Actress Lyudmila Lyadova personal life. Lyudmila Lyadova - Academy of Personal Life

Name: Lyudmila Lyadova

Age: 92 years old

Place of Birth: Ekaterinburg

Activity: composer, pianist, singer

Family status: Married

Lyudmila Lyadova - biography

This woman's last name is associated with everything that goes with the word "music". She is not just a musician, she is a composer who sings beautifully and accompanies herself on the piano. There is no limit to her talent in musical creativity.

Childhood years, the composer's family

The city of Sverdlov is the birthplace of Lyudmila Alekseevna Lyadova. The family in which the girl was born and raised knew how to appreciate art. The head of the family was first a soloist in the opera house. He mastered many instruments: violin, mandolin, saxophone. Mom sang and worked as a choirmaster. In her spare time, Yulia Petrovna was fond of embroidery; many of the paintings were carefully preserved by her daughter. Alexey Ivanovich noticed his daughter’s talent for music early on. The family decided to take private piano lessons for Lyudmila. Then there was a music school.

Mila turned ten years old, she had to pass a huge competition to enter the conservatory in the children's department, but nothing frightened the girl. Mila did it all. After studying for only a year, festivals and concerts began. Once she managed to perform accompanied by a symphony orchestra. There were no dark spots in the biography of the young pianist; everything turned out very well. The Great Patriotic War made its own adjustments.

Military biography and rise to fame

During the war, Luda did not sit idle. She played for soldiers in hospitals at concerts organized by actors and musicians of the city. She sang those songs that were well known to the listeners. At the conservatory she was among the best students. When Lyudmila turned eighteen, she was sent to participate in a show of young talents in the capital. Lyadova was noticed and her gift as a composer was appreciated. Important step in the girl’s biography was made from the moment of her meeting with singer Nina Panteleeva. She was also just starting her career, and their duet turned out to be happy.

Fame came instantly after winning the Moscow competition variety artists. They toured successfully, gave their solo concert in Leningrad. Everything related to music was on the shoulders of the novice composer. There were concerts in Moscow, graduation from the conservatory and again touring cities Soviet Union, including Far East. The popularity of the girls is growing, listeners love them, they memorize the songs they performed at concerts. Lyadova moves to Moscow and joins the Union of Composers. The star duo soon broke up, each going their own way.

Lyudmila Lyadova - biography of personal life

Lyudmila Lyadova’s creative biography was bright and stormy, and personal life no less interesting. For the first time, Lyudmila married an accompanist from a gypsy ensemble. This marriage did not survive for long. Yuri Kuznetsov was chosen as the second spouse; he danced in ballet. This union lasted eight years, according to their common statement, they strong personalities, so they are not used to giving in to each other. IN family life It is necessary not to give in, but to love, which is what this married duet lacked.

Lyudmila no longer wanted to interfere with her personal life and art, so Kirill Golovin, the composer’s third husband, was a simple engineer. But even here Lyudmila was disappointed: love had gone somewhere. For the fourth time, a woman tests her fate - music, a woman - fire. Jealousy also destroyed these marriage bonds. Now Lyudmila Lyadova has found her family happiness. Saxophonist Alexander is seventeen years younger than Lyudmila. Nobody remembers age; spouses simply don’t feel it. They are happy and satisfied with everything. They had already lived with Alexander for forty-one years.

Honesty and decency, modesty and calmness immediately won over the temperamental woman in the guy. They are like two antipodes. Sasha is never jealous of her husband, knowing full well that the concerts may continue (banquets, discussions), so Luda may be delayed. There are no scandals about this. The husband willingly does a lot of women's housework. The spouses love to cook and both can cook, equally tasty and with pleasure.

Lyudmila Lyadova has many awards, prizes, she is People's Artist of the RSFSR, winner of many festivals and competitions. Her popularity and fame are bordered by great respect not only from close people, but also from all admirers of her work. Such poets as and others willingly collaborated with her.

In this article:

Biography of Lyudmila Lyadova

5 (100%) 1 vote

With great pleasure, we invite you to get acquainted with the biography of Lyudmila Alekseevna Lyudova - People's Artist of the RSFSR, famous singer and composer. While collecting information about celebrities, we came across several interesting facts that will definitely attract your attention. So, go!

Biography of Lyudmila Lyadova

On March 29, 1925, a wonderful girl was born. They gave her a name - Lyudmila. This wonderful event took place in Yekaterinburg (then it was called Sverdlovsk). Our heroine was born into a family of famous musicians.

What can you say about your father? Opera theater soloist Alexey Ivanovich Lyadov at one time played the violin, the saxophone, and even the mandolin. At a certain stage of his life he worked as a regent church choir in one of the churches in the Donetsk region.

Less is known about the mother. Yulia Petrovna Samoilova sang in the local philharmonic for many years and worked as a conductor in amateur groups.

Is it worth guessing that parents instilled in their daughter a love of musical art from an early age?

The beginning of the career of Lyudmila Lyadova

It all started with the fact that they hired a teacher at home, and later sent Luda to the music school of the authoritative teacher Vanya Bernhard-Trzaska.

The events of our heroine's biography developed quite quickly, and when she was 10, she began studying at the children's department of the local conservatory. Note that for this she had to go through a rather serious selection process, since there were many applicants.

Already at this age she began performing. Lyudmila performed quite difficult compositions, performing in schools, clubs, on the stage of festivals - everywhere she could get.

Further in the biography of young Lyudmila Lyadova it happens important point- she performed with the Mark Powerman Orchestra at big stage local philharmonic. A little later, Tchaikovsky's sensational First Concert took place with this group. During the same period, our heroine managed to study the art of composition from Professor Trambitsky.

A separate page in the biography of Lyudmila Alekseevna Lyadova was the war, during which she supported the soldiers with performances in hospitals. During this period, she met the young performer Nina Panteleeva, with whom they decided to sing together. The duet delighted the audience, and in 1946 received an award. The girls became laureates of the All-Union Variety Artists Competition. They performed together until 1951. The initiator of the collapse was our heroine.

Let's return to Lyudmila's biography. In the spring of 1951, she became a member of the Union of Composers of the USSR. During her career, she wrote successful operas, operettas, vocal and instrumental poems, works for piano and orchestra folk instruments. In addition, her music became the basis for several famous ballet numbers.

During her biography, Lyudmila Ledyaeva wrote about 1000 songs!

Personal life of Lyudmila Lyadova

The personal life of Lyudmila Lyadova is full of unexpected turns and intrigues... Consider the fact that she went to the altar 4 times! So, in order:

• 1 spouse Worked as an accompanist. Their relationship did not last long.
• 2 spouses Yuri Kuznetsov danced in ballet. The marriage lasted 8 years.
• 3 spouses Our heroine’s third marriage, with engineer Kirill Golovin, cannot be called successful either.
• 4 spouses On this moment saxophonist Alexander Kudryashov lives separately from famous wife. Note that Lyudmila is 17 years older than her fourth chosen one.

Scandal with Viktor Dvorovenko

In the summer of 2017, journalists made a fuss about an unpleasant situation in the singer’s personal life, which was connected with Lyudmila Lyadova’s expensive real estate in the center of the capital. The former director of our heroine, Galina Gorbenko, notified the media that lawyer Viktor Dvorovenko was trying to rob Lyudmila Alekseevna.

According to rumors, he cut off the people's artist from the outside world, settling her outside the city. At the same time, he allegedly pursued a selfish goal - to get luxury real estate in the capital... The lawyer makes an excuse that this is all a lie, but in fact he is only helping Lyudmila. He states that Lyudmila just came to visit him...

To find out about amazing life and the work of the incredibly talented female composer Lyudmila Lyadova, you need to familiarize yourself with her biography. In this article we will tell you about the most hidden and hidden facts from the life of a unique woman. We invite you to meet the talented performer and learn more facts about the personal life and children of Lyudmila Lyadova. This woman was able to show what willpower, desire and crazy work on oneself are capable of. Her works have won the hearts of most listeners in our country and are proof of her unique musical talent.

Lyudmila Lyadova: biography of the composer and introduction to the personality

The name of the heroine of our article has been associated with music since early childhood. She grew up in a creative environment and managed to prove that she has a talent that deserves everyone's attention and recognition. Under big secret information remains about the nationality, height, weight of Lyudmila Lyadova. In her biography, her parents became an important link, especially in the development of her talent. After all, they were the ones who were able to see in early childhood daughter's talent and channel it in the right direction. Thanks to the efforts of her father and mother, an amazing woman grew from a little girl who became a great composer.

Lyudmila Alekseevna - famous artist Soviet Union, composer, pianist, singer and simply a beautiful and magnificent woman. The list of her successes and talents can be continued for a long time. Lyudmila perfectly realized herself as a creative person and achieved great success in the music world.

Today she is very popular, well-known, in demand and enjoys great respect from her colleagues. In addition, Lyadova is a laureate of various folk festivals and competitions. Creative merits Lyudmila Alekseevna was awarded the Order of Friendship and the Order of Merit for the Fatherland. Her name has long gone down in the history of music.

But let's start with Lyudmila Alekseevna's childhood, which was no less interesting than her subsequent life.

About family

In the biography of Lyudmila Lyadova, family comes first, because her father and mother supported her initially and throughout her life.

The famous artist was born on March 29, 1925 in the city of Sverdlovsk. The family has always valued art and creativity in any direction. The girl's father, Alexey Ivanovich, became the main assistant to his beloved daughter. In his youth he sang in the opera house, then played the violin. Mom, Yulia Petrovna, sang beautifully, was a choirmaster, and beautifully embroidered paintings, many of which have survived. Since childhood, parents noticed creative inclinations and seriously thought about the musical career of their talented daughter. To begin with, they hired her a music teacher. Over time, Mila successfully entered music school.

The start of Lyudmila Lyadova’s creative activity

At the age of ten, the girl managed to show strength of character when she took part in a competition where ten people applied for one place. Despite such great competition, she managed to easily enter the children's conservatory in Sverdlovsk. Just a year later, the little performer already participated in various competitions, festivals and projects. And at the age of 14 she was even able to perform with an orchestra under the direction of conductor Mark Paverman. It seemed that the biography and personal life of Lyudmila Lyadova would be bright and eventful, but no one guessed that soon ordinary life a terrible and merciless war will come.

War

Wartime forced us to reconsider our principles of life and views on many things. In those terrible years, the young girl tried to help the soldiers who were going to the front as much as possible. She took part in concerts, visited hospitals and helped care for the sick and wounded. She sang everyone’s favorite and dear songs, such as: “Let’s smoke,” “Little Blue Handkerchief” and others. At the age of eighteen, Mila was sent to Moscow to attend a show of young talents, where she was recognized as a promising young composer. At that time, Lyudmila wrote many different songs, miniatures and plays. In her work, Lyudmila Lyadova paid a lot of attention to wartime and this topic.

The first path to recognition

After some time, fate gives Mila a unique chance to realize herself as a singer. An amazing acquaintance with the promising singer Nina Panteleeva takes place. Their musical duet was magnificent and brought the girls victory at the festival in 1946, which took place in Moscow. The young talents did not at all expect such dizzying success, and this is how their first fame and recognition came to them. Soon they receive numerous offers for touring activities and long-awaited participation in a concert in Leningrad. From this unique offer They, of course, could not refuse, and soon numerous performances began.

All songs were processed directly by Lyudmila Lyadova. For her it was extremely painstaking and serious work. A year later, the young group was joyfully received in Moscow at the Hermitage. In 1948, when Mila graduated music conservatory, they went with Panteleeva to the big tour according to these famous cities, like Omsk, Kharkov, Leningrad. And everywhere they were welcome, people came to their performances with pleasure. There was no shortage of listeners. Their unsurpassed talent gave them love from the audience and thunderous applause.

Significant events in the biography of Lyudmila Alekseevna Lyadova

In 1951, Lyudmila Lyadova’s biography shows global changes. Firstly, she decides to leave her native Sverdlovsk and move to Moscow. Soon she is accepted into the Union of Composers and she has a chance to realize herself, working with many famous artists that time. Unfortunately, in 1952, on Lyudmila’s initiative, their duet with Nina breaks up. No one knows the real reason disruption of their creative activity. Some believe that it was simple envy. It's no secret that Nina was often jealous of her partner's success. But not everything is as bad as it seems. This situation gave Lyudmila an impetus to develop with greater speed and passion. Soon many new and popular musical works.

Lyudmila Lyadova: biography, personal life

A lot can be said about the romantic side of the pianist’s life. This is a kind of amazing novel with an exciting plot, with ups and downs. In a word, this is a story about a unique woman who has been looking for her happiness and love for a long time and finally found it. Mila first got married at a fairly young age to Vasily Korzhov. At that time, the girl did not yet know what she was capable of, so she fell in love and quickly tied the knot. A little later it turned out that Lyudmila had a lot of ambitions and that she was a creative and refined person, so she didn’t want to bear the burden of daily household issues.

The second time she married Yuri Kuznetsov, a ballet dancer. Their marriage lasted eight happy years. During this time, many good and significant moments happened in their lives. They both rose in creativity and accomplished many joint projects and brought many unique ideas to life. It is not at all surprising that she soon fell in love with ballet and wrote a large number of musical works in this direction. The biography of Lyudmila Lyadova, personal life and children are of interest to many. Therefore, it was not possible to hide the fact that after some time this marriage broke up. They said that the two leaders simply could not get along under one roof. They both became independent creative personalities. Therefore, the relationship cracked and the couple separated.

For the third time, Lyudmila married engineer Kiril Golovin. This union was more prudent on Lyudmila’s part. However, after living together for 5 years, the couple broke up. As Mila wrote in letters to her mother: “There is nothing worse than being alone together.”

After some time, there was another marriage, with Igor Spastenko, but it soon fell apart due to unbridled jealousy, misunderstanding and the constant desire of the husband to remake his wife for himself and make her a typical housewife.

Lyadova's long-awaited happiness

Today Lyudmila Alekseevna Lyadova is married again. Her husband Alexander is a saxophonist. He is 17 years younger than her. But such an age difference does not prevent them from being happy together for more than one year.

In her life, a strong, brave and amazing woman is used to achieving everything on her own, despite any obstacles and difficulties. Often her ambitions were similar to the ambitions of a strong-willed and strong man, and not at all fragile and creative woman. Most likely, it was for this reason that it was not easy for her to get along with all her chosen ones. Those who are not indifferent to the fate of Lyudmila Lyadova, her biography, family, children, know that the woman always dreamed of a child, but due to health reasons this turned out to be impossible. Therefore, she gives all her love and care to her husband and her unique musical creations.

Faith in the life of a composer

I would like to note Lyadova’s special attitude towards religion. At the behest of her parents, Mila was baptized in early childhood. The girl managed to carry love for the Lord through all the hardships of life and followed all the canons of a believer. By the way, Lyudmila Lyadova is very interested in the biography of the family and children. According to her in my own words, God gave her talent, and her musical creations are her children. According to Lyudmila, she constantly thanks the Lord for the life he gave her, for her skills, health and kindness.

Our days

Definitely, Lyudmila Lyadova simply amazes and surprises with her biography. There were a lot of meetings, acquaintances, partings, fateful events, tours, and competitions in her life. As the artist herself says, she is incredibly happy that her fate turned out this way, and she would hardly have been able to live it any other way. The biography of Lyudmila Alekseevna Lyadova appears to us as a unique movie that you want to watch again and again. This woman managed to make herself happy, even without having children and facing big amount disappointments. We can only wish the talented and beautiful woman good health, creative inspiration and worldwide recognition.

How is the rating calculated?
◊ The rating is calculated based on points awarded over the last week
◊ Points are awarded for:
⇒ visiting pages dedicated to the star
⇒voting for a star
⇒ commenting on a star

Biography, life story of Lyadova Lyudmila Alekseevna

Lyadova Lyudmila Alekseevna – Soviet and Russian composer, pianist, singer.

Childhood and youth

Lyudmila Lyadova was born in Sverdlovsk (now Yekaterinburg) on ​​March 29, 1925. Her father Alexey Ivanovich was a tenor soloist at the Sverdlovsk Opera House, then a violinist in the orchestra, and later a regent of the church choir of St. Nicholas Church in the city of Makeevka, Donetsk region. Lyuda's mother Yulia Petrovna (nee Samoilova) was a conductor musical groups amateur performance and singer at the Sverdlovsk Philharmonic.

Luda, born in creative family, from the very early years showed talent for music. The parents, seeing talent in their daughter, took her seriously musical education. At first, a piano teacher came to Luda’s house, and a little later the girl went to music school. At the age of 10, Lyudmila, leaving behind many competitors, became a student in the children's department of the Sverdlovsk Conservatory. A year later, Lyudmila Lyadova played very complex works, participated in various competitions, shows and festivals, performed at school evenings and city holidays. After receiving secondary education, Lyudmila entered the Sverdlovsk Conservatory (piano class and composition department), from which she successfully graduated in 1948.

War time

During the Great Patriotic War Lyudmila played waltzes for the guys who were going to the front, performed for soldiers, and went to hospitals. At the age of 18, Lyuda, one of the best students at the conservatory, was sent to Moscow for a review young talents. Composer's talent Lyadovoy was highly appreciated by the commission members.

Returning to Sverdlovsk, Luda began collaborating with then-beginning singer Nina Panteleeva. This creative union turned out to be very successful.

Creation

In 1946, the duet of Lyadova and Panteleeva took first place at a pop artist competition in Moscow. The girls became in demand - they toured around different cities USSR and in each they were met with grateful audiences. In 1951, Lyudmila Alekseevna moved to Moscow, became a member of the Union of Composers, stopped collaborating with Nina Panteleeva and began her solo journey in the world of music. Lyudmila Lyadova wrote works for symphony orchestras and compositions for the stage. Lyadova's songs were performed by such stars Soviet scene, like , and many others.

CONTINUED BELOW

After the collapse of the USSR, Lyudmila Lyadova began to be perceived by society as a legendary female composer of a bygone era.

For his fruitful musical activity Lyudmila Alekseevna was awarded the title of Honored Artist (1975) and People's Artist USSR (1985), two orders “For Services to the Fatherland” (2000 and 2005), orders of “Friendship” and “Honor” (1997 and 2011, respectively), as well as medals and prize places at various competitions. In 2015, Lyudmila Alekseevna became an honorary citizen of the Sverdlovsk region.

Personal life

Lyudmila's first husband was Vasily Korzhov, an accompanist of the gypsy ensemble. Lyuda and Vasya got married in their youth. The marriage soon broke up - the lovers did not see eye to eye on their future. After the divorce, Lyadova married ballet dancer Yuri Kuznetsov. Lyudmila and Yuri lived together for 8 happy years. They decided to divorce, being independent and accomplished people in their professions. The two leaders could no longer live under one roof.

Lyadova chose engineer Kirill Golovin as her third life partner. In 5 years life together mutual love faded away. After Kirill, Lyudmila was the wife of Igor Slastenko, but this marriage also ended in divorce - Lyadova was tormented by her husband’s groundless jealousy.

Already in advanced years Lyudmila Alekseevna married saxophonist Alexander. The composer's new husband is 17 years younger than her. It would seem that the artist has found her happiness. However, in 2017, information appeared in the press that 92-year-old Lyudmila Alekseevna had a young lover in the person of lawyer Viktor Dvorovenko. Against the backdrop of this relationship, there was even a scandal. Allegedly, Victor wants Lyadova to leave him her luxurious apartment not far from the Kremlin, and for this he kidnapped her and locked her in his country house and forced him to rewrite the will in his name. However, it later became clear that there was no kidnapping. The ambiguous situation was even discussed on the show “Let Them Talk.”

doc6a06ds07yqb16ni7weix

Lyudmila Lyadova on the cruiser "Murmansk", 1976

The "Evening" correspondent talked with the composer and singer Lyudmila Lyadova.

Not all young people today know the name of the composer Lyudmila Lyadova, but at the same time, without knowing it, they grow up from the cradle and live to her delightfully exciting, sometimes ironic, always cheerful melodies. Well, who doesn’t know the funny couplets “Feathers from the Bird” about a funny girl who confuses the words of a simple song. Who hasn’t heard the cheerful “Old March” and “Wonder Song”? And not a single parade on Red Square is complete without the “Festive March” of the female composer Lyudmila Lyadova.

And what a woman! Energetic, always with perfect hair and proud posture, she is a queen in life too. And on stage there is the empress at all - when in luxurious dresses and transparent gloves-mittens she sits down at the piano in order not only, like all composers, to accompany, but to magnificently “sing her songs, and if necessary, whistle”... And it is impossible to believe that this the woman is 88 years old - she has so much vigor, vitality and ineradicable female coquetry.

Remember how the heroine from the film “Girls” dreamed: “I’m walking - and the guys around me are falling and forming piles themselves”... This is about Lyudmila Lyadova! And not in dreams, but in reality. Beautiful women there are many, but few have such inexplicably attractive and powerful energy. To be honest, such a powerful temperament and active inner strength usually frighten men. But in Lyudmila, or, as she is now called, Mila, Milochka Lyadova, this entire incendiary fountain is clothed in the same incredible, unerring power of charming femininity. That’s why there was a lot of love, only four official divorces! Mila Lyadova calmed down only after her fifth husband.

It seems that she, so bright and optimistic, simply does not know failure, grief, sadness, much less despair. But no. Like every child of war, Milochka had her share of common misfortune. There were also losses, disappointments and melancholy. Music has always been salvation and protection. Lyadova even composed and sang her famous playful “Miracle Song,” in which “there is only room for kisses, jokes and words,” during a period of long and unbearable separation from her loved one.

And where do you, Lyudmila Alekseevna, come from so much optimism and vigor? Surely you know some secret of youth. How many people, before they reach sixty, complain: age, it hurts here, it hurts there...

So I have something that would be better not to have: I get tired quickly, my eyes are not at all good... But I try not to lose heart - exercise in the morning, a cup of coffee..., in the summer, to the dacha, for some fresh air... We have an old dacha in Staraya Ruza, I built it about forty years ago, it’s good there, next to our composer’s House of Creativity, a sanatorium in Dorokhov and no factories. Just like in my song “Earthly Beauty” - the breath of the earth: the sun, pure greenery, haymakers...

- Are you really mowing?

But of course! I also love fishing, putting things in order at home and painting something - it’s very calming. Yes, I’ll hammer in nails if necessary, but Sasha, my husband, helps with this more, after all, this is a man’s job. Physical work, especially when done on a large scale, makes me happy. It’s not like sitting at some meeting for four hours is really sad and harmful. And I work all the time, write, give concerts... In general, I have no time to think about age. Maybe I got it from my mother - willpower, stubbornness, determination.

GOD KISSED YOU ON THE CHEEK

We talk in her big apartment in the composer's house. On the walls among ordinary ones in houses creative people portraits and photographs, several paintings: “ Moonlight night» Kramskoy, landscapes and still lifes, a lying dog... Copies or lithographs?

It was my mother... who embroidered,” explains Lyudmila Alekseevna. - Yes, yes, don’t be surprised - these are embroideries, although you can’t see the stitches. And how carefully the colors and shades were chosen. My mother painstakingly embroidered each such picture, sometimes for a whole year. Imagine how much patience!

- Didn’t you inherit this talent?

No, I'm all about movement and music. It’s a pity that I can no longer drive a car, as I used to do with my cat Katya at the wheel. Katya is gone now, but my eyesight won’t let me. But the music remained. The other day here’s an interesting one new song I wrote it, they made a wonderful disc - a three-part concert, which I dedicated to Van Cliburn a long time ago: he listened to it and praised it very much... And now we are releasing it new disk... Recently, nephew Vitya Miroshnikov dug up a recording that I had long forgotten about - “ Brest Fortress", sings Renat Ibragimov. I listened to it - well done, impressive!

- Hey Pushkin, hey son of a bitch?...

And what? - if it's good, so good. After all, I have more than a thousand songs alone. They were sung by our most significant singers - the great and incomparable Claudia Shulzhenko, Maria Zvezdina, Joseph Kobzon, Eduard Khil, Kapitolina Lazarenko, Yuri Bogatikova, Tamara Miansarova, Vladimir Troshin, Lev Leshchenko, Valentina Tolkunova, Yulian... And my romances were sung by Nadezhda Obukhova , Zara Dolukhanova, Elena Obraztsova, Maria Bieshu... One of my operettas, “Gender with a Black Mask,” which was performed throughout all theaters in the country, was performed in Moscow by all the stars, led by Tanya Shmygay and Vladimir Kandelaki... Another operetta, “The Soul of a Soldier,” was a success in the theatre Soviet army with Vladimir Zeldin and Nina Sazonova. There were also large orchestral and choral works. We responded to everything important events in the life of the country. And all new works were accepted by professional commissions. Of course, different things happened - due to political restrictions, and also out of envy, but still, works and performers of a high professional level appeared on radio and television, which cannot be said about today's stream of mass music... They cared more about the culture of the people: festivals, national decades, tours in the very hinterlands right up to rural clubs... And on radio and television it was constantly heard different music- folk, classical, modern... Even the war years became a time of creative discoveries.

- Was it then that your first significant performance took place?

Yes, in 1943 there was a show of young talents at the Moscow Conservatory, and there I sang my songs based on the poems of Agnia Barto. Then Pravda noted “the bright, spontaneous miniatures of Lyudmila Lyadova.”

- They didn’t put them to shame hometown Sverdlovsk

How was it possible! Even then our Sverdlovsk was a city with a stormy musical life and beautiful opera house.. My dad Alexey Ivanovich also sang there - he had a beautiful tenor. He also played many instruments and performed as a violinist with Isaac Dunaevsky’s orchestra. I was on the road almost all the time, on tour, and we lived mainly with my mother, Yulia Petrovna, who gave me all her boundless love. Of course, my mother wanted to see me happy and talented. I don’t know from whom I inherited what, but I’m glad that I didn’t disappoint my mother: probably, after all, God kissed me a little on the cheek.

- What’s surprising: before you were born, you listened to beautiful music.

But of course! After all, my mother was a musician and choirmaster. Only she didn’t rely on nature, she raised me in strictness, and didn’t allow me to be lazy. How often I didn’t want to get up in the morning, but my mother didn’t give me any concessions. One day, when I was 13-14 years old, I was chatting somewhere and came home at half past two in the morning - so she grabbed a pair of scissors and cut off my hair.

- Did you chat with the boys?

I don't remember now. But I always liked boys, and I liked to flirt with them. I have always been a flirt, but I didn’t allow anything more. And I took revenge on my mother for cutting off her hair: she needed me to accompany me at a choir concert, and I flatly said: “I won’t go, that’s all!” But then I was forever grateful to my mother for her strict upbringing. And I always studied music with joy and easily passed through a huge competition into the children's department of the conservatory.

I have a habit of not receiving anything from my parents just like that - I earn everything myself. And I didn’t get this apartment just like that. The cooperative of the Union of Composers offered a choice of two or four rooms. I decided: I’m young, I’ll work a lot... It wasn’t easy: I borrowed and paid money endlessly, but I made up for the childhood hardships. Life in Sverdlovsk, like most people back then, was difficult. Our wooden house stood near a stone mountain next to the observatory, we lit a stove and carried firewood. I remember how the war began: everyone rushed to the shops, but we had nothing. Then rationed bread. To survive, my mother went to work at a pharmaceutical factory, sorting cocoa beans from which they made medicine. At home she often baked cakes from grated radish - nothing, it was delicious. In the late evenings, almost at night, my mother worked part-time at the Philharmonic. She and I also performed together in front of the guys who went to the front, and in front of the wounded in hospitals. They sang romances and songs, especially those that were so necessary back then - “Dark Night”, “Let’s Smoke”... And with other peers we went to collective farms and logging sites - on carts, in the rain, or even on foot, because it was impossible to travel... But even then life went on as usual, women gave birth, young people danced, sang, fell in love. There were other things too. Once, after a trip to concerts, I walked home (there were no trams) through the vegetable gardens. I was carrying the money I had earned in my purse, and a gang attacked me and began to take my purse away. Although I myself was a tomboy, I was confused, scared, and I was sorry for the money... But suddenly I heard from behind: “Don’t touch her! Go home, Mila.” Their leader turned out to be my old friend Pashka, with whom we had mutual warm feelings before the war - well, what can I say, I liked him.

- Were you attracted to unusual, strong guys?

But of course, even in a gang, not everyone is given leadership. At the time of our communication, he was not a bandit, but his inner strength was seething. Unfortunately, that Pashka ended badly, went to prison... And one day other thieves stole my suitcase - with money, documents and, worst of all, food cards. Fortunately, then at least the passport was planted...

- At one time, your duet with Nina Panteleeva was very popular.

You could even say he brought real glory. Our duet was very successful, the voices merged so much that we were simply doomed to success. The two of us started performing together in 1946 in Sverdlovsk, and in the spring of 1948, after graduating from the conservatory, we went on a long tour around the country: Tomsk, Orenburg, Orsk, Kharkov, Stavropol, the Far East, Leningrad, Arkhangelsk... We were always received with delight. But incidents also happened. One day we went on stage (I think it was in Krasnoyarsk) they announced Muradeli’s song “Moscow-Beijing”, I started playing, and - we suddenly... forgot initial words. Both! To the mocking whispers of the audience, they mumbled some “la-la”, and the text began only with the chorus... A complete failure! After that it was difficult to “take” the hall. But, of course, we did it. When we performed his “I was traveling from Berlin” in front of Dunaevsky, he immediately gave us a new song “Roads and Roads”... But already in 1952 our duet broke up.

- Why?

Ambition! Since Nina was the first voice, she suddenly imagined that that was why she was in charge. Forgetting that all the musical arrangements and arrangements for the duet were all on me, and then I already received my first title of “winner of the All-Union Variety Artists Competition.” Apparently, in order to prove that she was no worse, Nina began to literally play on my nerves and mock me. I started studying the history of the All-Union Communist Party (Bolsheviks), probably because I wanted to make a career. We were about to go on stage, and she was buried in her textbook until the last second... - what a creative mood there was! In general, because of such stupidity, I left her, even refused to finish twenty planned concerts, and began to perform alone. In February 1951, she joined the Union of Composers and moved to the capital in the spring. Many of my songs immediately became popular and took on a life of their own.

Once my mother and I were traveling on the ship “Rodina”. Passengers, having learned that among them is famous composer, asked me to speak. They opened a music salon, and I began performing my songs. At the end she sang “The Miracle Song,” which she was asked to repeat. And suddenly an exclamation came from the audience: “This is all very good, but you should sing something of your own!”

And I even dared to offer my romance to the words of Pleshcheev “Captivating Sounds” to the brilliant Nadezhda Obukhova. Nadezhda Andreevna looked at the notes and said: “I’m slowly learning new things, in three months I’ll record it on the radio.” However, a month later she sent me a letter: “I liked the romance so much that I learned it and recorded it, you will hear it on the radio.”

- What was the fate of Panteleeva?

Nina didn’t perform for a long time until she found the pianist Berzin, but there was no such success as in our duet.. It’s a pity, of course: she has a beautiful voice, but how it blends with mine! Nowadays, sometimes Panteleeva’s recordings are heard on the radio, she is a wonderful singer, but she couldn’t stand the test of fame... I think that every person should take his own place, which belongs only to him. After all, when I left the duet, Nina came to her senses, ran in, tried to persuade me to come back for a year - but I didn’t agree!

- Apparently, you are just as adamant in your personal life: to tear is to tear?

What to do if this happens!

USED ​​TO BEING MARRIED

- Is it true that you followed your first gypsy husband and went on a nomadic camp?

Well, not with the camp - it was a large family ensemble with numerous relatives, who all sang and danced amazingly. I was eighteen years old when I fell madly in love with their lead singer Vasya Korzhov. What eyes he had! Those same extraordinary “burning and beautiful” ones just struck me on the spot. And my mother was so charmed by the handsome man that she didn’t say a word against it. The wedding was played according to gypsy customs, on a grand scale, with songs, daring dances, luxurious pies... But - there were too many relatives, too much traveling... Although I still really love the gypsies and their songs, probably, both of them and the rollicking fun turned out to be too much. I didn’t want to stoop to being an accompanist in a gypsy ensemble. But in memory of that love, the sultry “Gypsy Rhapsody” remained... I always composed a lot for any reason, and for no reason, which greatly angered some composers, and especially their wives. That's who has always envied me - my wife!

- Maybe they were jealous?

If you are talking about novels, then I didn’t give them reasons. I never used my charms to attract their husbands. To achieve recognition, I didn’t need honored husbands, miniskirts, or corporate events. - I had other things to do and advantages. But - they were just wives, and I and their husbands were on an equal footing in creativity, otherwise they wouldn’t be able to keep up... And there was no need to “promote” me - she herself showed what I could do, without any discounts for the fact that I’m not a man... Many They were jealous that my “Wonder Song” was sung by an English singer, and it sounded all over the world - at that time it was an incredible event. I knew the American journalist Stevens, who found a Russian wife on our collective farm. And then one day they invited me to a boarding house, and at that time the famous impresario Sol Yurok, also of Odessa origin, arrived there. I played “The Miracle Song” for him, and he apparently wrote it down. And one day the sent recording was performed on television in “Good Morning”. That's why the composers were all alarmed. Queen Elizabeth of Belgium, having heard, sent invitations to come. Of course, they didn't let me in. Now you can travel freely, and they do, and they call me - but now I answer: “You go, and I’ll be here”...

But men, of course, liked me, and musicians and composers too. Vano Muradeli did not hide his feelings, Kabalevsky, Khrennikov... Mstislav Rostropovich, even before meeting Galina Pavlovna, declared his love for me and had even more serious plans for me... And I flirted, but I knew my worth. After all, I was the first woman in the Union of Composers, I passed with a bang before a strict and representative commission. I then wrote the “Volga Suite” for an orchestra of folk instruments, and it was performed by the best orchestra when Osipov, whose name he now bears, was still alive. And the conductor, when performing in Central Park culture suddenly... handed me the conductor's baton and placed me on his pedestal. Of course, I chickened out - 70 male musicians were looking at you, and then nothing, I even liked it. Well, “The Miracle Song” was like thunder for all composers - it went right away!

- I heard that this cheerful and mischievous song was born in a completely different mood.

This is true. I was in love with then married man named Volodya Novikov, and we had a secret relationship. What a man he was! - Dobrynya Nikitich with dove eyes! He worked in the authorities, knew Spanish, and then one day he was sent on a long business trip to Mexico. And I was left alone in the room I rented, where in addition to a table and a sofa, there was also a piano. There, all in melancholy and grief, I composed one of my most joyful songs.

- Did you break up with Volodya forever?

No, after a few months he returned. But I’m used to not just dating, but being married. But he didn’t want to leave his wife, who, he was sure, was very devoted to him, never cheated, and never even stayed late at work! How I laughed later when he found out that his “faithful half” was cuckolding him with all his might right at work with his boss, the general! Then he decided to leave her and go to me. It’s just too late - I was already gone! - I'm not going back!

Unfortunately, I was often disappointed. At first everything is always fine, but then, when people get used to each other, something else begins to open up, and it’s not always possible to withstand it. And is it necessary to “endure? Men often bend their own, they are owners, and not all women want to be property.

- And then they got married again.

Yes, for ballet dancer Yuri Kuznetsov. IN creatively our union turned out to be very fruitful. For him and Eleonora Vlasova, I wrote a lot of ballet music, the elegy “The Blind Girl”, and ballet miniatures “ spanish dance", "Negro Dolls" were superbly performed by Volkov and Kondratiev, directed by Vasily Vainonen. She composed a divertissement for “Beryozka” when the ensemble was just starting out. But - Yura and I were both leaders by nature, and two “generals” in one house are too much! It so happened that each husband stayed with me for about eight or nine years.

- But your third husband, Kirill Golovin, was not from a musical background, but from a scientific background.

Therefore, at first it seemed that it was precisely because of this difference that a sea of ​​​​happiness awaited us ahead, but then, what can you do, my feeling for him passed, and I began to see only shortcomings in him. After all, I was very active in everything, and if I liked someone, I myself would finish drawing what I wanted - the result was an amazing ideal. Unfortunately, upon closer communication, it turned out that everything was completely different.

But with your fourth husband, singer Igor Slastenko, you have created such a wonderful duet! Many people remember you from the television “Ogonki”.

The duet was successful, but broke up for virtually the same reason as with Nina Panteleeva: Igor began to become arrogant and even “re-educate” me. And one day the drop overflowed the cup. Once, in his presence, I was offered to record “The Miracle Song” again, and he muttered so dissatisfied and lazily: “No way.” Oh, no need? I packed my suitcase and - goodbye, dear! That was the end of it.

- What should a man necessarily have?

It depends on what you expect from him. There are men who are reliable friends, and there are those who are only suitable for the role of lovers. Only Sasha, my last husband, with whom we lived, it’s scary to think, 41 years (!), did not disappoint. Not only because he is a calm, decent and honest person - most importantly, he, a musician himself, understands that I am a creative person, I can be explosive, violent, but all this without evil, simply due to temperament. When Sasha and I met, he played the saxophone in pop orchestra. Quiet, modest, I immediately liked him, but I didn’t think about him as a husband. If only because he is seventeen years younger!

- It turns out that you could not get along with talent of your level and - excuse me - claims?

Hard to say. Or maybe so. I must have absolute freedom movement. Sasha doesn’t ask when I’ll arrive from the concert; I can easily stay at home without scandals - no surveillance, no jealousy. He understands that I am doing business. And I, naturally, composed several pieces for the saxophone. True, and others wind instruments didn't offend. But Sasha also sometimes gives me some ideas, especially about his instrument.

- But he probably feels comfortable behind your back?

Probably not without it. We both know who the general is in the house. But Sasha is not a private either - at least a colonel, an adjutant who can be relied on. And Chelsea will take our beloved chihuahua for a walk and cook dinner.

- So he’s also a cook?

If it's necessary. But I won’t give in here either. I cook well and with my secrets. Let's say, put more beets in the vinaigrette, less potatoes, and be sure to grate the apple. And I always add an apple to eggplant. I only put onions and carrots in mushroom soup, and no potatoes or noodles. And how everyone likes my borscht soup! I also like to improvise: a new dish from everything I can find at home...

HEAD FULL OF NEW MELODIES

- Is there anything that didn’t come true that you regret?

As a child, I dreamed of becoming a ballerina, and my figure matched it. Mom didn't allow it. It's a pity. Well, I still dance on stage. I also regret that Magomayev and Zakharov did not sing my songs - the envious people did not even let me near them. They didn’t hesitate to simply stipulate: “Don’t mess with Lyadova, she drinks a liter of vodka every day!” And even if that were the case, what does the song have to do with it!

- It is not true?

Certainly! It happened, say, with Lyusya Zykina there was a stack of dumplings, which she expertly prepared. And we were more connected with Lyusya by songs, and dumplings to boot. And even now great masters are denigrating - many talents are completely blocked from entering television. I have always avoided intrigue and gossip, which, unfortunately, often caught up with me... I also regret that... I was born a woman. It is much easier for the stronger sex to make their way in life. But if this happened, let it be on the sheet music shelves, next to the Russian classic Anatoly Lyadov, and contemporary composer Lyudmila Lyadova.

-What’s worrying you now?

People have changed a lot: no one listens or hears each other, they don’t value anyone or anything, they are busy with little things. Women now either marry someone profitably so as not to work, or are all busy, or beg from the state. Young people - as long as they have more money and a villa - preferably abroad. And no one considers free education necessary for society to work off. It is alarming that the stage is filled with voiceless, untalented “singers.” The performances have become caricatured, and the music and lyrics are often “created” by single-celled creatures. Mass art has been crushed, everything is falling. I’m a little glad that they started turning to retro, but in what capacity...

- Do you keep in shape with a regimen and diets?

What is it! I just try to sleep more, and even then I don’t get up early because I go to bed late: I listen to the radio or work. Now I only have the best friends left - I drove away all the bad and unreliable ones, who are not masters of their word. My most faithful friends. But different professions- all assistants and creative life. In organizing concerts: this is Alla Georgievna Gryaznova, rector of the Academy of Finance, doctor Vitaly Miroshnikov, and, of course, singer and film artist Galya Gorbenko, she is also my director and performer of my songs solo and in duet with me... It’s a pity that there are no concerts as much as before, as I want and as I could. There is strength and desire. And my head is full of new melodies.

- Yes, it would be just right for you new novel, or even another husband!

And what! Maybe a novel. But husbands, perhaps. That's enough!... Forty years together, and with my temperament - they don't waste things like that. It costs a lot.