What is the tragedy of Pechorin's fate? What is the tragedy of Pechorin's existence? Is Pechorin guilty of his tragic fate.

Pechorin is the main character in M. Yu. Lermontov's novel "A Hero of Our Time". The author himself points out that he embodied in his hero a collective image in which all the vices of the generation were embodied. But the fate of Pechorin is tragic to some extent, sometimes you sincerely want to feel sorry for the hero. To understand the meaning of the work, it is important to appreciate the tragedy of Pechorin's fate.

Hero character

Pechorin is a very controversial character. He is endowed with a lot of positive qualities. Everything is with him: he is handsome and rich, well-mannered and educated. Gregory carefully monitors his neatness, he is not rude to anyone, he is not rude. It would seem that all the positive qualities of a well-mannered secular person indicate that he can be happy. He is confident in himself and does not doubt his actions and deeds. But the worst thing about this character is the lack of the ability to feel. This character is a cynic and an egoist. He does not feel responsible for the fates and lives of other people, he is able, for his own whim, to play with the fates of those who treat him well.

The hero is incapable of love. He himself constantly feels bored, understands the power of his egoism, calls himself a "moral cripple." But he doesn't feel guilty about it. Knowing that his soul has hardened, he does nothing to correct the situation. He is prone to introspection, but this does not justify him. Pechorin cannot be called a happy person. He is constantly bored. In order to satisfy this feeling, he neglects the feelings of other people, but he himself is not at all capable of experiencing them. Probably, the tragedy of the whole generation lies in this - the inability to experience real feelings, because this is a real gift that is inherent only to man. This can be called both a personal tragedy, because such a person is simply a pity, and a tragedy for others, because it is they who suffer from the cynicism and selfishness of people like Pechorin.

The tragedy of a generation

But the problem lies not only in the very nature of Pechorin. It is not for nothing that the novel bears such a name, because it reflects the tragedy of a whole generation. Lermontov noted that he had met people similar to Pechorin more than once in his life, and perhaps he himself was one of them. They have a lot of opportunities, but do not feel happy. They live in a period of changing eras, when the old has already outlived itself, and the new is not yet clear. That is why the problem of the generation is global boredom, restlessness, callousness.

"Moral cripple"

When Pechorin starts a conversation with someone about himself, he constantly makes it clear that he knows how insensitive he is and suffers from it himself. When talking with Maxim Maksimych, he mentions that he is very bored, and you can feel sorry for him. Talking to Mary, he says that society has made him so, not accepting good feelings, seeing only evil and negativity in him. That is why he became a "moral cripple."

To complete the task, select only ONE of the four proposed essay topics (17.1-17.4). Write an essay on this topic in a volume of at least 200 words (if the volume is less than 150 words, the essay is rated 0 points).

Expand the topic of the essay fully and multidimensionally.

Argument your theses by analyzing the elements of the text of the work (in an essay on lyrics, you must analyze at least three poems).

Identify the role of artistic means, which is important for revealing the theme of the essay.

Consider the composition of the essay.

Avoid factual, logical, verbal errors.

Write your essay clearly and legibly, following the rules of writing.

Explanation.

To complete the task of part 3, select only ONE of the proposed essay topics (17.1-17.4).

In the M2 answer form, indicate the number of the topic you have chosen, and then write an essay on this topic in the amount of at least 200 words (if the amount of the essay is less than 150 words, then it is rated 0 points).

Rely on the author's position and formulate your point of view. Argument your theses based on literary works (in an essay on lyrics, you must analyze at least three poems).

Use literary-theoretical concepts to analyze the work.

Consider the composition of the essay.

Write your essay clearly and legibly, following the rules of speech.

Comments on essay topics

C17.1. What is the tragedy of Pechorin's fate? (Based on the novel by M. Yu. Lermontov "A Hero of Our Time".)

Lermontov's hero is a man of tragic fate. He is tragically alone. Pechorin contains immense powers in his soul, but there is a lot of evil on his conscience. The hero, by his own admission, invariably plays the role of an ax in the hands of fate, a necessary protagonist of any fifth act. The tragedy of Pechorin's fate is connected not only with the social conditions of the hero's life (belonging to a secular society, political reaction in Russia after the defeat of the Decembrist uprising), but also with the fact that a sophisticated ability for introspection and brilliant analytical thinking, the burden of knowledge and doubt lead a person to loss simplicity, naturalness. Even the healing power of nature is not able to heal the hero's restless soul.

C17.2. Why is the battle of Borodino shown by L. N. Tolstoy as the main event of the people's war? (According to the novel by L. N. Tolstoy "War and Peace".)

The writer, depicting the Battle of Borodino, was convinced that "the reason for our triumph was not accidental, but lay in the essence of the character of the Russian people and troops." Tolstoy has a clear and moral criterion: "I love the thought of the people as a result of the war of 1812." In the depiction of the Battle of Borodino, Tolstoy uses his favorite technique - first he gives a view from above, and then from the inside of the battle. This is achieved by transmitting Pierre's observations. Twice Pierre covers the entire field of Borodino with his eyes: before the battle and during the battle. But both times his eye sees not a position, but, in the words of Tolstoy, "a living area." Especially keenly Pierre felt the power of popular patriotism. Folk and soldier scenes are also given through Pierre's perception, and this gives the image great strength. The immediacy, simplicity, sincerity of Pierre in this case serve in Tolstoy as witnesses to the greatest truth: the people are the main force of the battle of Borodino.

C17.3. What is the fate of Russia in the lyrics of A. A. Blok?

The theme of the Motherland is the central theme of creativity. For A. A. Blok, the theme of Russia was fundamental: “I consciously and irrevocably dedicate my life to this theme,” the poet said. In Blok’s work, the thought sounds like an alarm: “No matter what trials the beloved land is subjected to, through what misfortunes, deceptions, suffering it would have to go through, Russia will be able to avoid death:

Let him lure and deceive

You won't disappear, you won't die

And only care will cloud Your beautiful features...

"Russia" (1908)

It is with faith in the future, despite the premonition of all storms and tragedies, that the cycle “On the Kulikovo Field” (1908), consisting of 5 poems, is imbued. The history of the Motherland, comprehension of the symbolic meaning of such an event as the Battle of Kulikovo helps the lyrical hero find himself, mature and determine his path, where the spiritual essence of the ancient Russian and the contemporary of the poet merge together.

C17.4. What is the place of Yury Zhivago's poems in B. L. Pasternak's novel "Doctor Zhivago"?

The poetic cycle in the novel opens with one of the most famous poems - "Hamlet". The poem has a deep philosophical meaning. It manifests the consciousness of a certain inevitability:

The hum is quiet. I went out to the stage.

Leaning against the doorframe,

What will happen in my lifetime.

The lyrical hero feels the complexity of his existence and believes that much in his life is inevitable, predetermined:

But the schedule of actions is thought out,

And we will not turn away the end of the road.

"Hamlet" becomes the key work of the cycle, which reveals the spiritual impulses of the lyrical hero and sets the reader on a certain wave of mood.

In terms of composition, all the poems of the cycle are arranged in a certain order, depending on the content. In general, the cycle resembles a calendar, or rather, even a diary that conveys the events of the hero's life. Reading them, you become an unwitting witness to events: the picture of your own life, experiences and thoughts created by Yuri Zhivago is too real and alive.

What is the tragedy of Pechorin's existence? (Based on the novel by M.Yu. Lermontov "A Hero of Our Time")

In the novel "A Hero of Our Time" M.Yu. Lermontov created the image of his contemporary, a man of the 1930s, a complex, contradictory, deeply tragic image.

And the very portrait of the hero is unusual. “At first glance at his face, I would not give him more than twenty-three, although after that I was ready to give him thirty,” the narrator notes. He describes the strong physique of Pechorin and at the same time immediately notes the "nervous weakness" of his body. A strange contrast is provided by the childish smile of the hero and his cold, heavy look. Pechorin's eyes "did not laugh when he laughed." “This is a sign - or an evil disposition, or a deep constant sadness,” the narrator notes.

Pechorin is a romantic hero, a man of exceptional abilities, an extraordinary nature, a strong, strong-willed character. He surpasses those around him with his intellect, versatile education, knowledge in the field of literature and philosophy. He is endowed with a deep analytical mind, critically evaluates all social phenomena. So, about his generation, he remarks: "We are no longer capable of great sacrifices, either for the good of mankind, or even for our own happiness." The life that modern society offers does not satisfy him either. Mary Ligovskaya remarks that it is better to fall "under the knife of a murderer in the forest" than to become the object of Pechorin's evil jokes. The hero is bored in the company of empty, petty envious people, gossips, intriguers, devoid of decency, nobility, honor. An aversion to these people appears in his soul, he feels like a stranger in this world. But at the same time, Pechorin is also far from the world of "ordinary people."

Revealing the inconsistency of Pechorin's inner appearance, the writer shows that he is deprived of the immediacy and integrity of feelings characteristic of ordinary people, for "children of nature." Invading the world of the highlanders, he destroys Bela, destroys the nest of "honest smugglers". He offends Maxim Maksimych. At the same time, Pechorin is not without good impulses. At the evening at the Ligovskys, he "felt sorry for Vera." On the last meeting with Mary, compassion seized him with such force that "another minute" - and he would "fall at her feet." Risking his life, he was the first to rush into the hut of the murderer Vulich. The hero sympathizes with the Decembrists exiled to the Caucasus.

However, his good impulses remain impulses. Grigory Alexandrovich always brings his "villainy" to its logical conclusion. He violates Vera's family peace, offends Mary's dignity. In a duel, he kills Grushnitsky, deliberately choosing such a place for the duel so that one of them would not return. Pechorin manifests himself primarily as an evil, egocentric force that brings people only suffering and misfortune. "Born for a high purpose", he wastes his strength on deeds unworthy of a real person. Instead of active, meaningful activity, Pechorin is fighting with individuals who meet on his way. This struggle is basically petty, aimless. When the hero evaluates his actions, he himself comes to a sad conclusion; “In this futile struggle, I exhausted both the heat of the soul and the constancy of the will necessary for real life.” Passionately longing for an ideal, but having not found it, he asks: “Why did I live? For what purpose was I born? ... And, it is true, it existed, and, it is true, I had a high purpose, because I feel immense powers in my soul; but I did not guess the destination, I was carried away by the lures of empty and ungrateful passions; from their furnace I came out hard and cold as iron, but I have lost forever the ardor of noble aspirations, the best color of life.

The hero reveals his views in his diary. Happiness for him is "saturated pride". He perceives the sufferings and joys of others “only in relation to himself” as food that supports his spiritual strength. Pechorin's life is "boring and disgusting." Doubts devastated him to the point that he had only two convictions left: birth is a misfortune, and death is inevitable. The feeling of love and the need for friendship in the representation of Pechorin have long lost their value. “Of two friends, one is always the slave of the other,” he says. Love for the hero is satisfied ambition, "sweet food .. pride." “To arouse in oneself a feeling of love, devotion and fear - is this not the first sign and triumph of power?” - writes Pechorin.

The position and fate of the hero are tragic. He does not believe in anything, he cannot find a life goal, unity with people. Selfishness, self-will, lack of creativity in life - this is the true tragedy of Pechorin. But the moral image of the hero is formed by his contemporary society. Like Onegin, this is an "extra person", "an unwilling egoist." This is what Lermontov's novel is about. “Pechorin’s soul is not rocky soil, but the earth dried up from the heat of a fiery life: let suffering loosen it and irrigate the blessed rain, and it will grow out of itself lush, luxurious flowers of heavenly love ...”, wrote V.G. Belinsky. However, the very "suffering" of Pechorin is precisely impossible for him. And this is not only the paradox of this image, but also its tragedy.

Revealing the inner appearance of the hero, the author uses various artistic means. We see a detailed portrait of the hero, we read his diary. Pechorin is depicted against the background of other characters (highlanders, smugglers, "water society"). Pechorin's speech is replete with aphorisms: "Evil breeds evil", "Of two friends, one is the slave of the other", "Women love only those they do not know." The author emphasizes the poetry of the hero, his love for nature with the help of landscapes (description of the early morning in Pyatigorsk, description of the morning before the duel). Revealing the originality of Pechorin's nature, Lermontov uses characteristic epithets: "immense forces", "restless imagination", "insatiable" heart, "high" appointment.

Creating the image of Pechorin, Lermontov wrote "a portrait made up of the vices of a whole generation." It was both a reproach to the best people of his era, and at the same time a call for vigorous activity. This is the author's position in the novel.

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"A Hero of Our Time", written by M. Yu. Lermontov in 1840, became the first psychological novel in Russian literature. The author set himself the goal of showing in detail and versatile the character of the main character, who has fallen out of the cycle of an obsolete era.

It seems to me that the tragedy of the fate of Grigory Alexandrovich Pechorin lies in his complex character. Lermontov presented to the reader's judgment a psychological portrait of a contemporary with a dual nature.

Coldness, indifference, selfishness, extravagance

and a tendency to introspection were inherent in many representatives of the "superfluous people", doomed to inaction. A smart, educated hero is bored and dreary from the senselessly changing days, from a series of predictable events.

Pechorin does not trust either friendship or love, therefore he suffers from loneliness. He himself is not capable of deep feelings and brings suffering to others. Gregory feels that two people coexist in him and this explains the duality of behavior. This idea is confirmed by Maxim Maksimovich with a story about Pechorin, who could boldly go hunting for a wild boar alone in bad weather, and

sometimes he looked like a coward - he trembled and turned pale from the sound of the window shutters.

The hero's behavior is contradictory, he quickly cools down to any undertakings, cannot find his destiny. Recall at least his desire to achieve the location of Bela and the rapid cooling of the mountain beauty who fell in love with him. Pechorin's personality emerges from the relationships he enters into with those around him. His actions are worthy of condemnation, but one can also understand the hero, because he belongs to the people of his time, who managed to become disillusioned with life.

Not finding the meaning of life, Pechorin decides to depart on a long journey, which will someday end in death. He himself is unpleasant that he becomes the cause of other people's troubles: Bela and Grushnitsky die because of him, Vera and Princess Mary suffer, Maxim Maksimovich is undeservedly offended. The tragedy of the hero is that he rushes about in search of his place in life, but at the same time he always does as he sees fit.

Thus, the tragedy of the fate of Lermontov's hero lies in himself: in character, in the analysis of any situation. The burden of knowledge made him a cynic, he lost his naturalness and simplicity. As a result, Pechorin has no goals, no obligations, no attachments ... But if the person himself loses interest in life, seeing only boredom in it, then even the healing power of nature is hardly able to heal the soul.

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Please help me find an essay on the topic: what is the tragedy of the fate of Pechorin? and got the best answer

Answer from Ўliya[guru]
Why did I live? For what purpose was I born? The tragedy of the fate of Grigory Pechorin
The whole life of the protagonist of the novel by M. Yu. Lermontov "A Hero of Our Time" can indeed be called a tragedy. Why and who is to blame for this are the topics to which this essay is devoted.
So, Grigory Pechorin, exiled from St. Petersburg for some "story" (obviously for a duel over a woman) to the Caucasus, on the way a few more stories happen to him, he is demoted, goes to the Caucasus again, then travels for some time, and, returning from Persia home, dies. Here is such a fate. But during all this time, he experienced a lot himself and influenced the lives of other people in many ways.
I must say, this influence was not the best - in his life he destroyed many human destinies - Princess Mary Ligovskaya, Vera, Bela, Grushnitsky ... Why, is he really such a villain? Does he do it on purpose or does he do it arbitrarily?
Generally speaking, Pechorin is an extraordinary person, intelligent, educated, strong-willed, brave ... In addition, he is distinguished by a constant desire for action, Pechorin cannot stay in one place, in one environment, surrounded by the same people. Isn't that why he can't be happy with any woman, even with the one he's in love with? After a while, boredom overcomes him and he begins to look for something new. Isn't that why he breaks their destinies? Pechorin writes in his diary: "... the one in whose head more ideas were born, he acts more; from this, the genius, chained to the bureaucratic table, must die or go crazy ...". Pechorin is not attracted by such a fate, and he acts. Acts without regard for the feelings of other people, practically not paying attention to them. Yes, he is selfish. And this is his tragedy. But is Pechorin alone to blame for this?
Not! And Pechorin himself, explaining to Mary, says: "... Such was my fate from childhood. Everyone read signs of bad properties on my face that were not there; but they were assumed - and they were born ...".
So, "all". Who does he mean? Naturally, society. Yes, the same society that interfered with Onegin and Lensky, which hated Chatsky, is now Pechorin. So, Pechorin learned to hate, to lie, became secretive, he "buried his best feelings in the depths of his heart, where they died."
So, on the one hand, an extraordinary, intelligent person, on the other hand, an egoist, breaking hearts and destroying lives, he is an "evil genius" and at the same time a victim of society.
In Pechorin's diary, we read: "... my first pleasure is to subordinate everything that surrounds me to my will; to arouse a feeling of love, devotion and fear for myself - is this not the first sign and the greatest triumph of power." So that's what love is for him - just the satisfaction of his own ambition! But what about his love for Vera - is she the same? In part, yes, there was a barrier between Pechorin and Vera. Vera was married, and this attracted Pechorin, who, like a true fighter, strove to overcome all obstacles, it is not known how Pechorin would have behaved if this barrier had not been ... But this love, love for Vera, however, is more than just a game, Vera was the only woman whom Pechorin truly loved, at the same time, only Vera knew and loved Pechorin not fictional, but real Pechorin, with all his advantages and disadvantages, with all his vices. "I should have hated you ... You gave me nothing but suffering," she says to Pechorin. But she cannot hate him ... However, selfishness takes its toll - all the people around Pechorin turn away from him. In a conversation, he somehow admits to his friend Werner: "Thinking about the near and possible death, I think about myself alone." Here it is, his tragedy, the tragedy of his fate, his life.
It must be said that Pechorin admits this in his diaries, analyzing his life, he writes: "... I did not sacrifice anything for those whom I loved: I loved for myself, for my own pleasure ...". And as a result of his loneliness: "... and there will not be a single creature left on earth that would understand me completely