Ivan Vasiliev Mikhailovsky Theater biography. Ivan Vasiliev, ballet dancer: biography, personal life, creativity
In 2007 he received a youth grant from the independent Triumph Prize.
In 2008, he was awarded the Ballet magazine's "Soul of Dance" prize (Rising Star nomination) and received the annual English award (National Dance Awards Critics' Circle) - the National Dance Critics' Circle Award (nomination "In the Spotlight" / Spotlight Award).
In 2009, he was awarded the Benois de la Danse International Association of Choreographers' prize for the performance of the roles of Conrad in Le Corsaire and Philippe in The Flames of Paris.
In 2010 he was awarded the Dance Open International Ballet Prize in the Mr. Virtuosity nomination.
In 2011 he received the annual English award (National Dance Awards Critics' Circle) - the National Dance Award of the Critics' Circle (best dancer); was awarded the Grand Prix of the Dance Open Prize and the Leonid Myasin Prize (Positano, Italy) in the Best Dancer of the Year category.
Contests
In 2004 he won the 3rd prize at the International Ballet Competition in Varna.
In 2005 he won the 1st prize at the International Ballet Competition in Moscow (junior group).
In 2006 - I prize at the Arabesque Open Competition of Russian Ballet Dancers in Perm. And as the best dancer of the competition, he received the Prize of the Korea Ballet Foundation.
In the same year, he was awarded the Special Distinction (the highest degree for the junior group competitors, an analogue of the Grand Prix provided for the senior group competitors) of the International Ballet Competition in Varna.
He made his debut at the Bolshoi Theater as Basil in the ballet Don Quixote by L. Minkus (choreography by M. Petipa, A. Gorsky, revised by A. Fadeyechev).
Biography
Born in the village of Tavrichanka, Nadezhdinsky District, Primorsky Territory. He received his primary choreographic education at the Dnepropetrovsk State Choreographic School (Ukraine). From 2002 to 2006 he studied at the Belarusian State Choreographic College (teacher Alexander Kolyadenko).During his studies, he trained at the National Academic Bolshoi Ballet Theater of the Republic of Belarus, where he performed the part basil in the ballet "Don Quixote" by L. Minkus (choreography by M. Petipa, A. Gorsky, K. Goleizovsky, V. Elizariev) and the part Ali in the ballet Le Corsaire by A. Adam (choreography by M. Petipa, revised version by P. Gusev).
After graduating from college, he was accepted into the ballet troupe of the Bolshoi Theater of Belarus, but at the end of the same year, 2006, he moved to the troupe of the Bolshoi Theater of Russia, where he also immediately took the position of a soloist.
Rehearsed under the direction of Yuri Vladimirov.
Since 2011, he has been the principal dancer of the Mikhailovsky Theater Ballet Company in St. Petersburg, where he performs the main roles in almost all the major ballets in the repertoire. In 2012-13 He was also the premiere of the American Ballet Theater (ABT).
Repertoire
AT THE GRAND THEATER2006
basil(Don Quixote by L. Minkus, choreography by M. Petipa, A. Gorsky, revised version by A. Fadeechev)
Knees
(“Vain Precaution” by L. Gerold, choreography by F. Ashton)
2007
golden idol
soloist(“Misericordes” to music by A. Pärt, staged by C. Wheeldon)
slave dance(The Corsair by A. Adam, choreography by M. Petipa, production and new choreography by A. Ratmansky and Y. Burlaka) — was among the first performers of this ballet
three shepherds(Spartacus by A. Khachaturian, choreography by Y. Grigorovich)
Soloist(Class Concert to music by A. Glazunov, A. Lyadov, A. Rubinstein, D. Shostakovich, choreography by A. Messerer)
2008
Konrad("Corsair")
Philip(The Flames of Paris by B. Asafiev, choreography by V. Vainonen, directed by A. Ratmansky)
Spartacus("Spartacus") - debuted on tour of the Bolshoi Theater in Amsterdam
Peter("Light Stream" by D. Shostakovich, staged by A. Ratmansky) - debuted on tour of the Bolshoi Theater in Japan
2009
Solor(La Bayadère by L. Minkus, choreography by M. Petipa, revised version by Y. Grigorovich)
2010
Nutcracker Prince(The Nutcracker by P. Tchaikovsky, choreography by Y. Grigorovich)
young man(“Young Man and Death” to music by J.S. Bach, staged by R. Petit) - first performer at the Bolshoi Theater
Parsley(Petrushka by I. Stravinsky, choreography by M. Fokine, new choreographic version by S. Vikharev)
2011
Abderakhman(Raymonda by A. Glazunov, choreography by M. Petipa, revised version by Y. Grigorovich)
Lucien(“Lost Illusions” by L. Desyatnikov, staged by A. Ratmansky) - first performer
Count Albert(Giselle by A. Adam, choreography by J. Coralli, J. Perrot, M. Petipa, revised version by Y. Grigorovich)
fredery(The Arlesian to music by J. Bizet, choreography by R. Petit)
2013
Franz(Coppelia by L. Delibes, choreography by M. Petipa and E. Cecchetti, staging and new choreographic version by S. Vikharev)
2015
James(La Sylphide by H.S. Levenskold, choreography by A. Bournonville, edited by J. Kobborg)
Ivan the Terrible(Ivan the Terrible to music by S. Prokofiev, choreography by Y. Grigorovich)
2019
Jose(Carmen Suite by J. Bizet - R. Shchedrin, staged by A. Alonso)
Ferhad(“Legend of Love” by A.Melikov, staged by Y.Grigorovich)
In 2011, he took part in a joint project of the Bolshoi Theater and California's Segerstrom Center for the Arts (Remansos to music by E. Granados staged by N. Duato; Serenade to music by A. Ciervo staged by M. Bigonzetti; Pas de trois at music by M. Glinka, choreography by J. Balanchine).
Tour
DURING WORK AT THE BOLSHIN THEATER
In 2006, he participated in the XX International Ballet Festival in Havana, performing with Natalia Osipova the pas de deux from the ballet The Flames of Paris by B. Asafiev (choreography by V. Vainonen) and the pas de deux from the ballet Don Quixote.
In 2008, together with Natalia Osipova, he performed at the Stars of Today and Stars of Tomorrow gala concert (pas de deux from the ballet The Flames of Paris), which ended the 9th International Youth America Grand Prix competition for ballet school students, in 1999 founded by former Bolshoi Ballet dancers Gennady and Larisa Saveliev.
He performed in Kazan in gala concerts that ended the International Festival of Classical Ballet named after Rudolf Nureyev, performing pas de deux from the ballet "The Flames of Paris" (partner - soloist of the Bolshoi Ballet Natalia Osipova);
Took part in a gala concert of ballet dancers, held on stage Lyon amphitheater(variations and coda from the ballet "Don Quixote", pas de deux from the ballet "The Flames of Paris", partner - Natalia Osipova);
As part of the First Siberian Ballet Festival, he performed in the performance of the Novosibirsk State Academic Opera and Ballet Theater "Don Quixote", performing the part of Basil (Kitri - Natalya Osipova);
He performed in the title role of Count Albert in the performance of the Novosibirsk State Academic Opera and Ballet Theater "Giselle" (Giselle - Natalya Osipova);
In 2009 he performed the part of Solor in the ballet La Bayadère (choreography by M. Petipa, revised version by V. Ponomarev, V. Chabukiani, with separate dances by K. Sergeev, N. Zubkovsky; production by I. Zelensky) in Novosibirsk with the ballet troupe of the Novosibirsk State Academic Theater of Opera and Ballet (Nikia - Natalia Osipova);
He performed as Count Albert in Giselle (edited by N. Dolgushin) with the troupe of the Mikhailovsky Theater in St. Petersburg (Giselle - Natalia Osipova).
Within the framework of the Second Siberian Ballet Festival, he performed in the performance of the Novosibirsk State Academic Opera and Ballet Theater "Don Quixote", performing the part of Basil (Kitri - soloist of the NGATOB Anna Zharova);
Became a participant in the second series of the project of the agency Ardani Artists "Kings of Dance", in which he performed the famous miniature "Vestris" to the music of G. Banshchikov (choreography by L. Yakobson) and the part in the ballet "For 4" to the music of F. Schubert (choreography by K. Wheeldon);
In 2010 he performed the part of Frederi in the ballet Les Arlesienne to music by J. Bizet (choreography by R. Petit) in Rome with the ballet company of the Rome Opera.
In 2011, as a guest soloist with the American Ballet Theater (ABT), he took part in the performances of this troupe at the New York Metropolitan Opera. He performed as Peter in the ballet The Bright Stream (choreography by A. Ratmansky, Zina - Xiomara Reyes) and the part of Franz in the ballet Coppelia (version by F. Franklin, Swanilda - Xiomara Reyes); performed the title role in Romeo and Juliet (choreography by F. Ashton, revival by P. Chaufus) in London (Colosseum Theatre) with the English National Ballet Juliet - Natalia Osipova);
He took part in an evening of one-act ballets in memory of Roland Petit, arranged on the stage of the London Coliseum Theater by the troupe of the English National Ballet - he performed in the title role of Petit's ballet "Youth and Death" (partner - Zhi Jang).
Ivan Vasilyev is a Russian ballet dancer, a star of the St. Petersburg Mikhailovsky Theater, who previously performed at the Bolshoi Theater, where he was also the premiere. Vasiliev made his debut as a choreographer, presenting the audience with the author's performance "Ballet No. 1".
Ivan was born in the village of Tavrichanka, Primorsky Krai, in the family of a military officer, Vladimir Viktorovich Vasiliev. But soon his father was transferred to the Ukrainian city of Dnepropetrovsk, where Vasilyev spent his early years. When the boy was 4 years old, he, along with his mother and older brother Victor, went to see a children's folk ensemble. Initially, only his brother planned to enter there, but Vanya showed interest in dancing so zealously that the teachers took him too.
Since then, wherever Ivan Vasiliev studied, he always turned out to be 2-3 years younger than his classmates. At the age of 7, the boy first saw a ballet performance and fell in love with this art form. From the folk ensemble, Vasilyev went to the Dnepropetrovsk choreographic school, and later studied classical dance at the Belarusian State Choreographic College under the guidance of choreographer Alexander Kolyadenko. Vasiliev was admitted to college immediately for the third year: the young man was already freely performing those elements that his peers had not even started yet.
During his studies, Ivan trained at the National Academic Bolshoi Theater of the Republic of Belarus and performed on stage in productions of Don Quixote and Corsair. And after college, the young man went to Moscow and won the right to get into the troupe of the most famous theater in the post-Soviet territory.
Ballet
In 2006, a young and talented dancer got on the stage of the Bolshoi Theater. It took the artist only four years to bypass the title of leading soloist and become the premier of the ballet troupe. In addition to the main roles in the performances of "Spartacus", "Don Quixote", "The Nutcracker", "Petrushka", "Giselle", Ivan Vasilyev participated in the international project "Kings of Dance" together with.
Ivan Vasiliev's dance, according to critics, is distinguished by expression, impulsiveness, and strength. The dancer's jumps to a great height and with a hover look not like an acrobatic etude, but like a manifestation of emotions, jubilation and excitement. The performance “Romeo and Juliet” in a chamber production, where Ivan Vasilyev also danced the leading parts, was especially fond of the audience. The dancers managed to embody the tragedy of two lovers on stage. Critics noted Vasiliev's readiness to experience strong emotions on stage, the manifestation of dramatic talent.
And suddenly, at the end of 2011, the news sounded like a bolt from the blue: the leaders of the Bolshoi Theater Ivan Vasiliev and Natalya Osipova were moving to St. Petersburg, and not even to the Mariinsky, but to the Mikhailovsky Theater, which was at that time much lower in the rating.
It turned out that the dancer needed a new serious challenge, tough motivation in order to grow further. In addition, in the new dance group, the artist was offered roles of dramatic and lyrical content, while in the Great Vasiliev's repertoire consisted mainly of heroic images.
This orientation was primarily due to the physical data of the artist: with an average height, Ivan Vasiliev has well-developed muscles, wide hips, while for lyrical images, according to generally accepted canons, an elegant and sophisticated figure is required.
In St. Petersburg, Vasiliev managed to expand the boundaries of his own repertoire and go beyond one role. At the Mikhailovsky Theater, the artist mastered the parts of Prince Desire from The Sleeping Beauty, Frondoso from Laurencia, Solor from La Bayadère.
In addition to the St. Petersburg theater, Vasilyev regularly appears on the stage of the American Ballet Theater, and also participates as a guest artist in private performances, author's projects - "Solo for Two" in contemporary style and at the opening ceremony of the Olympics in Sochi in the film "Natasha Rostova's First Ball". The last performance was staged by a choreographer, and the prima ballerina of the Mariinsky Theater danced with Ivan.
The actor is considered one of the highest paid ballet dancers in the world. But this fact is of little interest to the young man. Ivan Vasiliev sees art in ballet in the first place and proved this by trying himself as a choreographer. Ivan staged an unusual performance "Ballet No. 1", in which he tried to show the possibilities of the human body both in solo parts and in duets.
The artist generously shares information about his creative achievements and plans for the future from the pages of the official website. There is also a biography and colorful photos of Ivan Vasiliev, soloist in the leading roles. The dancer places videos and announcements of new productions on the page in " Instagram”, where family pictures are also found.
Personal life
The dancer's personal life develops in parallel with his professional activities. Almost immediately after Ivan Vasiliev moved from Belarus to Moscow, the dancer began a warm relationship with the ballerina Natalya Osipova. Young people together reached the title of prime minister and prima and became a couple on stage and in life.
Then they went together to St. Petersburg. For many years, acquaintances expected the wedding of artists, but in the end, the young people broke up. This was largely due to Natalia's desire to leave her homeland and go to London. Ivan did not plan to move. Natalia Osipova fulfilled her dream alone and became the prima ballerina of London's The Royal Ballet at Covent Garden.
At the Bolshoi Theater, the dancer met a new love, the ballerina Maria Vinogradova. At that time, the girl was the wife of Alexander Savitsky, the owner of the Trekhmer company. Vasiliev and Vinogradova danced together in the ballet "Spartacus" and immediately felt attracted to each other. On the first date, Ivan invited the girl to the Bolshoi Theater, however, to the opera.
Vasilyev proposed to his beloved in a romantic style: the whole room was strewn with fresh rose petals, the young man, like a knight from a novel, knelt on one knee and presented Maria with an expensive ring from a jewelry brand.
Of course, the girl in love could not resist and agreed. The official marriage ceremony took place in June 2015. And exactly one year later, the couple had a daughter, who was named Anna.
Ivan Vasiliev now
Now Ivan Vasiliev continues to cooperate with the Mikhailovsky and Bolshoi theaters. In St. Petersburg, the dancer is busy in the main parts of the ballets Le Corsaire, The Flame of Paris, performs in Gala concerts of ballet stars, and in Moscow Vasiliev dances in the productions of Ivan the Terrible, The Bright Stream. Together with Maria Vinogradova, Ivan Vasiliev makes up the duet of the main characters in the ballet Giselle.
The couple are preparing numbers for solo performances together. At the concert “Stars of Benois de la Danse – laureates for a quarter of a century”, the dancers presented the duet “Memories” to the music of Ludwig van Beethoven.
For May 2018, the artist plans the premiere of the play “The Beginning. Strings. Amadeus" of the author's project V.I.V.A.T., which will take place on the stage of the Moscow RAMT Theater. This is a chamber ballet, the main roles of which will be performed by the stars of the Bolshoi Theater.
parties
- 2006 - "Don Quixote" (Basil)
- 2008 - "Corsair" (Conrad)
- 2008 - Spartak (Spartak)
- 2008 - "Bright Stream" (Peter)
- 2009 - "La Bayadere" (Solor)
- 2010 - "The Nutcracker" (The Nutcracker Prince)
- 2010 - "Petrushka" (Petrushka)
- 2011 - "Giselle" (Count Albert)
- 2011 - "Sleeping Beauty" (Prince Desire)
- 2012 - Laurencia (Frondoso)
- 2012 - "Swan Lake" (Evil Genius)
- 2012 - "Romeo and Juliet" (Romeo)
- 2015 - "Ivan the Terrible" (Ivan the Terrible)
Ivan Vasiliev was born on September 9, 1989 in the village of Tavrichanka, Primorsky Krai. The boy grew up in the family of a military officer Vladimir Viktorovich. Soon, the father was transferred to the Ukrainian city of Dnepr, where the young man spent his early years. At the age of four, together with his mother and older brother Viktor, he went to see a children's folk ensemble. And initially, my brother planned to go there, but Vanya showed interest in dancing so zealously that the teachers took him too.
Since then, wherever Vasiliev studied, everywhere he turned out to be 2-3 years younger than his classmates. At seven, the boy first saw a ballet performance and fell in love with this art form. From the folk ensemble he went to the Dnieper choreographic school, and later studied classical dance at the Belarusian State Choreographic College under the guidance of choreographer Alexander Kolyadenko. By the way, Vasilyev was admitted to college immediately for the third year, since the young man freely performed those elements that his peers had not even started yet.
During his studies, Ivan trained at the National Academic Bolshoi Theater of the Republic of Belarus and performed on stage in productions such as Don Quixote and Corsair. After school, the young dancer went to Moscow, where he sought the right to get into the troupe of the most famous theater in the post-Soviet territory.
In 2006, a young and incredibly talented dancer Vasiliev took the stage of the Bolshoi Theater. It took him only four years to, bypassing the title of leading soloist, become the premier of the ballet troupe. In addition to the main roles in such legendary performances as Spartacus, Don Quixote, The Nutcracker, Petrushka, Giselle, Ivan, together with Nikolai Tsiskaridze, participated in the international project Kings of Dance.
At the end of 2011, the leaders of the Bolshoi Theater Ivan Vasiliev and Natalya Osipova moved to St. Petersburg, and not even to the Mariinsky, but to the Mikhailovsky Theater, which at that time was much lower in the rating. It turned out that the dancer needed a new serious challenge, tough motivation in order to grow further.
In addition to the St. Petersburg theater, Vasilyev regularly appeared on the stage of the American Ballet Theater, and also took part as a guest artist in well-known private performances. For example, in the project “Solo for Two” in contemporary style and at the opening ceremony of the Olympics in Sochi in the film “The First Ball of Natasha Rostova”. The last performance was staged by the amazing choreographer Radu Poklitaru, and the prima ballerina of the Mariinsky Theater Svetlana Zakharova danced with Ivan.
On March 1, 2014, the ballet dancer signed an appeal by Russian cultural figures in support of the policy of Russian President Vladimir Putin in Ukraine and Crimea.
Vasiliev is one of the highest paid ballet dancers in the world. However, this fact of the young man is of little interest. Ivan Vladimirovich sees in ballet, first of all, art and proved this by trying himself as a choreographer, staging an unusual performance "Ballet No. 1" in 2015. In it, the choreographer tried to show the possibilities of the human body both in solo parts and in duets.
As a guest artist, in 2019 Vasiliev performed the role of Jose in the production of Carmen Suite, and also performed the part of Ferkhad in The Legend of Love.
Ivan Vasiliev Awards
2004 - Laureate of the International Ballet Competition in Varna (III prize, junior group)
2005 - Laureate of the International Ballet Competition in Moscow (I prize, junior group)
2006 - Laureate of the Open Competition of Russian Ballet Dancers "Arabesque" in Perm (I Prize and Prize of the Korean Ballet Foundation)
2006 - Laureate of the International Ballet Competition in Varna (Special distinction)
2007 - Youth grant of the "Triumph" award
2008 - Prize of the magazine "Ballet" "Soul of Dance" in the nomination "Rising Star"
2008 - National English Dance Critics Circle Award (National Dance Awards Critics "Circle") in the nomination "In the Spotlight / Spotlight Award"
2009 - Prize of the International Association of Choreographers "Benois de la dance" for the performance of the parts of Conrad in "Corsair" and Philippe in "The Flames of Paris"
2010 - International Ballet Prize Dance Open in the nomination "Mr. Virtuosity"
2011 - National English Dance Critics' Circle Award (National Dance Awards Critics "Circle) in the nomination "Best Dancer"
2011 - Grand Prix of the International Ballet Prize Dance Open
2011 - Leonid Myasin Prize (Positano, Italy)
2014 - Honored Artist of the Russian Federation
Creativity of Ivan Vasiliev
Repertoire at the Mikhailovsky Theater
2011 - "Sleeping Beauty", choreographer Nacho Duato - Prince Desire
2012 - Laurencia, choreography by Vakhtang Chabukiani, revised version by Mikhail Messerer - Frondoso
2012 - La Bayadère, choreography by Marius Petipa, new version by Mikhail Messerer - Solor
2012 - Don Quixote, choreography by Alexander Gorsky, new version by Mikhail Messerer - Basil
2012 - "Swan Lake", choreography by M. Petipa, L. Ivanov and A. Gorsky, revised by Mikhail Messerer - Evil Genius
2012 - "Romeo and Juliet", choreographer Nacho Duato - Romeo
2013 - The Flames of Paris, choreography by Vasily Vainonen, new version by Mikhail Messerer - Philip
2014 - Vain Precaution, choreography by Frederic Ashton, production by Mikhail Messerer and Michael O'Hare - Colin
2014 - “Class Concert”, choreography by Asaf Messerer, production by Mikhail Messerer - Soloist - first performer
2014 - Halt of the Cavalry, choreography by Marius Petipa, revised version by Pyotr Gusev - Pyotr
2015 - Corsair, choreography by Marius Petipa, production by Mikhail Messerer - Konrad
Repertoire at the Bolshoi Theater
2006 - Don Quixote, choreography by Alexander Gorsky, revised version by Alexei Fadeyechev - Basil
2006 - "Vain Precaution", choreography by Frederic Ashton, production by Alexander Grant - Colin
2007 - "La Bayadère", choreography by Nikolai Zubkovsky - Golden God
2007 - "Misericordes", choreographer Christopher Wheeldon - Soloist
2007 - Corsair, choreography by Marius Petipa, production and new choreography by Alexei Ratmansky and Yuri Burlaka - Dance of the Slaves - first performer
2007 - "Spartacus", choreographer Yuri Grigorovich - Three shepherds
2007 - "Class Concert", choreography by Asaf Messerer - Soloist - first performer
2008 - Corsair, choreography by Marius Petipa, production and new choreography by Alexei Ratmansky and Yuri Burlaka - Konrad
2008 - "The Flames of Paris", choreographer Alexei Ratmansky using the choreography of Vasily Vainonen - Philip
2008 - "Spartacus", choreographer Yuri Grigorovich - Spartak
2008 - "Bright Stream", choreographer Alexei Ratmansky - Peter
2009 - La Bayadère, choreography by Marius Petipa, revised version by Yuri Grigorovich - Solor
2009 - "Esmeralda", choreography by Agrippina Vaganova - Acteon - first performer
2010 - The Nutcracker, choreographer Yuri Grigorovich - The Nutcracker Prince
2010 - "Young Man and Death", choreographer Roland Petit - Young Man - first performer
2010 - "Petrushka", choreography by Mikhail Fokin, edited by Sergei Vikharev - Petrushka
2011 - "Raymonda", choreography by Marius Petipa, revised version by Yuri Grigorovich - Abderakhman
2011 - "Lost Illusions", choreographer Alexei Ratmansky - Lucien - first performer
2011 - "Giselle", edited by Yuri Grigorovich - Count Albert
2013 - "Coppelia", choreography by Marius Petipa and Enrico Cecchetti, edited by Sergei Vikharev - Franz
2015 - Sylphide, choreography by August Bournonville, revised version by Johan Kobborg - James
2015 - "Ivan the Terrible", choreographer Yuri Grigorovich - Ivan the Terrible
Tour
Anniversary concert in honor of the 60th anniversary of the Perm State Choreographic School in Perm
XX International Ballet Festival in Havana, pas de deux from the ballet "Flames of Paris" and pas de deux from the ballet "Don Quixote" with Natalia Osipova
Stars of Today and Stars of Tomorrow gala concert (pas de deux from the ballet The Flames of Paris with Natalia Osipova), which ended the IX International Youth America Grand Prix competition for students of ballet schools, established by former Bolshoi Ballet dancers Gennady and Larisa Saveliev
Basil in the performance of the Mikhailovsky Theater "Don Quixote" (Kitri - Irina Perren)
Gala concerts in Kazan that ended the International Festival of Classical Ballet named after Rudolf Nureyev (pas de deux from the ballet "The Flames of Paris", partner - Natalia Osipova)
Gala concert on the stage of the Lyon Amphitheater (variations and coda from the ballet "Don Quixote", pas de deux from the ballet "The Flames of Paris", partner - Natalia Osipova)
As part of the First Siberian Ballet Festival - Basil in the performance of the Novosibirsk Opera and Ballet Theater "Don Quixote" (with Natalia Osipova) and Albert in the ballet "Giselle" (Giselle - Natalia Osipova)
The part of Solor in the ballet La Bayadère (staged by Igor Zelensky) at the Novosibirsk Opera and Ballet Theater (Nikia - Natalia Osipova)
Part of Albert in the ballet Giselle (edited by Nikita Dolgushin) with the troupe of the Mikhailovsky Theater in St. Petersburg (Giselle - Natalia Osipova)
The part of Basil at the Second Siberian Ballet Festival in the performance of the Novosibirsk State Academic Opera and Ballet Theater "Don Quixote" (Kitri - soloist of the NSATOB Anna Zharova)
Participant of the second series of the project of the agency Ardani Artists "Kings of Dance" (performed the miniature "Vestris" (choreography by Leonid Yakobson) and the part in the ballet "For 4" (choreography by Christopher Wheeldon)
Part of Frederi in Les Arlesienne (choreography by Roland Petit) in Rome with the ballet company of the Rome Opera
Guest soloist of the American Ballet Theater in performances on the stage of the New York Metropolitan Opera: Peter in the ballet "The Bright Stream" (Zina - Xiomara Reyes) and Franz in the ballet "Coppelia" in the version of F. Franklin (Swanilda - Xiomara Reyes)
Guest artist of the English National Ballet in performances on the stage of the London Coliseum (London Coliseum): Romeo in Frederic Ashton's ballet "Romeo and Juliet" (Juliet - Natalia Osipova) and Youth in Roland Petit Petit's ballet "Youth and Death" (partner - Zhi Jang)
Gala concerts in Buenos Aires on the stage of the Coliseo Theater with Natalia Osipova: pas de deux from the ballet Don Quixote and Serenade (choreographer Mauro Bigonzetti)
Within the framework of the Fifth Siberian Ballet Festival with the troupe of the Novosibirsk Theater: Spartacus (Phrygia - soloist of the NSATOB Anna Zharova) and Solor in the ballet "La Bayadère" (Nikiya - soloist of the NSATOB Anna Odintsova).
Guest soloist (Mariinsky Theatre, St. Petersburg): The Prodigal Son in The Prodigal Son (choreography by George Balanchine); A young man in the ballet "Youth and Death" (choreography by Roland Petit) (partner - soloist of the Mariinsky Theater Victoria Tereshkina); Basile in the ballet Don Quixote (Choreography by Alexander Gorsky (1902) based on the play by Marius Petipa) (Kitri-soloist of the Mariinsky Theater Anastasia Matvienko)
The part of Solor in the ballet La Bayadère (staged by Natalia Makarova) in Moscow with the ballet troupe of the Moscow Musical Theatre. K. S. Stanislavsky and Vl. I. Nemirovich-Danchenko (Nikiya - MAMT soloist Anna Ol, Gamzatti - MAMT soloist Oksana Kardash).
Guest soloist (La Scala, Milan): The Phantom of the Rose in the ballet The Vision of the Rose (choreography by Mikhail Fokine); Rubies in Jewels (choreography by George Balanchine)
He was told that he had too short and thick legs
This dancer was seen even by those who have never been to the musical theater: he recently starred in a video for the singer Valeria. And before that, Ivan performed at the opening ceremony of the Olympics in Sochi: a dancer in a hussar mentik performed several of his signature jumps.
It is uniquely high flights on the verge of a stunt that have become the hallmark of this artist. Incredible male charisma makes us call him a genius, Mr. Testosterone, a brutal macho. Halls on Vasilyeva sold out months in advance. One producer admitted that Ivan has such high fees that for a couple of tours he earns an apartment in St. Petersburg.
The most interesting thing is that Vasiliev achieved world fame without having a ballet figure at all. Back in the Dnepropetrovsk Choreographic School (he, a native of Primorsky Krai, came to Ukraine because of his military father), and then at the Minsk School, “well-wishers” warned the guy that he was small in stature, short and thick legs and that such a “clumsy » A career in ballet will not work out. Although “little” Ivan always studied with guys two or three years older than himself and at the same time overtook them in technology.
Yes, compared to other ballet stars, Ivan is squat and stocky. Some strict guardians of ballet even believe that the roles of Princes in white tights are contraindicated for him, where the lines of the figure should be refined. However, Ivan's hurricane energy and charm, and especially his phenomenal jump-flights, make you forget about the artist's physique.
Vasiliev does not hold confidence in his abilities. Quickly taking a leading position at the Bolshoi Theater, he left six years later - to the Mikhailovsky Theater. But in the Bolshoi he is still a welcome guest - he acts as a guest star. In addition, the 27-year-old Vasilyev does not hide his ambitions as a choreographer: he has staged several numbers and a whole performance.
As for the personal life of a star, Ivan's heart always belongs to talented ballerinas. After a high-profile romance and parting with Natalya Osipova, he married another star - Maria Vinogradova, and she gave birth to his daughter a year ago ...
Ivan Vasiliev is changing his profession. Ivan Vasilyev got married. Ivan Vasiliev is ready to say "no" to the President of Russia for the sake of home-made meatballs... Famed ballet dancer, star of the Mikhailovsky and Bolshoi Theaters Ivan Vasiliev told the editor-in-chief of HELLO! Svetlana Bondarchuk about the recent wedding with Maria Vinogradova, which took place on June 6 in Moscow, a new round in his career - in May, Ivan made his debut as a choreographer, presenting his first performance "Ballet No. 1" at the Barvikha Luxury Village concert hall - and also remembered interesting stories from his ballet past.
Ivan Vasiliev and Svetlana Bondarchuk during an interview at the Vanil restaurant
Svetlana. I think that even those who are not so familiar with ballet and have not seen Ivan Vasiliev on stage remember him at the opening ceremony of the Olympics in Sochi, in that part of the show where the scene of Natasha Rostova's first ball was played out. A handsome young man with romantic curls in a spectacular hussar tunic performed several jumps - incredible flight jumps that were simply breathtaking.
I happened to see Ivan Vasiliev's duet with ballerina Natalya Osipova more than once on the stage of the Bolshoi - it always made a huge impression. And once it turned out that I was at the epicenter ... I don’t want to say a scandal, but Natasha and Ivan then really shocked us. Imagine HELLO! conducts photography at the Mikhailovsky Theater and suddenly we learn that Natalia Osipova and Ivan Vasiliev have signed a contract with the Mikhailovsky Theater. Unbelievable: the stars of the country's main stage "escaped" to St. Petersburg. And not even to the Mariinsky. Literally half an hour later, the information spread to all news agencies, in the evening they talked about it in the news on central channels. But we were the first to know!
Today, fortunately, nothing prevents Ivan from dancing both at the Mikhailovsky Theater and at the Bolshoi (now he is a guest star here). Ivan recently made his debut with his own choreography: he presented his first project, Ballet No. 1, at Barvikha Luxury Village. I'm sure it wasn't the last show. The stars of the Bolshoi participated in the performance, but I can say for sure that on that evening the most intent glances were directed at the ballerina Maria Vinogradova. Many already then knew that they were engaged to Ivan Vasiliev. And now I am pleased to inform the readers of HELLO! that Ivan and Maria got married last Saturday, on which I sincerely congratulate them.
Svetlana. Ivan, we met you, if I'm not mistaken, about seven years ago. It was in the Chapurin bar. It was a lot of fun. We even drank, I remember.
Ivan.(Laughs.)
Svetlana. At that time I didn’t have many acquaintances from the world of ballet, and it was a discovery for me that you, ballet people, are so completely earthly and nothing human is alien to you. You can have fun and dance. You, in my opinion, have a great sense of humor, and, in fact, what I'm talking about: I would like you to repeat for readers HELLO! that amazing story related to the Olympics, which he once already told me.
Ivan. Yes, it was really funny. The fact is that while preparing for this ceremony, I spent a week and a half in Sochi. I was not allowed to go to Moscow even for one day, although I tried with all my might to go there. It is clear that after the opening ceremony, the first thing I rushed to the hotel, grabbed a suitcase, got into a taxi to get to the airport as soon as possible, and from there to Moscow. Because in Moscow Masha was already waiting for me with turkey cutlets with pepper, which she cooked and even sent me pictures via Viber. And here I am in the car driving, and suddenly - bam! - a call: "Vanya, Vladimir Vladimirovich is gathering everyone tomorrow. You should be there." I say: "No, I can't, I have a plane!" - "But this is Vladimir Vladimirovich ..." And then I give out: "Well, maybe he will be able to meet me in Moscow?" - "Vanya, it will be rather embarrassing for me to tell Putin about this." Well, embarrassing, so oops! And I hung up. Let's go further. Ten seconds pass, and suddenly it starts: I got a call from everyone who could. Masha finally called me: "Vanya, okay, the cutlets will wait, well, stay there already." In general, I asked to turn the car around and stayed another day.
Svetlana. So love is the most important thing for you. Love for homemade cutlets. (Laughs.)
Ivan. Yes, Masha jokes about me: "That's why you love me - for cutlets."
Svetlana. Is she really that good at cooking?
Ivan. My wife cooks everything perfectly: from elementary buckwheat with mushrooms to Tom Yum soup. In general, she pampers me terribly. I'm so spoiled thanks to her and terribly fastidious. I want only the most delicious. (Laughs.)
Svetlana. The other day you and Masha got married, congratulations again!
Ivan. Thank you.
Svetlana. But a month earlier, another important event happened for you: you made your debut as a choreographer. Was it really such an old dream?
Ivan. We can say that the dream of childhood. Because, as a 12-year-old teenager, I already knew that I would definitely bet. Now I have such a stage in my career: I danced a lot of what I thought, and now I need to move on. I want to not just dance, I want to create something new, interesting. In this project "Ballet No. 1" I brought together the best artists of the Bolshoi: Denis Savin, Kristina Kretova, Anna Okuneva, Alexander Smolyaninov ... I saw at rehearsals that they are really passionate about the process, that they want to work, are open to any of my craziest ideas. (Laughs.)
Svetlana. If this was your old dream, surely there was someone who pushed you to this decision, helped you take a step?
Ivan. Masha, for which I am very grateful to her. I am such a person, I always have a lot of plans in my head. I can hurt them endlessly. Walking around the apartment until three in the morning, inventing something, thinking, saying: "I want, I want, I want." And at some point, Masha simply said to me: "Do you want? Come on!" So, you see, I needed to hear these words from a loved one: "Come on." I needed this shot "to start" so that I ran. And now I will run until I reach the red flag on a high mountain.
Svetlana. Masha must be warned so that she still takes care of you. (Laughs.)
Ivan. Now she herself is tormented by the fact that I sometimes jump up in the middle of the night: I have inspiration. I start to come up with new choreography, wander around the apartment, suddenly find myself in the kitchen. I don’t understand myself how I ended up there ... (Laughs.) Masha comes to the kitchen. The light is off, I'm standing in the dark, somehow twitching there ... (Laughs.) She looks: "Vanya ..."
Svetlana. It seems, Ivan, that you are not looking for easy ways. You have a wonderful career as a dancer, and suddenly you are embarking on a path unknown to you - choreography. You dance in the Bolshoi - suddenly you go to the Mikhailovsky Theater.
Ivan. You're right. When I get too comfortable, I want to change everything and start over. To leave the Bolshoi, where I could dance Spartacus, Don Quixote and so on for years, and go to the theater, which did not sound the same as it does now, and grow in it in a new way.
Svetlana. Your dad, a military man, apparently also did not look for easy ways when he sent you to ballet. For a man to send his son to ballet is, you see, a little unusual. Especially if he himself is not associated with this art. How did it happen?
Ivan. It was difficult not to give me up, because, in fact, from the age of four I danced in a folk ensemble in Dnepropetrovsk, where we moved from the Primorsky Territory, where I was born. And then, when I saw ballet for the first time, I said that I only wanted to do ballet.
Svetlana. How old were you?
Ivan. Seven years.
Svetlana. How did you know it was yours?
Ivan. I don't know, it's like something is guiding me through life. As if something inside sits and pushes me in the right direction. And I think that I went in the right direction: I'm doing what I love. I go to work not under duress, but with pleasure. Only if you don't have to get up for her at seven in the morning. (Laughs.)
Svetlana. So do you like to sleep?
Ivan. For me, this is a necessary thing - sleep. I love to sleep a lot. All theaters suffer from this. But my current status in ballet allows me to ask for late rehearsals.
Svetlana. Did you immediately stand out in the choreographic school?
Ivan. I have always stood out in character. I have the character of a leader: I strive to be the best in everything I undertake. But my teachers, on the contrary, doubted. The teacher from the folk dance ensemble said: "Well, where does he go to ballet? Look, he has short legs, small, plump ..." Time showed that he was wrong.
Svetlana. Absolutely. Fundamentally. But still there are certain physical standards. It turns out that you are destroying stereotypes?
Ivan. Standards are all relative. If you compare me to today's long-legged princes, then yes, I am beyond the standards. But if you look a little wider or a little further, into the past, then no. Vladimir Vasiliev is not tall, Rudolf Nureyev's legs were not the longest.
Svetlana. You remind me most of all Nureyev.
Ivan. Thank you. This is my favorite dancer.
Svetlana. But, when you started, everyone, probably, rather compared you with Vasiliev? Maybe even thought you were his relative?
Ivan. Yes, there were a lot of questions. Moreover, my dad is the full namesake of Vladimir Viktorovich Vasiliev. Once I got a call from some competition and asked: "Ivan, can you take part in our gala concert?" I replied, "Unfortunately, I can't." - "Will your dad be able to come to us, sit on the jury?" I replied: "Of course, he can. But he will only evaluate the front step."
Svetlana. You got, one might say, inherited the crown party of Vasiliev - Spartak. Are your Spartacus similar?
Ivan. No, we are completely different Spartacus. He is the Spartacus that was needed at that time: the greatest and noblest hero.
Svetlana. What heroes are needed now?
Ivan. My Spartacus, in my opinion, is more down to earth, more humane. As they say, life. But, of course, Vladimir Viktorovich always made a colossal impression on me in this game. It is impossible to repeat it. In general, it is impossible to copy artists of such a scale as Vasilyev, Lavrovsky, Vladimirov, Nureyev. And the one who strives for this is mistaken. You need to create your own.
Svetlana. But here I can say for sure what unites you with Vasiliev - a pronounced male charisma. Although after all, in the view of the layman, a ballet dancer is, frankly, not a very masculine profession. Well, are there certain stereotypes? They also exist for actors. But you don't have it at all.
Ivan. In fact, there are a lot of real men in the ballet world. (Laughs.) And sometimes we laugh at ourselves: what kind of profession we have chosen - we paint eyelashes, put on tights. We love to mess around with this. Because there are ballets - the so-called blue classics like "Giselle", "La Sylphide", where the whole dramaturgy fits into a simple scheme: fell in love - swore - got married. Or fell in love - swore - all died. It's just a pleasure to neigh over pantyhose. Although at the same time it is art, it is a fairy tale. And we are inside this fairy tale.
Svetlana. Ivan, do you and Masha dance a lot together now?
Ivan. Yes, we dance in many places: in Giselle, La Sylphide, Spartak and Ivan the Terrible.
Svetlana. Tell me, are you the owner? Jealous man?
Ivan. Yes.
Svetlana. For example, if your wife will dance with another partner?
Ivan. This is absolutely normal. This is a theatre. And if I dance with another partner, I have no doubt that Masha will survive this calmly. I dance in all the theaters of the world, with different ballerinas of different nationalities. It's just our profession.
Svetlana. But what about these close contacts in ballet? All these support...
Ivan. Well, that's how we were brought up. We have been dancing a duet dance since childhood. We take the girls by the legs to lift them up. They don't take it as an insult. (Laughs.)
Svetlana. Explain to me: what is it like to dance with the woman you love? On the one hand, this is probably easier, but on the other ...
Ivan. More responsible. This is a double burden on the nerves. I will never forgive myself if I drop my soul mate. (Laughs.) Although, thank God, I haven't dropped anyone yet.
Svetlana. I know that you are one of the highest paid ballet dancers in the world. But now, when you have a family, your financial requirements, probably, should increase even more? To what extent is the money side of the issue decisive for you?
Ivan. I never started from the number of zeros in the fees. And I'm not going to do it in the future. Creativity is my priority. If I'm interested in a job, it doesn't matter how much I get paid for it. Speaking specifically about choreography, the main thing for me as a choreographer is to create something new. That is my goal now.
Svetlana. Do you want children?
Ivan. Yes very.
Svetlana. What about Maria's career? She's ready?
Ivan. Of course. Everything has its time.
Svetlana. Will you have a honeymoon trip?
Ivan. Unfortunately, we only have a two-week holiday. We are going to Dubai in August.
Svetlana. No, it's terrible. It is very hot there at this time.
Ivan. Late, everyone. We are going there already. Because we spent the last vacation in Mauritius and it was cold there. This summer I decided to go to a place where one hundred percent will be very hot.
Svetlana Bondarchuk and Ivan VasilievSvetlana. Ivan, I want to ask you: what is the most important thing in life for you? What comes first?
Ivan. My favorite. Basically I live for my family. If I didn't have a family, my beloved woman, mother, brother, grandmother, I don't know what I would do... Live for myself? I don't understand this at all. I am not doing art for myself and I am not dancing for myself. I have a family, I have a rear, I have somewhere to return, there are those for whom I go to the ends of the world, twitch in pantyhose, sweat, then I don’t sleep on the plane. Everything is just for them.
Svetlana. Thank you Ivan. You know what I thought: invite me to your rehearsal sometime?
Ivan. With pleasure.
Svetlana. When you will bet. I'm very interested in how this happens, honestly.
Ivan. With pleasure. Although in these moments I'm a little like a madman. But I like it.
Facts about Ivan Vasiliev:
Dancer Ivan Vasiliev was born in the village of Tavrichanka in the Primorsky Territory into a military family. In 2006 he graduated from the Belarusian Choreographic College and in the same year became a soloist of the Bolshoi Theater in Moscow. A year after entering, he was already entrusted with the main role in the ballet "Spartacus" by Yuri Grigorovich.
In 2009, Ivan participated in the program "Kings of Dance" along with five other best dancers in the world. In 2012, he became a guest soloist with the American Ballet Theatre, and a year earlier he moved from the Bolshoi Theater to the Mikhailovsky troupe in St. Petersburg.
Now Ivan Vasiliev dances both at the Mikhailovsky Theater and at the Bolshoi as a guest soloist. This year, at the Bolshoi, he performed for the first time in the title role in the ballet Ivan the Terrible.
The duet of Ivan Vasiliev and ballerina Natalia Osipova has been one of the loudest in the ballet world for several years. Despite the fact that fate separated the artists in different directions, they often continue to perform together.
Ivan Vasiliev and soloist of the Bolshoi Theater Maria Vinogradova got married on June 6 this year. Two and a half years ago, they first danced together in the ballet "Spartacus" and since then they have been dancing together: on stage and in life.
Ivan Vasiliev's schedule is scheduled for months ahead, today we can already say where he can be seen on stage next season. On September 26, the dancer will take part in the Kremlin Gala "Stars of the Ballet of the 21st Century" at the State Kremlin Palace, an annual event held by the V. Vinokur Foundation in support of culture and art. Ivan will present a fragment from the ballet "Scheherazade" in a duet with Maria Vinogradova, as well as his own choreographic number to the music of Max Richter, which he will perform together with the soloist of the Bolshoi Theater Denis Savin.
