhe, unlike her husband, Tikhon. Katerina addresses her as an equal (to "you"), but her husband cannot even afford to say a word against his mother and her will.

And it turns out that Katerina is alone in her attitude to this society. Only she tries to resist Kabanova. But it is impossible to "shake" another's society alone. This position was defended in his article by N. Dobrolyubov. He believed that Katerina committed suicide not because of the weakness of her character, but rather from hopelessness. Most likely, any person could not live in such a society and would have committed suicide sooner or later.

D. Pisarev has a different point of view: he believes that suicide is always a sign of weakness of character. He wrote that "Katerina's whole life consists of constant internal contradictions; every minute she rushes from one extreme to another; today she repents of what she did yesterday, and, meanwhile, she herself does not know what she will do tomorrow; finally, having mixed up everything that was at her fingertips, she cuts the tightened knots with the most stupid means, suicide." Although suicide is more likely not a stupid act, but the last resort of a desperate person.

Since Pisarev's article was more likely not the opinion of the critic himself, but rather an objection to Dobrolyubov's review, a certain point of view cannot be adhered to here. Both views are extreme. But many will agree that Katerina's act is a kind of protest against the foundations of the Kabanov family and other people in the play. But protest is already a sign of a certain strength of character. But this power is not fully manifested, otherwise the ending would be different.

The drama "Thunderstorm", according to Dobrolyubov, "is the most decisive work of Ostrovsky", in which he showed the tyranny and despotism of the merchants, the "dark kingdom".

In the drama, the main character of the “Russian strong character” clashes with the cruel and inhuman mores of the old way of life. Katerina is the main character of the drama. This nature is poetic, dreamy, tender.

Katerina's childhood in her parents' house passed very quickly, and she remembers it as the best time of her life. Her mother's life was easy and joyful. Katerina loved taking care of flowers, walking alone in the garden, going to church to listen to church singing and music, she embroidered on velvet with gold. Then the girls were not given any education, and books were replaced by the stories of wanderers. Even as a child, Katerina was impressionable. Under the influence of the stories of praying women and wanderers, her freedom-loving and romantic character was formed.

The main feature in Katerina's character is the “image of a bird”. In folk poetry, the bird is a symbol of will. “I lived, I didn’t grieve about anything, like a bird in the wild,” Katerina recalls how she lived before marriage. “... Why don't people fly like birds? she says to Barbara. “You know, sometimes I feel like I’m a bird.”

Katerina wants to love both her husband and her mother-in-law, but she does not find a response to her feelings in them. Tikhon refuses to take her with him, Kabanikha pursues with his instructions. But Katerina endures for the time being. “And if I get really cold in this place,” she says, “so no force can hold me back. I’ll throw myself out the window, I’ll throw myself into the pool ... ”Kabanikha, this ardent defender of the old order, realizing that the old kingdom of tyrants is coming to an end, hates everything new, sharpens everyone, achieving her own rules. Lies and pretense reign in the house of Kabanikhi.